21 Movie Headlines That Don’t Belong on a Front Page

Joe Don Baker. Mitchell

Fun trivia: Googling “Joe Don Baker Mitchell remake” yields negative-3,000 results.

I brake for far fewer movie-news articles than the average geek. I still like movies, but what passes for movie “news” nowadays generally doesn’t merit my time or clicking because the majority doesn’t meet my minimum specifications for “news”. I have no vested interest in following the full life cycle of every production from germination-of-idea to perennial-AMC-airings.

I can think of numerous examples off the top of my head for most steps of the filmmaking process and marketing campaign. To illustrate my apathy, let me walk you through the vantage point of internet news outlets — not official sources such as The Hollywood Reporter, Variety, or Nikki Finke, but the other guys. Pretty much all the other guys.

For the sake of argument, let’s pretend the following examples revolve around a remake of the 1975 police drama Mitchell, which starred Joe Don Baker as Oscar Madison from The Odd Couple, plus a gun, minus friends. Let’s pretend we’re in a near-future dystopia in which Hollywood used up its first 5,000 ideas and the only things standing between us and the bottom of the barrel are Mitchell and The Snorks. And James Cameron already has plans for the Snorks.

Let the disposable headlines begin!

“Revolution” 1/22/2014 (spoilers): It’s Not Lupus

Revolution

One of the tense researching scenes from tonight’s CSI: Willoughby.

Tonight’s new Revolution episode is titled “Captain Trips”, another in the show’s long line of references to Stephen King’s The Stand, which in turn referenced Jerry Garcia from the Grateful Dead. It was also the name of a drug-fueled super-hero from George R. R. Martin’s Wild Cards shared-anthology series, which blew me away when I was a teenager, even though I might’ve been grounded for a decade if my mom knew about the content.

I’d much rather rattle on about that etymology chain than cover tonight’s main story about the town of Willoughby suffering from the heartbreak of widespread typhus. As I previously complained when it was Sleepy Hollow‘s turn to use the epidemic plot device back in October, “Diseases can be a really dull antagonist.”

So is it really typhus?…

“Sleepy Hollow” 1/20/2014 (spoilers): All Roads Lead to War

Jenny Mills, Lyndie Greenwood, Sleepy Hollow

As soon as the finale was over, rest assured Jenny Mills was on the internet within minutes, registering her incredulity throughout the world.

Tonight’s season finale of Sleepy Hollow — a mind-bending double-feature of episodes called “The Indispensable Man” and “Bad Blood” — meticulously scrutinized the previous eleven episodes, pulled out all the proper nouns, and then decided to see how many of them it could throw into a blender and pulp together before time ran out.

You want surprises? Man, did we get surprises…

The 86th Oscars Nominations: Initial Random Thoughts

Sandra Bullock, Gravity, Best Picture NomineeIf you’re online much, you’re already aware this year’s Academy Awards nominations were announced today. If you follow either The Hollywood Reporter or The Academy of Motion Pictures Arts and Sciences on Twitter, you had the opportunity to see the categories live-tweeted one at a time early this morning. If you shared my mistake of following both entities, you were treated to a double-barrel Oscar-nom redundancy blast that turned Twitter to sludge for fifteen minutes. Homework question: how many live-tweeters does any given event really need?

I’ll not waste your bandwidth copying-‘n’-pasting the full list of nominees that’s readily available on a million other news sites. Several thoughts popped into my head throughout the day while mulling over the results:

* As discussed in the past, since 1997 I’ve made a point every year of seeing every Best Picture nominee as soon as possible. This year I’m facing quite the obstacle course, as I’ve only seen one of the nine nominees so far (hint: the one with the spaceship). In my defense, six of the nine only opened here in Indianapolis within the last month, a few of which were packed exclusively into the single art-house theater on the other side of the city. Late December and early January are never the best time of year for leisure travel. Unless they’re each gifted with a wider re-release in the nearer gen-pop theaters, I’m seeing a lot of mileage in my immediate future.

Beyond the curtain for more…

“Revolution” 1/15/2014 (spoilers): The Passion of the Bass

David Lyons, Mat Vairo, Revolution, NBC

Welcome to “NBC Team-Up” starring Bass and Kid Bass!

