My 2019 Reading Stacks #2

Form of a Question!

The thrill of victory in front of a celebrity and an audience of millions. Art by Kate Kasenow, Jenna Ayoub with Ilara Catalani, and Laura Langston.

Previously on Midlife Crisis Crossover:

At the beginning of each year I spend weeks writing year-in-review entries that cover the gamut of my entertainment intake, including capsule reviews for all the books and graphic novels I’ve read. I refrain from devoting entries to full-length book reviews because 999 times out of 1000 I’m finishing a given work decades after the rest of the world is already done and moved on from it.

As time permits and the finished books pile up, I’ll be charting my full list of books, graphic novels, and trade collections I’ve read throughout the year in a staggered, exclusive manner here, for all that’s worth to the outside world. Due to the way I structure my media-consumption time blocks, the list will always feature more graphic novels than works of prose and pure text. Novels and non-pictographic nonfiction will pop up here and there, albeit in a minority capacity for a few different reasons. Triple bonus points to any longtime MCC readers who can tell which items I bought at which comic/entertainment conventions we’ve attended over the past few years.

And now:…it’s readin’ time. Again.

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My 2019 Reading Stacks #1

Anne's books!

So far this year’s list includes a few library books and two loaners from my wife, pictured above. Borrowed reading is still reading!

Previously on Midlife Crisis Crossover: at the beginning of each year I spend weeks writing year-in-review entries that cover the gamut of my entertainment intake, including capsule reviews for all the books and graphic novels I’ve read. Every book gets a full capsule summary apiece, because my now-canceled 29-year subscription to Entertainment Weekly got me addicted to the capsule format. I refrain from devoting entries to full-length book reviews because 999 times out of 1000 I’m finishing a given work decades after the rest of the world is already done and moved on from it. 2000-word essays on old works tend to be in severely low demand by the fly-by-night search-engine users who are MCC’s largest visitor demographic.

Back in the day (December 2013 to January 2019) I would write my book/graphic-novel capsule reviews as I went, store them offsite, then dump them here on MCC all at once during entertainment year-in-review season. It was an inefficient system, but it was mine. This year I’m changing up my protocols. Effective here and now, the reading capsules are a recurring feature. As time permits and the finished books pile up, I’ll be charting my full list of books, graphic novels, and trade collections in a staggered, exclusive manner here, for all that’s worth to the outside world. Seven months into 2019 I have some catch-up to do, so these initially won’t be listed in actual reading order.

Due to the way I structure my media-consumption time blocks, the list will always feature more graphic novels than works of prose and pure text. Novels and non-pictographic nonfiction will pop up here and there, albeit in a minority capacity for a few different reasons. Triple bonus points to any longtime MCC readers who can tell which items I bought at which comic/entertainment conventions we’ve attended over the past few years.

And now:…it’s readin’ time.

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Yes, There Are Scenes During and After the “Spider-Man: Far from Home” End Credits

Spider-Man Far from Home!

And now my paychecks are thiiiis big!

The inspired, rambunctious Spider-Man: Far from Home marks Tom Holland’s fifth film as everyone’s favorite put-upon wall-crawler, meaning he’s now done as many Spider-films as Tobey Maguire and Andrew Garfield combined. While every Spidey has had his high points in my estimation, Far from Home may be the best translation to date of the Spidey-era from my own childhood, roughly 1978-1989 plus Marvel Tales reprints of the first sixty issues of Amazing Spider-Man (the entire Steve Ditko oeuvre plus John Romita’s first two years). It’s a winning coda to the emotional pinnacles and pitfalls of Avengers: Endgame, an encouraging sign of heroism to come and a herald of hopefulness for the future of the Marvel Cinematic Universe.

Fair warning: this entire film follows the events of Endgame and reverberates from its ramifications. If you’re waiting for Endgame to hit DVD and living in the off-grid wilderness has sheltered you from learning of its major MCU-changing moments, you may want to flee now if you want to maintain your cone of silence. (True story: I know at least one person in this very situation. It is possible. I realize it’s hard to imagine, but not everyone in America is as entrenched in online living as you and I may be.)

On another level, anyone with zero foreknowledge of the antagonist Mysterio and his motifs from old Spidey-comics will want to skip the regular “Meaning or EXPLOSIONS?” section because, frankly, it was kind of boring to ruminate on that aspect spoiler-free. I’m not revealing all his secrets or recapping his scenes shot-for-shot, but…well, there’s stuff that spoke to me.

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“Dark Phoenix”: X-huming and X-amining the End of the Ex-Series

Dark Phoenix!

