Scarecrow and Mr. Grey in “Anthropoid”

Anthropoid!

Just hanging out in Prague, trying to look cool and impress Czech chicks and maybe not get executed.

In this age of wall-to-wall summer action blockbusters and the multiple temptations to entertain ourselves at home for cheap, we have a hard time getting out there to see and support the obscure, scrappy little films whenever they air in the precious few local theaters that bother to screen them. On rare occasion my wife and I will find spare moments to make the long trek to the one art-house theater on the opposite side of Indianapolis if something tempts us on a not-so-busy weekend. Nine out of every ten experiences have ranged from pleasant to surprising to thrilling.

It’s been a while since we’ve run up against that tenth out of ten films. As soon as it opened here in town, we made an appointment with Anthropoid because films about World War II are usually her cup of tea. This time, not so much.

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Wizard World Chicago 2016 Photos, Part 5: Last Call for Cosplay!

Aku Aku and Uka Uka!

Your greeters for today: Uka Uka and Aku Aku, the sentient floating voodoo power masks from ye olde Crash Bandicoot series.

Previously on Midlife Crisis Crossover:

It’s that time of year again! Anne and I spent this weekend at Wizard World Chicago in scenic Rosemont, IL, where we generally had a blast surrounded by fellow fans of comics and genre TV/movies even though parts of it resemble hard work and our feet feel battle-damaged after three days of endless walking, standing, lining up, shuffling forward in cattle-call formation, and scurrying toward exciting people and things.

In this episode: all the cosplay that’s fit to post. One last round of WWC 2016 costumes before we move on to other aspects of the con and site traffic resumes its normal levels once I stop mentioning cosplay. And now, we rejoin cosplay, already in progress — from the worlds of animation, video games, movies, TV, and Cool-Looking Characters We Don’t Recognize.

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Wizard World Chicago 2016 Photos, Part 4: Star Wars and Sci-Fi Cosplay!

Palpatine for Emperor!

“Vote for me and I vow there shall be a grand inquisition regarding the contents of Mon Mothma’s email inbox!”

Previously on Midlife Crisis Crossover:

It’s that time of year again! Anne and I spent this weekend at Wizard World Chicago in scenic Rosemont, IL, where we generally had a blast surrounded by fellow fans of comics and genre TV/movies even though parts of it resemble hard work and our feet feel battle-damaged after three days of endless walking, standing, lining up, shuffling forward in cattle-call formation, and scurrying toward exciting people and things.

In this episode: Star Wars cosplay! Always a popular choice, especially now that The Force Awakens gave fans several dozen more characters to choose from, though they’re really only basing costumes on three or four of them at best. Also, we welcome envoys from other science fiction universes who insist there’s more to life than lightsabers and cutesy, merchandisable aliens.

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Yes, There’s a Scene During the “Suicide Squad” End Credits

Suicide Squad!

Not the Bad News Bears reboot we want, but maybe the Police Academy reboot we need.

Midlife Crisis Crossover calls David Ayer’s Suicide Squad the best DC Comics film since The Dark Knight!

To be candid, that’s not too much of a compliment if you reconsider the competition. I suppose it’s a close race with The Losers, but I think of that more as a DC/Vertigo movie even though the original Losers were an old-time DC property. Suicide Squad has quite a few flaws in need of fixing — or, quite possibly, unfixing if you believe the press — but the overall studio-approved package contains a lot of well-crafted elements, some inspired performances, and a pretty faithful approximation of the 1980s Squad of my teenage years.

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Yes, There’re Scenes During AND After the “Ghostbusters” End Credits

Ghostbusters!

Paparazzi photo from the listening party for the new Fall Out Boy theme.

Previously on Midlife Crisis Crossover: I went ahead and reviewed co-writer/director Paul Feig’s controversial Ghostbusters reboot without seeing it first:

A-plus-plus-plus-plus-plus-plus. Eleventeen stars out of six. Two thumbs and five “WE’RE #1” giant foam fingers up. Two standing ovations, twelve “Good Job!” happy grading stickers, four Employee of the Month certificates, three Peabody Awards, a two-year supply of Rice-A-Roni (the San Francisco treat!), and one honorary “Joe Bob says check it out!” Midlife Crisis Crossover calls Ghostbusters “One of the year’s best films!” based on the fact that I just felt like typing those words in that order for this purpose. Since I haven’t had a man card to my name in ages, this is the kind of arbitrary whim that really impresses my wife.