NBC’s Revolution continues its vacation across the border with tonight’s new episode, “Mis Dos Padres” (“My Two Dads”). When last we left Our Heroes, former dictator Sebastian “Bass” Monroe had just been captured by his long-lost son Connor, who was raised to adulthood in a Mexican cartel, leaving Miles and Rachel to hatch an escape plan even though Rachel would rather leave him to rot, or possibly murder him herself if they didn’t need him to help save Willoughby from the Patriots. Though tensions run high in the fictional town of Puesta del Sol (“sunset”), once again the needs of the many outweigh the seething grudge of the few.

So, about that escape plan…

Best CDs of 2013, According to an Old Guy Who Bought Seven

Wesley Stace, Self-Titled

This man deserves to be selling zillions more albums. Someone see to it.

It’s that time of year again! The last time I summarized my year in music purchases, it was slightly longer than this year’s list, only because I bought a 2012 reissue that merited inclusion. I don’t limit myself to a maximum of seven CDs per year; the identical count is coincidental. Blame the music industry for largely boring or alienating me nowadays. As you can imagine, local commercial radio is no help.

The following, then, comprises every CD I acquired in 2013 that was also released in 2013. Back-catalog materials are forbidden from inclusion, though allow me to express in this singular clause that I wish I’d gotten Elvis Costello and the Attractions’ Live at Hollywood High much, much sooner.

On with the countdown, then — from least best to surprising favorite:

7. Childish Gambino, Because the Internet. The only other rap album I bought in the last five years was Donald Glover’s 2011 pseudonymous debut Camp — a killer mix of scathing satire and autobiography, laced with pop-culture references as cutting descriptors rather than random gags. Harsh language isn’t my thing anymore, but the Community-clever snark and wounded candor rose above. His sophomore effort, on the other hand, is a hodgepodge of half-finished tracks, electronic hooks in search of lyrics to stick to, verses that lead nowhere, Bone Thugs speed-rap for listeners who love rhyming words but hate complete sentences, and a general impenetrability that strings a velvet rope in front of us intruders who don’t Get It.

Sample track: The obligatory NSFW single “3005“, in which he sounds defensive about his insecurities and comforts himself with in-jokes. Or something. But it’s more or less a complete song in music-class terms. Points for English class completeness, I suppose.

This way for the other six…

“Sleepy Hollow” 1/13/2014 (spoilers): the Power of Salt and Vintage Ghost Traps

Demon Jenny Mills, Lyndie Greenwood, Sleepy Hollow, Fox

You think your sister has issues…

Tonight’s new Sleepy Hollow episode, “Vessel”: a French demon revealed, a new tape from the Sheriff Corbin archives, modern exorcism tropes, dry cleaning, the word “boondoggle”, and the one moment that Ichabod Crane ‘shippers never thought they’d live to see.

For those who missed out, my attempt to streamline the basic events follows after this courtesy spoiler alert for the sake of time-shifted viewers.

This way for spinning heads and flying little girls…

21st Century Digital Fogey

Google Chromecast

Welcome to the newest addition to our family.

Every few years there comes another time in a man’s life when it’s time to upgrade to the next level of entertainment technology. While the old gizmos might work fine and haven’t broken yet, sometimes it’s time to escalate our media consumption anyway. It’s never easy for me. The older I get, the tougher it can be to shift my paradigms to keep up with the Kids These Days.

Another one of those shifts was implemented this past weekend. I’m never excited when they come to pass, but circumstances warranted it, the money was available, the price was unbeatable, and so far the performance is competent.

This way to keep up with the Joneses…

My 2013 at the Movies, Part 2 of 2: the Year’s Least Worst

Matt Damon, Elysium

The Bourne Upgrade. District 18. Green Zone 3000. Good Will Exploding. And so on, and so on.