The all-new Firestar from a grim-and-gritty Spider-Man and His Amazing Friends.

Remember the glory days when the prospect of a new X-Men film excited anyone who’d previously thrilled to their greatest spectacles, and not just the unconditional superfans?

Dark Phoenix isn’t the worst superhero film I’ve seen this year, but after the waste of resources that was X-Men: Apocalypse, I was fine with waiting until its fourth weekend to see it using free passes, sitting in a theater with half a dozen other viewers who likewise couldn’t be bothered to rush out to the not-quite-grand finale to Fox’s X-Men era (unless we keep holding our breath waiting for New Mutants). Their 19-year run had its highlights, but writer/director/producer Simon Kinberg’s Hail Mary of a retread isn’t one of them.

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Kid Dungeon Master’s Neighborhood Reign: Nostalgic Confession Inspired by “Die”

Die 1!

Teen RPG fan Solomon brings foreboding gameplay setup to Die #1. Art by Stephanie Hans, words by Kieron Gillen, letters by Clayton Cowles.

1. A Long-expected Party.

Previously on Midlife Crisis Crossover: my annual comic book reviews included a promise of a future entry inspired by Die, the new Image Comics series by Kieron Gillen and Stephanie Hans that I encapsulated like so:

What if you took the structure of Stephen King’s It, but instead of fighting a murderous super-clown, the kids and adults in their respective eras were reliving the ’80s Dungeons and Dragons cartoon as a horror story, and the Big Bad was Tom Hanks from Mazes and Monsters turned into a truly mystical, manipulative interdimensional overlord?

Painted art by Stephanie Hans is like a high-end gallery showing on every page, while writer Kieron Gillen is engaging in ambitious, phenomenally detailed world-building, worrisome in its six-digit word count and rising. He’s exploring fantasy tropes and toying with them from within, but he’s also designed an entire RPG from the ground up to facilitate his vision, one that’s dredging up so many childhood memories for me — some I would dare label “definitive” in regard to my personal backstory — that I’ll need to devote a separate entry to this series in the near future. I have a lot of baggage to unpack here, and I blame Gillen for wheeling the baggage cart right up next to me.

I had the pleasure of meeting painter Stephanie Hans at this year’s C2E2, where I gave her the elevator-pitch version of this entry and she encouraged me to share it. I got a kick out of meeting Kieron Gillen at C2E2 2013, where we briefly chatted about his Britpop-magic fantasy Phonogram and he asked me which character I identified with most. I honestly hadn’t given much thought to it and was ashamed to have no answer, either prepared or improvised. I’m not used to pros at a con asking me a question beyond “Where are you from?”

(Having had time to think later, my answer came to me, obvious if twofold. As a young adult from 1989 to 2000 I imagined myself Seth Bingo, self-anointed tastemaker and DJ, bringing my boom-box and tapes/CDs to entertain at work after-hours — no requests allowed, sharing my collection with peers who just didn’t get me or my nightly playlist. For my life 2000-present I’ve been closer to Lloyd, engaging with music intellectually via long thinkpieces written only for the audiences in my head, but rarely physically and never socially, thus arguably denying its greatest powers. If only I could’ve written all that on an index card before approaching Gillen’s table. Or narrowed my answer down to just one of those two alienating dudes.)

The farther I’ve read into Die, the more I’ve found myself reflecting on my own experiences with Dungeons and Dragons, an integral part of my preteen years. It was a compelling confluence of entertainment and imagination. It was a big hit with the other kids who joined in. It also ushered in the end of my circle of childhood friends.

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I Have a Miyazaki Poster?

Nausicaa!

Yep, that’s art by Hayao Miyazaki.

I spent tonight diving into my own personal archives (by which I mean piles of old stuff) to research a potentially epic-length entry involving childhood memories, games, and psychological damage. A particular magazine box proved to contain only one of two items relevant to the search, but I stumbled across a small stack of posters I forgot I owned. I flip through a few of them and, lo and behold, find myself staring at a beauteous work of art by the Hayao Miyazaki, nearly the entire length of our card table.

I don’t remember owning this, but here it is.

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My Free Comic Book Day 2019 Results: The Best and the Least Best

Carnage!

I’ve never been a Carnage fan, but Ryan Stegman, JP Mayer, and Frank Martin do make him look stylish.