…because someone had to bring balance to the internet. That someone didn’t have to be a guy, of course.

As of last night, now I’ve seen it for real. And every movie I watch in a theater for real gets an entry, even if I technically covered it already, even if the rest of America has already moved on to the next movie discussion.

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“Star Trek Beyond” The Space Fast & the Space Furious

Star Trek Beyond!

New character Jaylah (Sofia Boutella from Kingsman: The Secret Service) promises she’s not a rebooted character, her name isn’t Ms. Khan, and she isn’t a radically reimagined Mugatu.

Thirteenth time’s nearly the charm for the long-running film series, which needed to make up for the ground lost by JJ Abrams’ 2013 superfluous Wrath of Khan remake. This time around the Powers That Be went with a different style of director — Justin Lin, mastermind behind four Fast and the Furious entries, including the one where nearly all the heroes teamed up and became the AAA Avengers with their very own Fast and Furious Cinematic Speedway. Lin knows a little about diving into established universes, and a lot about spectacularly timed whiz-bang action sequences. I assumed sight unseen that Star Trek Beyond would therefore have some of the best starship battle sequences in all of Trekdom (or at least it had better), but would he be capable of the kind of cerebral depth that the old-time fans demand from their Enterprise crew?

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Ads of Darkness, Ads of Light

Suicide Squad!

Some movie posters want to sell you happy fun times using all the colors of the rainbow. In terrible times like these, not everyone wants to embrace the dark side. Sometimes even our creepiest antiheroes are redrawn to radiate with kaleidoscopic pop-art joy in hopes of convincing tourists and natives alike that our next trips to the theater will leave us smiling and cheering while murderers and other malcontents save the day. Apparently that’s why the Suicide Squad now stands tall above Times Square looking as far removed from murky Zack Snyder dystopia as possible.

Meanwhile in other universes, other antiheroes couldn’t care less whether you smile or shudder.

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Yes, There’s a Scene After the “Finding Dory” End Credits

Finding Dory!

Hipster fish coffee: the next big trend. Call it “Pescafe”.

America’s favorite fish are back! (Sorry, Charlie.) Finding Dory is a rare sequel in which the main character returns but is relegated to a sidekick role and gets fewer lines, like the third Hobbit movie. Seems unfair that Ellen DeGeneres’ agent can beat up superstar Nemo’s agent, but that’s how it goes in Hollywood.

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MCC Home Video Scorecard #8: Of Pee-Wee and Poe

Pee-Wee's Big Holiday!

When Pee-Wee and Joe saw the breadth of their diorama, they wept, for there were too many worlds left to conquer.

Previously on Midlife Crisis Crossover: the recurring feature that’s me jotting down capsule-sized notes about Stuff I’ve Been Watching at home. Some of this is catch-up that missed the cut last time due to memory loss, so consider this a handy wrap-up of 2016 home viewing to date. I think. More or less. Not counting Netflix series, anyway.

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“Ghostbusters”: Best Film of the Year, Possibly, Let’s Assume

Ghostbusters!

For Your Film Award Consideration. Like, all of them, because we have a dream.

Normally I wouldn’t review a film till after I’ve seen it, but I get the impression from some corners of the internet that cause-and-effect are now passé and prejudging is all the rage with the poorly parented kids these days. I’ve been watching the ongoing Ghostbusters debates for months from the sidelines, but the following tweet kind of broke me Monday evening:

https://twitter.com/kumailn/status/745014178914566144

I can’t figure out which shopping site he was browsing, but honestly, that’s how we’re playing armchair critic, guys? By shooting things down that make us frown without even trying them? With attitudes like that, I’m guessing none of those faux advance reviewers ever gave vegetables a chance, either.

Hi, geese. Call me gander. Let’s go ahead and review Ghostbusters like it’s the greatest thing in the galaxy, 100% sight unseen, three weeks before it opens. Free country! Free speech! Free boorishness! Free self-immolation!

Right this way for a heavy-duty shot of positivity adrenaline for Generation Shouty!

