Wizard World Chicago 2013 Photos, Part 1 of 3: Costumes Not from Marvel, DC, or Star Wars

This past Saturday my wife and I spent quality time together once again at this year’s Wizard World Chicago. Due to multiple complications we had to settle for one-day admission, but we did our best to cover the territory and explore our entertainment options as much as we could within our limitations. We appreciated that the show floor was expanded across two levels to allow for much wider aisles and consequently a lot less congestion and personal-space invasions than we endured in years past.

We kick off our mandatory photo collection with, of course, a selection of costumes. It’s one of my favorite parts of any given convention. I’m frequently impressed by the effort and creativity that fellow fans pour into these lavish recreations, whether they select characters that everyone else is also trying on, or they go obscure and bring to life the characters known only to a few hardcore lucky ones.

The average movie geek knows of King Arthur and his knights, wielding requisite coconuts for accurate horsey clip-clopping sound effects, possibly retrieved from the beak of some nearby swallow.

King Arthur, Monty Python, Wizard World Chicago 2013

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“Elysium”: Heavy are the Burdens of the Exosuit Gladiator

Matt Damon, Sharlto Copley, Elysium

Answering the most important question first: no, Elysium is nowhere near as revelatory as writer/director Neill Blomkamp’s previous film, the Oscar-nominated District 9. Constructed with four times the budget and ten times the star power, Blomkamp’s latest Important-Message sci-fi actioner is just as visually accomplished, but delivers a fraction of the impact.

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Indiana State Fair 2013 Photos, Part 2 of 3: the Animation Exhibition

Continuing the trilogy of this year’s captured moments from the event mentioned up there in the title:

One of this year’s feature presentations is “Get Animated”, a traveling exhibit about the animation medium that’s appeared in other states over the last three years before gracing our fair land with its colorful presence.

Longtime fans of the field will appreciate the looks back at the Looney Tunes era, including art samples and souvenirs from notable directors such as Bob Clampett and Chuck Jones.

animation model sheets

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America Lines Up to Preorder Sharknado Quality Merchandise

SharknadoNovel

When my wife and I threw caution to the wind and watched Sharknado on Syfy (as previously reported), we were curious to know why the internet wouldn’t shut up about it. By the time the end credits sped by and Ian Ziering was transformed from a 90210 also-ran into a chainsaw-wielding hero soaked in shark fluids, we had learned an important lesson and vowed never to be curious about anything ever again. We also didn’t speak to the internet for three days.

Outside our household, Sharknado-mania is allegedly sweeping the nation. Consider the following recent headline stories:

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If I Were in Charge of “Star Wars: Episode 7″…

Star Wars villains

In my version, only one of these characters survives the first five minutes. Possibly the bearded guy in the white hat. He’s already guaranteed his own action figure. (Photo from our personal Star Wars Celebration III archives, April 2005.)

Every Star Wars fan has their own ideas about what Star Wars: Episode 7 should accomplish. Director J.J. Abrams and screenwriter Michael Arndt should make it all about the Holy Trinity of Luke, Leia, and Han, pretending they’re all still under 35. Or they should make their kids the main characters. Or they should invent all-new, barely related Jedi. Or they should bring back all the dead characters because movie magic. Or it should be a mixture of demographic demands scientifically calculated to please everyone, if everyone loved formulaic sequels. Or it should be a two-hour Jar-Jar roast.

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The Line for Free Cake Began Here

Cake Boss empty line, Indianapolis

I missed it by that much.

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“Batman ’66”: My New Favorite DC Comic

Jeff Parker, Jonathan Case, Batman '66, DC Comics

When I was a kid, Adam West and Burt Ward were the first super-heroes I remember following on TV. Less wooden than the Super-Friends, beset by better villains than Marvel’s 1970s live-action TV offerings, and a few years ahead of Spider-Man and His Amazing Friends, syndicated reruns of the 1966-1968 Batman TV show were a staple of my afternoon viewing.

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So There’s a Scene During “The Wolverine” End Credits

Hugh Jackman, Rila Fukushima, The Wolverine

For the first 2½ acts, The Wolverine is an engrossing slow-burn psychological thriller about the crippling effects of grief, powerlessness, sin, rediscovering your life’s purpose, and stranger-in-a-strange-land culture clash, all nestled inside an outlandish but well-oiled martial-arts flick that easily outclasses the previous Wolverine solo film. That being said, this is a rare instance of a Marvel film that would’ve functioned more cohesively if super-villains had been kept out of it altogether.

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“Superman/Batman” vs. “Batman/Superman”: Can This Odd Couple Be Saved?

Batman, Superman

They’ve worked well together before, but never in live-action. Can two super-heroes share a tentpole film without driving each other crazy?

Despite my previously expressed skepticism, I wouldn’t say the announced Superman sequel with Batman in it — or vice versa — is guaranteed to fail. I’m sure much deliberation and debate will occur behind the scenes as the filmmakers work together for the common goal of creating the best possible superhero moneymaking machine. If it’s bearable to watch more than once, then hey, bonus points.