Previously on Midlife Crisis Crossover: on May 4th I once again had the pleasure of observing Free Comic Book Day, the least fake holiday of them all, that annual celebration when comic shops nationwide offer no-strings-attached goodies as a form of community outreach in honor of that time-honored medium where words and pictures dance in unison on the printed page, whether in the form of super-heroes, monsters, cartoon all-stars, licensed merchandise, or entertaining ordinary folk. Each year, America’s remaining comic book shops (and a handful in the UK that can afford the extra shipping charges) lure fans and curious onlookers inside their brick-and-mortar hideaways with a great big batch of free new comics from all the major publishers and a bevy of smaller competitors deserving shelf space and consideration.

As they’d done last year, my local shops offered a special deal that sounds crazy on the face of it: for a fair sum of money, we could pre-purchase a bundle of all 53 Free Comic Book Day comics (according to their Facebook post) that their stores planned to order. They set aside copies of all those comics, bagged ’em up, and let buyers pick them up late Saturday afternoon, once all the furor and hubbub had subsided. I went for it. I liked the idea of playing the role of patron, donating extra cash to help facilitate Free Comic Book Day for other folks in town, in a way that would help my shop offset the costs.

I spent the next three nights reading everything I was given and then tweeting my impressions after each comic, along with photo excerpts from every single comic. I took photos rather than scans because (a) our scanner sometimes ruins the hard work of comics colorists, (b) I wanted to capture the feel of comics on actual physical paper, and (c) snapping pics was faster than scanning. This reading/photography project took until 12:15 a.m Monday night to complete.

Careful observers will note the official FCBD site listed 51 titles in all. I’ve cataloged the following discrepancies:

  • Due apparently to oversight, the shop gave me two copies of Aftershock’s Animosity Tales.
  • Two titles listed on the FCBD site aren’t in my stack: DC’s oddly formatted Dear Justice League and Golden Apple Books’ Blastosaurus Annual. The shop probably skipped ordering one of these, but I’m not !00% sure which.
  • Three titles are in the stack they gave me but not on freecomicbookday.com: IDW’s Transformers/Ghostbusters (a 4-page ashcan they may not have counted as a comic, though the shopkeep did); The Overstreet Guide to Collecting 2019; and the 2019 edition of the Comic Book Legal Defense Fund’s Defend Comics.

…so that’s 53-1+2-3=51. Anyway:

This entry is a condensed version of that epic-length tweetstorm: my presentation of the ten best books of the bunch (I’m not in the mood to rank them), followed by my five least favorites of the entire stack. I never trust a comics reviewer or website that shares nothing but relentlessly glowing opinions — nor, conversely do I trust a critic who hates all comics and can’t be pleased — so this is my way of not becoming that which I disparage.

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Happy Free Comic Book Day 2019!

Free Comic Book Day 2019!

This year’s haul, part 1.

It’s that time of year again! Today marked the eighteenth Free Comic Book Day, that annual celebration when comic shops nationwide offer no-strings-attached goodies as a form of community outreach in honor of that time-honored medium where words and pictures dance in unison on the printed page, whether in the form of super-heroes, monsters, cartoon all-stars, licensed merchandise, or entertaining ordinary folk. It’s one of the best holidays ever for hobbyists like me who’ve been comics readers since the days when drugstores sold them for thirty-five cents each and comic book movies were sad, cheapskate abominations.

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Star Wars Celebration Chicago 2019 Photos #7: How to Draw Star Wars the Marvel Way

TIE Fighter covers!

TIE Fighter #1 hit comic shops this past Wednesday. Above are variant covers by Tommy Lee Edwards for the next three issues.

Previously on Midlife Crisis Crossover:

April 11-15, 2019, was the ninth American edition of Lucasfilm’s Star Wars Celebration, recurring major convention celebrating their works, creations, actors, fans, and merchandise, not always in that order. After jaunts around the U.S. coast and overseas, this year’s was in Chicago, gracing the Midwest with its products for the first time since 2005. My wife Anne and I attended Thursday through Saturday and fled Sunday morning…

Thursday had very nearly zero panels scheduled. The panels scheduled Friday and Saturday largely broke down into the following groups:

  1. Panels that might’ve been cool if the annoying lottery system hadn’t made them attendance-prohibitive
  2. Panels for fans by fans about fan stuff
  3. Panels about novels we haven’t read
  4. Writing advice
  5. The official Marvel Comics panel

Larger panels filled up quickly. Numerous panels, especially those devoted to Star Wars novelists, were often capped because too many people were interested. But as a comics fan, one who’s spending a fair amount per month to keep up with much of Marvel’s Star Wars output (not all of it), I felt compelled to make a greater effort to get a foot in the door. Getting in line 45 minutes before showtime did the trick.

