“The Running Man”: A Fistful of New Dollars

Glen powell disguised with glasses, mustache, and boring hair, very tense in a science fiction hallway filled with red WANTED posters for his character Ben Richards.

Hit Man is back! And this time, it’s personal!

Imagine you’re in a harsh alt-reality episode of Who Wants to Be a Millionaire? and the next question — for, I dunno, a cash prize of six bucks — is “How does this entry about Edgar Wright’s The Running Man begin?” The possible answers are:

  • A. “In the wake of The Long Walk and The Life of Chuck, the best-ever year for Stephen King film adaptations maintains its batting record with yet another home run…”
  • B. “As with his last feature film, the glam-noir psycho-thriller Last Night in Soho, Edgar Wright once again spins nostalgic flax into a new generation’s gold…”
  • C. “After his charismatic turns in Top Gun: Maverick, Devotion, Hit Man, Twisters, and more, Glen Powell keeps flying high toward A-list cloud-nine…”
  • D. “I read the book in high school and watched the Schwarzenegger adaptation on late-night cable around the same time, so I wrote 2000 words on all the differences I noticed…”

If you picked an answer, you’re wrong! They’re all lies. And in this harsh alt-reality the producers could drop your loser self into a boiling vat of Crystal Pepsi, film your embarrassing demise, have an A.I. Regis Philbin hologram deliver a mocking eulogy, and sell action figures of you covered in third-degree burns and sticky soda. But if you’re an average sci-fi citizen, of course the part that’d make you maddest in your final seconds of life on Earth is how you’re out the six bucks.

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“Predator: Badlands”: Yautja, Yutani! Yutani, Yautja!

Elle Fanning and guy in Predator costume standing back to back, sternly.

She’s a happy-go-lucky corporate android! He’s a space hunter with a grudge! THEY FIGHT CRIME!

The Predalienator Cinematic Universe is in full effect, or whatever we’re calling it! Fans of the formerly standalone IPs never expected 20th Century Studios would use the two Alien vs. Predator crossover films — one a mediocre slog with a decent Final Boss Battle; the other, amateurish drek — as the foundation of a unified transmedia empire a la Marvel and DC. After both lay fallow for years except in licensed comics, they’ve been called back to active duty and merged into a single science fiction canon through the magical power of Easter eggs.

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Dragon Con 2025 Photos, Part 11: “But Sir,” You Ask, “What About the Cosplay Parade?”

Cosplayers in cult robes colored purple and orange like the Federal Express logo. Their banner has googly eyes on it.

The Cult of Jon the Fed Ex Guy, est. 2019. It was the first time we ever witnessed the live birth of a D*C in-joke.

Previously on Midlife Crisis Crossover:

In 2019 my wife Anne and I attended our very first Dragon Con in Atlanta, Georgia, one of the longest-running science fiction conventions in America. We once again made the eight-hour drive from Indianapolis and returned for our fourth nonconsecutive Labor Day weekend at that amazing colossal southern spectacle. We can’t conscientiously afford to do D*C every year, but we’ll see how long we can keep up an every-other year schedule before we’re too old or overwhelmed to handle it…

Our belated coverage of Atlanta’s annual Dragon Con Cosplay Parade continues! We amateur enthusiasts took way too many photos that took me too long to sort in between juggling life aspects offline, away from all this week’s rage-filled historical significance. We’re nearing the end, though! Not far now! Here’s another round of cosplayers! Please let me know if we old folks misidentified any characters. Enjoy still!

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Dragon Con 2025 Photos, Part 1: The Stars in Our Galaxy

Us doing jazz hands with four guys from Voyager.

Star Trek: Voyager jazz-hands role call: Robert Duncan McNeill! Tim Russ! Garrett Wang! Robert Picardo!

Previously on Midlife Crisis Crossover: in 2019 my wife Anne and I attended our very first Dragon Con in Atlanta, Georgia. As one of the longest-running science fiction conventions in America, Dragon Con had received rave reviews from internet friends who refused to shut up about it. It’s become a biannual tradition for us, even in the face of 2021’s rigorous pandemic precautions and 2023’s unfortunate coinciding with Hollywood’s dual SAG-AFTRA and WGA strikes, which meant the celebrity guests couldn’t actually talk about work, as if actor Q&As at comic-cons weren’t already awkward enough.

Newbies no more, we once again made the eight-hour drive from Indianapolis and returned for our fourth nonconsecutive Labor Day weekend at that amazing colossal southern spectacle, this time unhampered by pandemics or greedy studio-exec shenanigans. We can’t conscientiously afford to do D*C every year, but we’ll see how long we can keep up an every-other year schedule before we’re too old or overwhelmed to handle it.

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“Mickey 17”: The Day the Clone Cried

Movie poster for "Mickey 17" hanging in a dark theater with inconsistent backlighting. Poster has multiple Pattinsons surrounding the rest of the cast.

Edward Cullen! Cedric Diggory! Bruce Wayne! Lighthouse Guy! Crisis on Infinite Pattinsons!