Previously on Midlife Crisis Crossover:

Once again January is National List Month, that magical time of year when everyone’s last twelve months of existence must be dehydrated, crammed into enumerated little packets, and lined up on the shelf in subjective order for re-inspection. The final tabulations reveal I saw twenty-five films in theaters in 2013 and one via On Demand while it was still in limited art-house release…

And now, the countdown concludes:

13. Elysium. Some say the 99%-vs.-1% feud will end in negotiations; some say in explosions. Neill Blomkamp’s sophomore extrapolation of the effect of humanity’s self-hatred on its own future stops asking questions halfway through and solves nearly everything with chases and showdowns between Matt Damon’s everyman underdog imperfect sinner Average Joe antihero and Sharlto Copley’s cyborg Snidely Whiplash. In some respects this deserved to be ranked a lot lower, but something about Blomkamp’s vivid underclass aesthetic and leftover District 9 effects cachet boosted it a tad unfairly over the other popcorn-film competition.

This way for #12 through #1…

“Revolution” 1/8/2014 (spoilers): Everyone Loves Li’l Sebastian

David Lyons, Sebastian Monroe, Revolution

Sebastian Monroe, voted Father of the Year by no one ever.

Revolution is back from its December hiatus with tonight’s new episode, “The Three Amigos” — a tale of father/son bonding, grandfather/granddaughter quality time, husband/wife faith put to the test, not one but two wagonjackings, and Aaron running away yet again because it’s what he does best.

Make way for the Son of Bass…

My 2013 at the Movies, Part 1 of 2: the Year’s Least Best

The Rock, Bruce Willis, GI Joe Retaliation

John McClane and the Scorpion King: sequel survivors perpetuating the vicious circle of lame.

Once again January is National List Month, that magical time of year when everyone’s last twelve months of existence must be dehydrated, crammed into enumerated little packets, and lined up on the shelf in subjective order for re-inspection. MCC’s first full calendar year consequently allowed me to submit entries for everything I saw in theaters in 2013. Even if this site didn’t exist, since 2000 I’ve saved lists of every trip I’ve made to the cinema, year by year. The best part of this compulsion is rereading previous years’ lists and seeing names I no longer remember. (Disney’s Teacher’s Pet? Past Me swears my son and I saw it, but we’ve mutually wiped it from memory.)

The final tabulations reveal I saw twenty-five films in theaters in 2013 and one via On Demand while it was still in limited art-house release. This count doesn’t include five 2012 films I attended in 2013 for Oscar-chasing purposes, or any old films I watched on home video. Because lists such as this one must have rules.

Links to past reviews and musings are provided for historical reference. On with the reverse countdown, then:

26. GI Joe: Retaliation. Once again Hollywood forgets the lessons learned from Halloween 3 and Fast and the Furious: Tokyo Drift — i.e., if you dump too much of the original cast, why even bother with a theatrical release? While Ray Park is good for a few minutes of aerial man’s-man ballet, Bruce Willis and the Rock are called in as scabs from other macho action series to shoulder the rest of this silly, overlong commercial for military weaponry and boys’ toys, in that order.

This way for #25 through #14…

“The Hobbit: the Desolation of Smaug” as an Afternoon of Binge-Watching

Bilbo Baggins, Martin Freeman, The Hobbit, The Desolation of Smaug

Bilbo struggles with temptation. So. Many. CUPS.

Two advance caveats:

1. It’s been years since I read The Hobbit. I remember most of it, but to me it’s not a sacred idol to be treated as holy writ every time it’s adapted into another medium. My impressions of The Hobbit: An Unexpected Journey were previously documented to this effect.

2. Some of the following will assume you’re familiar with the book and/or already saw The Desolation of Smaug for yourself. As a latecomer to the party once again, I doubt I’ll be treading unfamiliar ground for too many readers.

That being said: I may be one of the few viewers who found The Desolation of Smaug a more satisfying experience than its predecessor, burdened as that one was with cumbersome exposition and morose musical numbers. Faced with a 161-minute running time, I entered the theater this time with despondent expectations, but realized partway through that the movements are so neatly segmented, it was like binge-viewing a TV miniseries at home. Granted, Desolation was the equivalent of a series’ middle and therefore guaranteed to disappoint no matter how it ended, but taken as Disc 2 of 3, its 3½ episodes zoomed along nicely and moved the story forward with only minimal irrelevant detours.