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The Culling of a Comics Collection, Chapter 1

Comics Culling...

Indiana as a state has an abysmal track record when it comes to encouraging recycling efforts, but options do exist if you know where to look.

I’ve heard a lot of chatter about Marie Kondo, the lady with the Netflix show who, if I understand all of last year’s internet squabbling correctly, recommends everyone throw away all their possessions except their Top 10, keep only one pet and release the rest into the wilderness, stuff half their food in the garbage disposal, raffle off any jewelry that weren’t featured in magazine articles, or something like that. For the record, I haven’t watched a single episode, so I’ve not been hypnotized and chanting, “I must give away all my possessions and join the KondoMinimizers,” or whatever.

No, I’ve been planning the act in the above photo for a few months now — consciously, at least. Subconsciously, maybe a lot longer.

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C2E2 2019 Photos, Part 6 of 8: Artists Alley Plus

Afua Richardson!

Elegantly dressed as Ramonda, Queen Mother of Wakanda, artist Afua Richardson (World of Wakanda, Genius) made the rest of us on the premises look like slobs.

Previously on Midlife Crisis Crossover:

It’s that time again! My wife Anne and I just got home from the tenth annual Chicago Comic and Entertainment Exposition (“C2E2″), another three-day extravaganza of comic books, actors, creators, toys, props, publishers, freebies, Funko Pops, anime we don’t recognize, and walking and walking and walking and walking. Each year C2E2 keeps inching ever closer to its goal of becoming the Midwest’s answer to the legendary San Diego Comic Con and other famous conventions in larger, more popular states. We missed the first year, but have attended every year since 2011 as a team…

…and traipse together through their Artists Alley, consistently the best assemblage of comic book creators available in any large-scale Midwest entertainment convention. Scores of writers, artists, colorists, editors, and otherwise collaborative bookmakers gather in lengthy rows, some narrower than others, and tempt me to spend and spend and spend on new reading material, or at least brake for autographs on items I previously bought and brought along for the ride. This year was naturally no exception, which is why — more than jazz hands, more than the cosplay, definitely more than publishers’ freebies — Artists Alley is my favorite part of every C2E2.

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Comics Update 2018, Part 5 of 5: And the Rest

Comics Finale!

Hey, kids! There’s more to comics life than Marvel or DC! Art by (clockwise from top left) Joe Quinones; David Aja,; Andy Clarke and Dan Brown; Jock; Geoff Shaw and Gabe Eltaeb; and Scott Wegener and Anthony Clark.

Previously on Midlife Crisis Crossover:

Comics collecting has been my primary geek interest since age 6, but I have a tough time writing about it with any regularity. Over the course of the next four entries…I’ll be sharing what I’m currently buying every Wednesday at my local comic shop — series and miniseries alike, budget permitting, broken down by publisher as of the very end of February 2019, including lists of 2018 works that are either done or dead to me.

The miniseries concludes at last! I’m happier when my weekly reading pile covers a gamut of publishers, genres, and voices, not just Big Two superheroes. In some respects I wish this section were a little longer, but for now this’ll do.

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Comics Update 2018, Part 4 of 5: My Year in Image

Image Comics 2018!

Cool covers from the past 15 months. Art by (clockwise from top left) Bill Sienkiewicz; Jason Howard; Nick Pitarra and Michael Garland; Alex Ross; Darick Robertson and Diego Rodriguez; and Jeff Lemire.

Previously on Midlife Crisis Crossover:

Comics collecting has been my primary geek interest since age 6, but I have a tough time writing about it with any regularity. Over the course of the next four entries…I’ll be sharing what I’m currently buying every Wednesday at my local comic shop — series and miniseries alike, budget permitting, broken down by publisher as of the very end of February 2019, including lists of 2018 works that are either done or dead to me.

Image Comics has come a long way since the days of the original seven founders. Though most of them don’t keep their hand in the medium on anything approaching a monthly basis anymore, other creators continue to flourish under their aegis, happy to have a publishing home that lets them prove there’s more to comics than superheroes and movies.

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Comics Update 2018, Part 3 of 5: My Year in DC

Darkseid Eats!

DARKSEID EATS. From Mister Miracle #11; art by Mitch Gerads.

Previously on Midlife Crisis Crossover:

Comics collecting has been my primary geek interest since age 6, but I have a tough time writing about it with any regularity. Over the course of the next four entries…I’ll be sharing what I’m currently buying every Wednesday at my local comic shop — series and miniseries alike, budget permitting, broken down by publisher as of the very end of February 2019, including lists of 2018 works that are either done or dead to me.