Yes, There’s a Scene After the “X-Men: Apocalypse” End Credits

X-Men Apocalypse!

In an unprecedented negotiation victory, the cast’s contracts allowed them to rewrite the entire screenplay between takes to their own satisfaction and without the director’s input. Believe it or not!

Marvel’s merry mutants are back! Academy Award Winner Jennifer Lawrence and her amazingly lower-paid friends return for X-Men: Apocalypse, the ninth film in a cinematic universe that’s unwritten at least 3¾ previous installments out of its own continuity. Everything you thought you knew, every film you thought was worth saving, every character you thought was more important than other characters, you’re wrong. Shut up, go to the concession stand, and don’t come back until you agree to stop thinking so hard about any of this. Just be happy that director Bryan Singer is finally telling the one major story that You, the Viewers at Home, clearly demanded most: the secret origin of Professor X’s bald head.

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Yes, There’s a Scene After the “Captain America: Civil War” End Credits

Civil War!

Chadwick Boseman leads an all-star cast in Black Panther: Civil War, quite to my delight.

The worldwide phenomenon about two unique individuals from very different worlds — one with his armor and his billions, the other with his enviable muscles and his onetime fervor for The American Way — will rank high among other films in the $300-million U.S. box office club at year’s end. Once again the major studios prove they’re still capable of putting out product that can contemplate serious topics even while reveling in visual dynamics and not shying away from moments of emotional intensity.

No, not the one with the Marthas’ boys in it.

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“Zootopia”: Welcome to the Harerdome

Zootopia!

If you refuse to see it in theaters, the “sloth trailer” alone is a hoot. I can only imagine how excruciating that scene probably was to animate using, like, a hundred times as many frames per movement.

The worldwide phenomenon about two unique individuals from very different worlds — one who’s itching for justice, one who’s given some thought to law enforcement — passed $300 million this weekend at the U.S. box office and proved major studios are still capable of putting out product that can contemplate serious topics even while reveling in visual flair and not shying away from moments of intensity or even a few tears.

No, not the one with the angry costumed guys in it.

Right this way for a few words about Disney’s “Zootopia”!

“Race”: For Your Next Black History Month Consideration

Race!

It’s one of those MCC traditions dating back to our humble beginnings nearly four years ago: if I see a movie in theaters, it gets an entry. My wife and I saw the Jesse Owens biopic Race near the end of Black History Month, but the requisite write-up kept getting pushed back as I let other topics cut in line to stall for time while I thought through what I wanted to type. Right now it’s down to its last hundred American screens, but with the home video release scheduled for May 31st, we can all pretend this is actually an advance review and I’m more of a DVD vanguard than a procrastinator.

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The One With “Batman v. Superman: Dawn of Justice” In It

Batman v. Superman!

Which grim-‘n’-gritty breakfast mascot’s product do you think should win: Batman Chocolate Strawberry cereal or Superman Caramel Crunch cereal? Both are real things now in stores, and they’re banking on this movie to sell them somehow.

Look, everyone else online had a turn venting about Batman v. Superman: Dawn of Justice the past few days, so I want my turn now. The TL;DR version:

* Not the worst Zack Snyder film ever
* Definitely not the worst super-hero film ever
* It had good things in it
* The good things were outnumbered
* I don’t actively root against DC’s films to fail, but I’m not gonna mollycoddle them with blind adulation, because superheroes are not my religion
* Filmmakers still don’t get Superman
* This movie is more about superpowers than about superheroes
* I’ve been collecting comics for 37 years and I’m 98% certain I’m not this film’s target audience
* If Monday night’s Supergirl/The Flash crossover was an Earth-1 team-up, BvS is its Earth-3 doppelgänger

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C2E2 2016 Photos: Last Call for Costumes!

PuppyMonkeyBaby!

Puppymonkeybaby! Puppymonkeybaby! Puppymonkeybaby! Puppymonkeybaby! Puppymonkeybaby! Puppymonkeybaby!

Previously on Midlife Crisis Crossover: my wife and I spent two days at the seventh annual Chicago Comics and Entertainment Exposition, where Midwest comics fans in particular and geeks in general gather together in the name of imaginary worlds from print and screen to revel in fiction and touch bases on what’s hot or cool at this moment in pop culture.

