“Avatar: The Way of Water”, the Weight of a Waterworld and the Wonder of Warrior Whales

Na'vi characters greeting each other in "Avatar The Way of Water".

Jake Sully, a fish out of water, becomes a little fish in a bigger pond, fishes for compliments from his hosts, believes he has bigger fish to fry, and realizes there’re other fish in the sea.

It’s been 13 years since the original Avatar hit theaters in December 2009, made a zillion dollars, and was nominated for a couple of awards. It was two years before this site existed, four years before I signed up for our first streaming service, 4½ years before I bought my first smartphone, and seven months before I joined Twitter. My son was in middle school. Barack Obama had been President for less than a year. Breaking Bad was two seasons in and a handful of AMC viewers thought it was keen.

It’s in those primitive times that James Cameron unleashed Avatar‘s technological might. I saw it twice in theaters, both times in 3-D. The first time, I was enthralled and perhaps a little giddy. The second time, I nodded off during one of the space-pterodactyl taming sequences. Over a decade in the making, the first sequel Avatar: The Way of Water vows that any theater-goer who pays extra to see it in a deluxe format cannot possibly sleep through a single second of it unless the speakers give them a concussion.

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