On April 28, 2013, the blog you’re presently skimming celebrated its very first birthday. Strange but true! I would’ve marked the occasion sooner and in a timelier fashion, but longtime readers might’ve noticed I had a hard time shutting up about that blasted C2E2 event for a few minutes. Even though our official six-part photo gallery is completed, I still have at least three posts’ worth of C2E2-related material in store from a different angle. Out of respect to my readers who might not be as enthralled as I am by local comics conventions, a broader, general-audience digression seemed in order. Also, I’d like to mark the occasion sometime before next New Year’s.
It was a singular event that inspired me to launch this humble site out of a combination of frustration and curiosity. (Expect the story behind said event in an upcoming entry. Enough time has passed, I think, that I can share it with fewer sour grapes.) I set forth on this strange journey to discover the answers to a long list of questions for myself, including but not limited to:
1. How many consecutive evenings in a row can I find a reason/excuse to write about something before I stumble and fail?
2. How much am I willing to sacrifice for the sake of writing?
3. Can I start such a project without a preexisting audience?
4. Is it possible to build an audience from the ground up? Not counting spammers?
5. What sorts of writing will I like best? And what kinds might become a dreary chore?
6. Is there a question #6?
7. Can I enjoy myself without being jealous of those who do this regularly for money?
8. Will anyone I know even care?
9. Am I alone in this?
10. Do I really like writing? If not, what am I supposed to be doing with my life?




I would be remiss in my comics fandom if I didn’t take a moment to plug the heck out of the twelfth annual 









As of tonight, now we know for certain why NBC tastefully postponed the new Revolution episode “The Night the Lights Went Out in Georgia” from last week. At first I wondered if the reason would be more scenes of Nora carrying out heroic bombing on behalf of the Rebel Alliance, but no. Even more unnerving, given the events of last week in real life: this week, Sebastian “Bass” Monroe, President of the Monroe Republic, mad with electrical power and incensed paranoia, sends a few henchmen to Atlanta, the capital of the neighboring Georgia Federation, to threaten it with an old-fashioned suitcase nuke. Presumably Monroe and his loyal scientists have been sitting on this portable, stylish WMD through all fifteen years of the blackout, waiting for the opportunity to fire it up and stop postponing WWIII. Luckily for them, most fissile materials have a half-life with a distant expiration date.
As with most big-budget sci-fi films nowadays, many viewers will spend half the running time of the new Tom Cruise vehicle Oblivion mentally tallying how many refurbished components they recognize from other sci-fi flicks. That doesn’t automatically make the film bad in my book, but it can be a pervasive distraction that turns my viewing experience into one long Highlights for Children puzzle. (Score one point for every borrowed element you spot! If you spot ten or more, you’re a Certified Movie Maven!) Oblivion is the second feature film from Joseph Kosinski, the director of Tron: Legacy, which was a visual wonderland and a surprisingly classy act considering it was a Disney sequel to a film I’ve disliked since I was ten. 