Previously on Midlife Crisis Crossover: class warfare rules in the hands of South Korea’s Bong Joon Ho, from the improbable post-apocalyptic supertrain metaphor of Snowpiercer to the widely celebrated Parasite, Winner of Four Academy Awards Including Best Picture™. Whether it’s the filthy-rich versus the dirt-poor, the genteel-affluent versus the barely-getting-by, or the dirt-poor versus the dirtless-homeless-everythingless, satirical skewerings of the eternal tug-of-war between the have-it-alls and have-nots over their variances in have-measures are very much his favorite field of cinematic dissection.

As we waited patiently through the nearly six-year gestation of his post-Oscar follow-up Mickey 17 (the pandemic’s at fault for some of the hold-up), fans rightly expected his priciest foray into the American big-budget mainstream (with a budget twice that of his Netflix Original Okja) would play to his hot-topical interests, and that his knack for outlandish approaches would suit the material. He enjoyed access to better resources, bigger-name actors, and apparently more negotiable schedules for getting it all accomplished. Bong is in his element for much of the film’s first half, up until a midpoint onset of commentary mission-creep pivots everything off the opening premise and lurches toward another course, broader and much tireder.

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Heartland Film Festival 2024 Screening #1: “ReEntry”

Tentative movie poster for "ReEntry with Emily Deschanel and Sam Trammell in profile separated by a science fiction suit in an arched doorway.

Yes, our first film up is sci-fi. I gotta be me. But not all of them will be!

It’s that time again! Previously on Midlife Crisis Crossover: since 1992 my hometown of Indianapolis has presented the Heartland International Film Festival, a multi-day, multi-theater celebration of cinema held every October. Local moviegoers have the opportunity see over a hundred new works in the realms of documentaries, narrative features, shorts, and animation made across multiple continents from myriad points of the human experience. Some participants stop in Indy on their grand tour of Hollywood’s festival circuit; some are local productions on shoestring budgets; and a wide spectrum of claims are staked in the innumerable niches between, projects with well-known actors screening alongside indies with enormous hearts.

After a few brief dalliances with the festival in the past, last year I dove in a bit deeper and caught six movies in all. The fates of those films have varied in the months since — The Promised Land went on to make the Oscar shortlist for Best International Feature; Fancy Dance is now on Apple+ and remains a must-see for fans of Reservation Dogs or Dark Winds; the even tinier Avenue of the Giants has yet to find a distributor and was still assiduously touring as of this past spring; and so on. I appreciated the chance to see new features before they’re released to the world-at-large, and without waiting for pro critics to weigh in first.

Heartland’s 33rd edition runs October 10-20, for which I’ve made plans to catch at least eight films in all (Lord willing). Longtime MCC readers know the rule: every film I see in theaters gets its own entry. We kick things off with one of this year’s science fiction contestants, which held its official World Premiere right here at Heartland: a small-scale science fiction drama called ReEntry.

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Star Trek to Chicago 2024 Photos, Part 6: And the Rest!

Anne doing jazz hands and wearing a pink sash in front of the neuroscience symposium gateway.

Anne showing off the cool new sash she got from the cosplayer Kai Ken, after he read her pagh and told her, “Walk with the Prophets.”

Previously on Midlife Crisis Crossover:

Creation Entertainment, one of America’s longest-running convention companies, runs an annual Star Trek gala in Las Vegas that invites scores of Trek cast and crew members to mingle with fans at Vegas prices and at a considerable remove from more than a few states. As a sort of outreach to us faraway fans, in 2024 Creation has launched a “Trek Tour” comprising much smaller versions of that vaunted Vegas show on the other side of the Rockies. This past weekend it was Chicago’s turn. The location was convenient and the guest lineup included so many missing names on Anne’s Trek-actor checklist, we did something we haven’t done in ages: we attended all three days, from the opening minutes Friday morning to the very end of the final panel Sunday night.

“Star Trek to Chicago” (Creation’s official name for the show; official abbreviation “ST-CHI”) was our first hotel-based con in a good while. We understood Creation handles some con aspects rather differently than the other companies we’re used to seeing annually. For Anne’s purposes, that guest list was worth setting aside our mild concerns and giving it a shot. We’re happy and relieved to report the show far exceeded our hesitant expectations.

Some of my past convention write-ups have been unwieldy in length because I’m prone to relating all the stories, including any quotidian ephemera outside the show itself. (A couple of those epic-length narratives were linked to on pro comics-news website, which only encouraged me to keep doing that. It’s been a while, though.) My congenial verbosity works much better if you pretend this writer is a caffeinated Aaron Sorkin character, but I can’t really adjust your internal monologue’s speed settings for you. For the sake of potential new readers, I tried paring down the daily recounts to the most relevant, Trek-forward anecdotes.

Here in the finale: the parts I skipped. Also: actor photo outtakes!

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Star Trek to Chicago 2024 Photos, Part 5: Sunday!

Anson Mount on stage, dressed darkly, listening patiently.

Anson Mount and that famous Captain’s hair.