Onward toward Erebor, then…

My 2013 in Books and Graphic Novels

Neil Gaiman, Skottie Young, Fortunately the Milk

A rare instance of a book I bought and read in the same year it was published.

I rarely review printed matter on this site, but rest assured I find time to read a book or two where I can — in between buying new comics every Wednesday (single issues, pamphlets, floppies, whatever you prefer to call them), occasional issues of the Indianapolis Star, my longtime Entertainment Weekly subscription, Bible study, internet, contributing to this site close-to-daily, overtime at work, chores, family, and other distracting excuses. But books are definitely on my activity list, ranking well ahead of laundry, shining my shoes, and any home repair projects that I don’t actually know how to start.

I spent the first part of the year trying to clear out my accumulation of new finds and autographed items from conventions. I wedged in some prose novels and even a little nonfiction wherever I could, but most of my reading was catching up on the graphic-storytelling variety. I’m really tired of having a large backlog, and some tentatively planned restructuring of my free time and priorities in 2014 should help facilitate that. Maybe. Hopefully.

Presented below is the complete list of books, graphic novels, and trade collections that I finished reading in 2013. A few were started in 2012 and one was an on-‘n’-off side project for years, but I reached their final page this year and that’s what matters. I’m also pessimistically assuming I won’t have any reading time over the three days remaining. If reading time does occur, I’ll just stop three pages from the end and save it for January 1st. Fair enough?

That list, then…

Yes, There’s a Scene After the “Frozen” End Credits

Queen Elsa, Idina Menzel, Frozen

Disney Princesses beware: here comes Elsa, Disney Queen.

Last week animation writer Paul Dini gave a candid podcast interview in which he divulged numerous depressing details about his recent experiences with Cartoon Network executives who expressed in no ambiguous terms their current disinterest in courting a female audience for their action-adventure cartoons because boys buy more action figures.

I wish I were kidding. Part of this illuminating interview has been helpfully transcribed for the podcast-reluctant. Nothing short of jaw-dropping.

Such a shame, then, to see Walt Disney Pictures fly in the face of Cartoon Network programming logic and gamble on a theatrical release like the action-heavy Frozen, in which the humor isn’t locker-room crude, the animation sets new standards, and the main characters are two sisters who pass the Bechdel Test cum laude. Sure, it’s quality entertainment, but if the girl power in a cartoon overwhelms the manpower, why even bother? This cartoon chick flick will be lucky to make more than twenty bucks at the box office. And you can forget about merchandising sales.

…oh, wait. As of its fourth weekend, the movie’s cleared $160 million domestic so far, and it’s still in the #2 box office spot and barely slowing down. How’d that happen? Conspiracy, maybe?

Nope – it’s genuinely impressive…

“Die Hard 2”: That OTHER Technically Christmas Movie

John McClane, Bruce Willis, Die Hard 2

Bruce Willis. Guns. Fake snow. Yep, it was that time again.

It’s an old joke among internet guys that, when asked about the best Christmas movies ever, they’ll mention famous favorites with scenes set at Christmas, even if the entire movie isn’t actually about Christmas. Old reliables such as Lethal Weapon, Die Hard, and maybe Gremlins make strong showings on such lists, though Kiss Kiss Bang Bang is a solid dark-horse candidate and I expect a few tongue-in-cheek votes in the future for Iron Man 3.

Sadly, I never see anyone show any Christmas love for Die Hard 2: Die Harder, which may be one of the two best films of director Renny Harlin’s career and is set entirely on Christmas Eve. Sure, its older brother hogs all the glory as the Greatest Action Film of All Time according to me and occasionally polls, but if you watch too closely and never mind the unfair comparisons to the One That Started It All, you’ll notice it has all the necessary elements of a basic Christmas movie, not to mention a few reminders of Christmas with your own family.

Where’s the Christmas in Die Hard 2? Count the ways:

* Snow! Die Hard had no snow. None. Not a flake. It was set in L.A., which has no snow because it hates Christmas. Die Hard 2 is set in Washington D.C., where snow is everywhere, even though most of it is fake movie snow that would make decent pillow stuffing. Even fake snow has more of a right to be in a Christmas movie than palm trees do.

John McClane’s Christmas list goes on…

“Sleepy Hollow” 12/9/2013 (spoilers): What Ever Happened to Baby Crane?