What could possibly happen? I can imagine several outcomes, not all of them great.

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ABC Family Consigns “Bunheads” to One-Season-Wonder Status

Bunheads, ABC Family

One last Bunheads pic for the road: Bailey Buntain, Kaitlyn Jenkins, Emma Dumont, and Julia Goldani Telles.

It’s never easy when one of your favorite shows ends prematurely without a chance for a tidy series finale.

After months of stalling on a decision, ABC Family finally revealed on Monday that Bunheads has been officially canceled. Despite internet buzz among select circles that now qualify for collective relabeling as a “cult following”, ratings among the Nielsen commoners were never great, especially compared to the performance of the rest of ABC Family’s mostly teen-soap lineup.

As created by Gilmore Girls mastermind Amy Sherman-Palladino and a talented staff working with minimal resources, Bunheads was a literate, tragicomic fusion of ballet, Broadway, a female-majority cast, Sorkin-speed dialogue, showtunes, obscure entertainment punchlines from previous decades, dexterous back-and-forth rhythms, and musical numbers not set to the tune of current Top-40 hits or overplayed ’80s oldies. On a broadcast network, a show containing any two of these elements would’ve been lucky to reach episode three, even on the CW.

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San Diego Comic Con 2013: the Best and Least-Best News as Seen from the Cheap Seats

Godzilla movie teaser poster, America, 2014Anyone who followed the entertainment news as it flooded out of 2013’s San Diego Comic Con found themselves shocked and surprised by two or more bombshells dropped from above, as the movie and comic book companies kept trying to top each other with the Greatest Announcement of All.

My general impressions follow of what stood out to me most, whether good, bad, or both.

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“Turbo”: Routine Underdog Learns Lessons about Perseverance, Self-Promotion

Ryan Reynolds, Paul Giamatti, Turbo, DreamWorks

Reynolds. Giamatti. Turbo.

Midlife Crisis Crossover calls Turbo the Best Indianapolis Tourism Ad of the Year!

That was my first impression, anyway. It’s rare that Hollywood sets a big-budget motion picture in my hometown. The last film to use us, Eagle Eye for a single action scene, couldn’t be bothered to research our geography on Google Maps and pretended that 72 West 56th Street is a crowded financial district like downtown Boston. Local pro tip for future filmmakers: 72 West 56th puts you in a highly tree-filled residential area between the wooded Butler University campus and the trendy bars of Broad Ripple.

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So There’s a Scene During the “Pacific Rim” End Credits

Gipsy Danger, Pacific Rim

Midlife Crisis Crossover calls Pacific Rim the Best Men’s-Adventure Film of the Year!

So far, anyway. I’ll admit my opinion is skewed because I don’t watch every theatrical release. I certainly didn’t see 6 Fast 6 Furious, which might or might not be a five-star men’s-adventure flick for all I know, but the 6F6F trailers showed a sign of weakness: two female characters sharing a scene, even though it was a scene of angry pummeling. Not counting extras or one-line background fillers, I counted four female characters in all of Pacific Rim: two robot drivers; one of those drivers as a young girl; and, with 95% certainty, at least one of the monsters. None are onscreen at the same time, spaced apart by several men and minutes, just as you’d expect from an awesome boys-club tale of manly-man heroics.

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The Joy of Watching San Diego from the Sidelines

San Diego Comic ConI can always tell when the Greatest Spectacle in Entertainment News is revving its engines and approaching the starting line — the Facebook statuses for all my West Coast online cohorts begin chiming their location and awe in unison, letting those of us off in the distance know It Has Begun.

The unwieldy official name is Comic-Con International: San Diego. It’s been called the San Diego Comic Con since I was a kid, probably even longer than that. For as long as I’ve known comic book conventions were a thing, I’ve been aware that San Diego is America’s biggest and boldest, a four-day Shangri-La of heroes, creators, fans, dealers, publishers, cosplay, community, news, announcements, panels, and more. A four-day smorgasbord of four-color sensory overload unlike any other experience in the entirety of the hobby. And that was before Hollywood co-opted it years ago and raised the media’s attention level to new heights.

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“Sharknado” Watched on a Dare

Aubrey Peeples, Sharknado, Syfy

Shark from above!

Last week during our vacation, all the chatter from our usual signals was about two different travesties. One was covered on a dozen different TV channels and therefore lost me on oversaturation principle. The other was the latest Syfy Original Movie, Sharknado. It’s not often that my wife and I watch something on TV simply because other people won’t shut up about it, but we were curious as to why this particular cheesy production received more attention than Syfy’s last fifty slapdash offerings. I can report with a straight face that it met my exact expectations, by which I mean UGH.

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Seven Happy Reasons for Much Ado About “Much Ado About Nothing”

Alexis Denisof, Amy Acker, Much Ado About Nothing

Wesley and Fred, together at last!

