This weekend I revisited Walt Disney’s twelfth animated classic Cinderella for the first time since the late 1990s. Of all the numerous Disney films our family has owned in multiple formats, this is one of several that rarely saw repeat viewings even when my son was a toddler who insisted on watching every animated movie over and over again until I hated it.
As with many older Disney films, parts of it have aged better than others. I’ll admit I had trouble staying conscious all the way through. Even if I’m alone in this struggle, the film is now over sixty years old and therefore in need of a gratuitous overhaul on shallow principle. In the spirit of today’s remake-happy medium that thrives on second-hand ideas, the following notes are my suggestions to downconvert this one-time children’s favorite for the modern, unsophisticated audience that Hollywood executives so dearly crave:
1. We need to believe that Cinderella’s dad would have good reasons to want to marry the wicked stepmother. As drawn and acted, she’s a horse-faced harpy. Was she, once upon a time, a gregarious looker? Were they married for so long that her looks and demeanor have simply deteriorated over time? Was the marriage that hard on her? What does that say about dearly departed Dad? Cinderella’s trauma at his loss means he wasn’t an unlovable tyrant, so the only other sensible option is that he was a spineless doormat forced into marriage by this conniving harridan. Clearly we need copious non-linear flashbacks to Dad and Stepmom’s deceptively happy wedding day before it all went wrong, when he turned into Walter Mitty and she became Miss Hannigan from Annie.