Henry Parrish, John Noble, Sleepy Hollow

Henry Parrish looks at Rupert Giles and laughs, “Now THIS is a reference book!”

Tonight’s new episode of Sleepy Hollow, “The Golem”, spoils a little of its own mystery in the title alone. Regardless, you’ll never see a few twists ahead in an overstuffed episode that covers the secret origin of Baby Boy Crane, an interview with Katrina’s jailers, the return of John Noble as the sin-eater, and your vocabulary words for the week, “gumplefik” and “gongoozler”.

For those who missed out, my attempt to streamline the basic events follows after this courtesy spoiler alert for the sake of time-shifted viewers.

…

This way for the tale of one bad baby…

“Catching Fire”: And They All Lived Fearfully Ever After

Jennifer Lawrence, Josh Hutcherson, Hunger Games: Catching Fire

Katniss and Peeta practice their strained banter for their next gig hosting the PanEm Oscars.

In the more engrossing and less shaky-looking sequel, The Hunger Games: Catching Fire, we’re told “The Games mean nothing.” In fact they’re not even the central plot; they’re the extended climax appended to a more interesting, feature-length coda in which the quote-unquote “victors” of PanEm’s 74th Hunger Games receive their “rewards”, learn about their new responsibilities, and figure out for themselves that sometimes victory is only as meaningful as your handlers allow.

Continue here as The MAN tries to extinguish the Girl on Fire…

Wonder Woman Finally Coming to Theaters as Sidekick to More Popular Male Heroes

George Perez, Wonder Woman #1

For me, Wonder Woman’s golden age began in 1985. Artist/co-writer George Perez autographed my battered old copy of that year’s WW #1 at the 2012 Superman Celebration in Metropolis.

Welcome to another one of those times where my headline pretty well nails what I’m thinking and renders all my additional typing pointless.

Warner Brothers confirmed on the record today that the long-neglected Wonder Woman will be featured in a live-action theatrical release for the first time in her 72-year history, and her first live-action non-bootlegged role in 34 years. This potentially historical part has been awarded to Israeli actress Gal Gadot, who was a complete unknown to me before today, though I understand she’s a regular in the Fast and the Furious series. For longtime fans who’ve been wanting to see our legendary Princess Diana on the big screen, your wish is about to be granted.

One catch: she’s not yet earned a film to have all to herself. Instead she’ll be a supporting character in Zack Snyder’s Batman vs. Superman crossover.

Caution: grumbling ahead…

Treatment Suggestions for Sufferers of Repressed Spoilers Syndrome

Daryl Dixon, Norman Reedus, Walking Dead

If Daryl Dixon ever dies, your dreams of a spoiler-free Sunday evening will be beyond laughable.

Every Sunday evening during the active TV seasons, my online experience takes the same shape: a few friends share their vague reactions to the new episode of The Walking Dead that signify something game-changing happened yet again, right on schedule; one or two other friends dispense with discretion and blurt out what the game-changing thing was to anyone who’ll listen; and another friend or two explode with spoiler rage because they weren’t watching the show as it aired, but totally planned to watch it as soon as they could, or as soon as they felt like it, apparently having learned nothing from the last forty times this happened with the last forty episodes.

Of those three fan divisions, it’s my belief that the most stressed-out and in need of help is Group 1.

This way for theories and treatment…

Starbase Indy 2013 Photos, Part 2 of 2: Rise of the Character Actors

Previously on Midlife Crisis Crossover: photos and notes from this year’s Starbase Indy, an annual Indianapolis sci-fi convention my wife and I rather enjoy. Last time we showed you the costumes: this time, the guests.

The headliners: two main cast members from Star Trek: Deep Space Nine. At far left: Armin Shimerman, who played Quark, the devious Ferengi bartender. At far right: Rene Auberjonois, who played Odo, Changeling security head. If your TV experiences resemble mine, you’ll also know them as Principal Snyder from Buffy the Vampire Slayer and Clayton Endicott III from the old sitcom Benson.

Armin Shimerman, Rene Auberjonois, Starbase Indy 2013

More photos! More actors! More fun!