Previously on Midlife Crisis Crossover:

Creation Entertainment, one of America’s longest-running convention companies, runs an annual Star Trek gala in Las Vegas that invites scores of Trek cast and crew members to mingle with fans at Vegas prices and at a considerable remove from more than a few states. As a sort of outreach to us faraway fans, in 2024 Creation has launched a “Trek Tour” comprising much smaller versions of that vaunted Vegas show on the other side of the Rockies. This past weekend it was Chicago’s turn. The location was convenient and the guest lineup included so many missing names on Anne’s Trek-actor checklist, we did something we haven’t done in ages: we attended all three days, from the opening minutes Friday morning to the very end of the final panel Sunday night.

“Star Trek to Chicago” (Creation’s official name for the show; official abbreviation “ST-CHI”) was our first hotel-based con in a good while. We understood Creation handles some con aspects rather differently than the other companies we’re used to seeing annually. For Anne’s purposes, that guest list was worth setting aside our mild concerns and giving it a shot. We’re happy and relieved to report the show far exceeded our hesitant expectations.

And now, the conclusion — yet another long day with too much fun from end to end. We had no more autographs or photo ops to pursue, just panels and more panels. Thanks to the limited square footage, the ubiquitous carpeting, and the complete lack of hours-long lines, this was our first multi-day convention in active memory not to leave our feet, legs, or backs sore and debilitated by the time we went home. We cherished the sensation of spending our final hours relaxed and not physically destroyed.

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Star Trek to Chicago 2024 Photos, Part 4: Saturday!

Jeri Ryan talking onstage, but somehow the picture rings her in a perfectly circular shadow.

In a mystifying happy accident, Anne managed a pic of Jeri Ryan’s Q&A that looks ripped from a Sears Portrait Studio wall.

Previously on Midlife Crisis Crossover:

Creation Entertainment, one of America’s longest-running convention companies, runs an annual Star Trek gala in Las Vegas that invites scores of Trek cast and crew members to mingle with fans at Vegas prices and at a considerable remove from more than a few states. As a sort of outreach to us faraway fans, in 2024 Creation has launched a “Trek Tour” comprising much smaller versions of that vaunted Vegas show on the other side of the Rockies. This past weekend it was Chicago’s turn. The location was convenient and the guest lineup included so many missing names on Anne’s Trek-actor checklist, we did something we haven’t done in ages: we attended all three days, from the opening minutes Friday morning to the very end of the final panel Sunday night.

“Star Trek to Chicago” (Creation’s official name for the show; official abbreviation “ST-CHI”) was our first hotel-based con in a good while. We understood Creation handles some con aspects rather differently than the other companies we’re used to seeing annually. For Anne’s purposes, that guest list was worth setting aside our mild concerns and giving it a shot. We’re happy and relieved to report the show far exceeded our hesitant expectations.

Friday was a good, quiet day to take care of necessary formalities, get a feel for the show’s procedures, learn the layout, and meet fellow fans. Our next day would be much busier and just as long. Rare is the con that persuades us to stick around from dawn to dusk.

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Star Trek to Chicago 2024 Photos, Part 3: Friday!

Anne smiling and posing with Cirroc Lofton at his table. He's at least 18 inches taller than she is.

Alternate take of that time we met Cirroc Lofton, best known as Jake Sisko from Deep Space Nine.

Previously on Midlife Crisis Crossover:

Creation Entertainment, one of America’s longest-running convention companies, runs an annual Star Trek gala in Las Vegas that invites scores of Trek cast and crew members to mingle with fans at Vegas prices and at a considerable remove from more than a few states. As a sort of outreach to us faraway fans, in 2024 Creation has launched a “Trek Tour” comprising much smaller versions of that vaunted Vegas show on the other side of the Rockies. This past weekend it was Chicago’s turn. The location was convenient and the guest lineup included so many missing names on Anne’s Trek-actor checklist, we did something we haven’t done in ages: we attended all three days, from the opening minutes Friday morning to the very end of the final panel Sunday night…

…skipping a Thursday night prelude where early birds could pick up their badges and see the vendors’ room before anyone else. We figured that’d be unnecessary because we weren’t convinced they could keep us occupied for three straight days, let alone bonus hours. Rather than holding court in a convention center, they set up shop at the Hyatt Regency O’Hare in Rosemont, next door to the Donald E. Stephens Convention Center (home of Fan Expo Chicago). They weren’t even using all the hotel’s meeting spaces — one ballroom was reserved for an unrelated neuroscience seminar. I presume those old scientists resisted any takeover bids from Creation and refused to add panels about Starfleet advancements in their field.

“Star Trek to Chicago” (Creation’s official name for the show; official abbreviation “ST-CHI”) was our first hotel-based con in a good while. I had to search the archives to remember our last such show (as it happens, HorrorHound Indy 2017). We also understood Creation handles some con aspects rather differently than the other companies we’re used to seeing annually. For Anne’s purposes, that guest list was worth setting aside our mild concerns and giving it a shot. We’re happy and relieved to report the show far exceeded our hesitant expectations.

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