Midlife Crisis Crossover calls Much Ado About Nothing the Best Romantic Comedy of the Year!

Seriously, in a world where romantic comedies are either R-rated sexfests or direct-to-video beneath-my-notice nice tries, how many true romantic comedies are the studios releasing theatrically per year now? Two? Maybe three? Of which I see zero per year at most. According to my personal moviegoing records, the last romantic comedy I paid to see writ large was 2003’s Down with Love. It’s been a while.

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Our Dog Lucky vs. Hawkeye’s Dog Lucky: a Companion Comparison

Seven years ago after moving into a new home, our family was joined by a dog named Lucky. Last year when the Avenger known as Hawkeye moved into his own solo series, he was joined by a dog named Lucky. I like to pretend this means something significant in the grand scheme. What are the odds of our dogs having the same name? Sure, it could be wild coincidence, and probably is.

Our Lucky’s previous owners were relatives who found that raising three kids was all the daily stress test they could handle. Due to a combination of the newborn’s safety issues and the oldest child’s apathy onset, Lucky had been spending most of his days caged and ignored, with nothing to occupy his time except storing energy so that every time he was released, he became a furry little whirling dervish. My wife’s previous dog had passed away several months before, leaving a dog-shaped hole in our hearts. We proposed a win-win exchange: we would accept Lucky into our home, and they would be free to replace him with a pocket-sized rodent more in line with the oldest child’s pet preferences. We decided not to change his name since he was already used to it.

At first glance, Lucky’s feisty demeanor seemed harmless.

young Lucky, dog

Hawkeye’s Lucky was owned by tracksuit-wearing gangsters from eastern Europe who had called him Arrow for reasons unknown, possibly because they were fans of American weapons terminology. Lucky was abused, surely taken for granted, and probably fed the nastiest, mealiest dog food around. Something with bits of vermin added for flavor, I’d bet. During a fracas between Hawkeye and the dogs, “Arrow” ended up on the losing side of a car collision. After sending the goons packing, Hawkeye rushed the dog in for emergency treatment, effectively took custody, and eventually renamed him Lucky. He’s sometimes referred to by the affectionate nickname “Pizza Dog” because the cast keeps giving him people food.

At first sight, Lucky’s grievous bodily harm appeared alarming.

Hawkeye, Hawkguy, Lucky, Pizza Dog

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Read. Think. Post.

Those three sharp words comprised one of the first, smartest lessons shared with me when I first hopped aboard the runaway internet express in a previous decade. Simple words bandied about by my earliest peers became a brilliant watchword trifecta to remind each other not to post in anger, to cool down before venting any immediate hostile impulses, to refrain from etching anything hasty and regrettable for eternal archiving. Self-control is key. You’re not required by law to reply immediately to anyone who stabs you the wrong way. Stepping back, breathing deeply, and taking a few hours away from your input device can do a world of good.

This snapshot, captured tonight through the magic of a few simple keystrokes and MS Paint, is how not to handle such potential fiascos. The amateurish content-editing is my doing, because of the lines I draw.

Twitter rage

The Twitter account in question was deleted less than half an hour later. A few earlier tweets were part of the same tirade, but I opted for moderate sampling over voyeuristic completism. I’m also not interested in linking to the tacky news story that sparked this reaction because I don’t believe they deserve any click-through traffic. At all.

I’m not normally one for ten-minute posts comprised of a single set of Words to Live By. Consider this an exception to the rule. From a Scriptural standpoint, I’ll point you to James 1:19-20 (NIV):

My dear brothers and sisters, take note of this: Everyone should be quick to listen, slow to speak and slow to become angry, because human anger does not produce the righteousness that God desires.

Much more eloquent and pleasingly faith-based from my perspective, but not as easy to fit onto a T-shirt or scribble on a Post-It to stick to your monitor or the back of your phone.

Make these three words Today’s Secret Words, today and every day, and you’ll be astounded at how your internet experience will improve by leaps and bounds.

Read. Think. Post.

#BadTwitterRecs

One of the more amusing one-joke Twitter handles I follow is Bad Netflix Recs, which pokes fun at automated recommendation services with poor logical parameters. Behold examples of the joke:

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Yes, There’s a Scene After the “Monsters University” End Credits

Monsters University, Disney, PixarHonest truth as of this evening: Midlife Crisis Crossover calls Monsters University “the Best Film of the Year”! So far. Yes, the year is young. Proclamation subject to change without notice, possibly during Oscar preseason.

Seriously, though: looking back at my last several summer action blockbuster spectacular experiences, this Disney/Pixar reboot of Revenge of the Nerds requires less forgiveness of plot holes; boasts characterization truer to the original cast; doesn’t overwrite wide-scale urban destruction with perfunctory offscreen-slapdash-reconstruction happy ending; refuses to play bait-and-switch with its antagonists; and, like Toy Story 3, is a surprisingly top-notch sequel with its own topic to explore rather than acting as a hollow, superfluous extension of the original.

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