“My mom thinks I’m cool!”

Previously on Midlife Crisis Crossover: since 1992 Indianapolis has held its own celebration of cinema with the Heartland International Film Festival, a multi-day, multi-theater marathon every October of documentaries, shorts, narrative features, and animated works made across multiple continents from myriad points of the human experience, usually with an emphasis on uplift and positivity. Ever since the “International” modifier was added in recent years, their acquisition team steadily escalated their game as they’ve recruited higher-profile projects into their lineups. Last year’s big names included future Oscar nominees The Whale and The Banshees of Inisherin; past years featured films that I later ended up catching during their scheduled theatrical runs, such as Room and Lion.

For years my wife Anne and I have talked about getting into the spirit of the festivities. We attended our first Heartland showing in 2011 (a tale I’ve yet to share here on MCC), attended Heartland’s sneak preview nights in 2015 and in 2016, and attended merely one of last year’s showings…which turned out to be a film that’d already been on Hulu for months. We’ve always been afraid of overcommitting during our usually busy Octobers, but we knew we could do better than that.

This year we will do better. The festival’s 32nd edition will run October 5-15. I’ve committed to at least five different Heartland showings — one of them virtual in-home, while the others will screen at four different theaters throughout central Indiana. Anne volunteered to accompany me to two of them; my son is on board for one; still another will be a solo outing to a theater 35 miles from home that I’d never heard of, let alone knew existed. Lord willing and if my family will let me, I’m hoping to write about each experience as quickly as I can throughout the week, hopefully in shorter entries than my usual overlong amateur film essays with anti-casual word counts. We’ll see how that goes.

Our first HIFF entrant was screened at home, apropos of its subject and how we’ve known of her talents for decades. But we never knew her story till now.

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