“Valerian and the City of a Thousand Planets”: Big in China!

Valerian!

The Green Goblin and the Enchantress compare notes on the misery of comic-book movies gone horribly wrong.

One of the biggest flops at the American box office this summer may have itself a happy ending after all. Despite US receipts of $40 million against a reported budget of $177 million, the nearly forgotten sci-fi hodgepodge Valerian and the City of a Thousand Planets is now finding more receptive audiences overseas, where their audiences apparently have different popcorn-flick standards from ours. Or maybe their trailers were cooler. Or maybe their voices were dubbed into other languages by superior actors. Maybe you haven’t really seen director Luc Besson’s eye-popping fiasco unless you’ve watched it in Cantonese bombastically recited by Hong Kong’s greatest Shakespearean thespians.

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Yes, There’s a Scene During the “Suicide Squad” End Credits

Suicide Squad!

Not the Bad News Bears reboot we want, but maybe the Police Academy reboot we need.

Midlife Crisis Crossover calls David Ayer’s Suicide Squad the best DC Comics film since The Dark Knight!

To be candid, that’s not too much of a compliment if you reconsider the competition. I suppose it’s a close race with The Losers, but I think of that more as a DC/Vertigo movie even though the original Losers were an old-time DC property. Suicide Squad has quite a few flaws in need of fixing — or, quite possibly, unfixing if you believe the press — but the overall studio-approved package contains a lot of well-crafted elements, some inspired performances, and a pretty faithful approximation of the 1980s Squad of my teenage years.

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