This isn’t the final chapter in this very special week-long MCC miniseries, but it is all the costume photos we have left. Most of these would fit into a “Movie and TV Costumes!” chapter of their own, but that would leave a few stragglers out in the cold. As always, our goal here is to see No Cosplayer Left Behind if we have any say in their fates. So everyone unites in one last big potpourri hurrah for the sake of inclusion.

What we’ve presented in our five C2E2 2016 costume entries is a fraction of a fraction of all the hundreds of cosplayers we saw swirling around us all weekend. No two C2E2 attendees will have the same costume photo collections, so I’d strongly recommend seeking out others online if you want an even broader picture of the complete Chicago convention experience. C2E2 is large and it contains multitudes.

Right this way for costumes, costumes, COSTUMES!

“Kung Fu Panda 3”: Eats Yaks & Leaves

Kung Fu Panda 3!

“Dad, do you think they’ll let me present an award at next year’s Oscars? Or at least the Kids Choice Awards?”

It’s post-Oscar season movie time! That inevitable season when the major studios helpfully fill up theaters with numerous counterprogramming choices, by which I mean flicks that will never, ever win quality-based awards but might just make a buck or two off those moviegoers who couldn’t care less about the overwrought film-award pomposity. Usually when you see an animated release on the post-Christmas slate, it’s one that was made overseas for twenty bucks that would’ve gone to straight-to-video if the studio weren’t desperate for some first-quarter earnings on their P&L sheets.

So I was surprised to see Kung Fu Panda 3 dumped into a wintertime slot. I barely remember anything about the second one except an impressive ship crash and Gary Oldman’s lame evil peacock, but the original was an eye-popping martial-arts spectacular that proved to be one of Jack Black’s best-ever vehicles and one of my top five Dreamworks Animation films to date. I was hoping the third would be more like the first.

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Oscars 2016: Nonwhite Presenters Present Bright Spots in White Cinema

Chris Rock!

“I counted at least fifteen black people in that montage!”

Thus did emcee Chris Rock kick off the 88th Academy Awards after an animated intro full of lamps with adjectives on them and Oscar statuettes being imbued with all the colors of the rainbow. After the actors and actresses of the Academy of Motion Picture Arts & Sciences offered up their second consecutive slate of twenty white nominees in a row, the Academy faced an online onslaught of #OscarsSoWhite criticism and went into full damage control mode, enlisting writer/director and former BET CEO Reginald Hudlin as an additional producer and basically giving second-time host Rock a free pass to do whatever came to mind. This served him well for a surprisingly outrageous monologue and a few later comedy bits, until later in the ceremony when he threw away a significant chunk of goodwill on a quick, pointless, unfunny, racist gag that had nothing to do with anything.

It was one surprise in a night full of several, some of them not so tasteless. A few movies I really liked in 2015 came away with bragging rights, so I got that going for me.

Right this way for the list of winners and rundown of memorable moments!

MCC Home Video Scorecard #7: Oscar Prep Time

Bridge of Spies!

Oscar champ Tom Hanks weaves through an argumentative viewing public with past nominees Amy Ryan (Gone Baby Gone) and Alan Alda (The Aviator) in Steven Spielberg’s Bridge of Spies.

Previously on Midlife Crisis Crossover: the recurring feature that’s me jotting down capsule-sized notes about Stuff I Recently Watched at home. In this batch: we prepare for Sunday night’s Academy Awards ceremony starring Chris Rock and a crowd of soon-to-be-flabbergasted white folks with brief notes on the final Best Picture nominee, one nominee in other categories, and one tiny overlooked film that would make a great double feature with one of the other Best Picture nominees.

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“Room”: Your Life Should Be More Than a Bottle Episode

Room!

Every year there’s always at least one Oscar contender for Best Picture that was shot for $50 and had a marketing budget of about $20. This year’s Little Engine That Could is Room, which I’ve been interested in ever since we saw the trailer at the Heartland Film Festival preview night back in September. Unfortunately, its initial run lasted in Indianapolis for a week or two at a single theater on the other side of town, in a month when when we had far too many things going on. Its Best Picture nomination gave it a new reason to live, its distributor dug some spare change out of their couches, and it reopened here on twice as many screens last month. Behold the power of awards-season prestige.

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