Years after the New 52 soured my status as a full-time DC Comics fan, I’m still creeping my way back into their universe, inch by inch. I’m in no hurry, particularly with my aforementioned rules against team books and crossovers in effect. With the help of “Rebirth” and a few bright spots from the Vertigo and Young Animal imprints, DC got my attention a bit more this year than the past few years. We’re getting there.

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Comics Update 2018, Part 2 of 5: My Year in Marvel

Spider-Ham & Lockjaw!

Don’t mind me, just pandering to fellow Spider-Verse fans out there.

Previously on Midlife Crisis Crossover:

Comics collecting has been my primary geek interest since age 6, but I have a tough time writing about it with any regularity. Over the course of the next four entries…I’ll be sharing what I’m currently buying every Wednesday at my local comic shop — series and miniseries alike, budget permitting, broken down by publisher as of the very end of February 2019, including lists of 2018 works that are either done or dead to me.

In tallying the figures, I was a little surprised to discover I’d tried more projects from merry Marvel than from any other company. That doesn’t mean I loved them all unconditionally, merely that so far they’ve held my attention even though I loathe crossovers and avoid team books, which tend to be their bestsellers and constitute some 80% of their lineup nowadays. With the size advantage and with Captain Marvel hitting theaters this Friday, why not let them go first.

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Comics Update 2018, Part 1 of 5: A Prologue Pondering Prodigious Piles of Printed Pulp

Comics 2018!

Nearly all the single issues I bought in 2018, sorted into alphabetical piles for better boxing, from Action Comics #1000 to X-Men: Grand Design – Second Genesis #2.

Comics collecting has been my primary geek interest since age 6, but I have a tough time writing about it with any regularity. My comics-judging criteria can seem weird and unfair to other fans who don’t share them. I like discussing them if asked, which is rare, but I loathe debating them. It doesn’t help that I skip most crossovers and tend to gravitate toward titles with smaller audiences. Whenever the larger companies need to save a buck, my favorites are usually first on the chopping block. I doubt many comics readers follow MCC anyway, so it’s really the best possible place for me to talk about comics unharmed, albeit all to myself. Whee.

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My 2018 in Books and Graphic Novels, Part 3 of 3

Best Books of 2018!

I didn’t rank all 62 books in order, but here’s my Top 6 of the year.

Previously on Midlife Crisis Crossover:

Time again for the annual entry in which I remind myself how much I like reading things besides monthly comics, magazines, and self-promotion from internet users who have me muted. Despite the lack of MCC entries about my reading matter, I’m always working on at least two books at a time in my ever-diminishing reading time. I refrain from full-on book reviews because nine times out of ten I’m finishing a given work decades after the rest of the world is already done and moved on from it. I don’t always care about site traffic, but when I do, it usually means leaving some extended thoughts and opinions unwritten due to non-timeliness.

Presented over this entry and the next two is my full list of books, graphic novels, and trade collections that I finished reading in 2018, partly but not entirely in order of completion. As I whittle down the never-ending stack I’ve been stockpiling for literal decades, my long-term hope before I turn 80 is to get to the point where my reading list is more than, say, 30% new releases every year. That’s a lofty goal, but I can dream.

As with last year’s experiment, every book gets a full capsule summary apiece, because 29 years of reading Entertainment Weekly have gotten me addicted to the capsule format. The list is divided into a three-part miniseries to post on back-to-back evenings in order to ease up on the word count for busier readers. Triple bonus points to any longtime MCC readers who can tell which items I bought at which comic/entertainment conventions we attended over the past few years.

Part One is linked above. Part Two contained a bunch more. And now: the other part. Onward! One last time! For the trilogy!

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My 2018 in Books and Graphic Novels, Part 2 of 3

Library books!

We’ll not be covering the 108 books that my wife read in 2018, but you can glimpse a few of them in this library haul. Guess which one of these four was my selection and win no prizes!

Previously on Midlife Crisis Crossover:

Time again for the annual entry in which I remind myself how much I like reading things besides monthly comics, magazines, and self-promotion from internet users who have me muted. Despite the lack of MCC entries about my reading matter, I’m always working on at least two books at a time in my ever-diminishing reading time. I refrain from full-on book reviews because nine times out of ten I’m finishing a given work decades after the rest of the world is already done and moved on from it. I don’t always care about site traffic, but when I do, it usually means leaving some extended thoughts and opinions unwritten due to non-timeliness.

Presented over this entry and the next two is my full list of books, graphic novels, and trade collections that I finished reading in 2018, partly but not entirely in order of completion. As I whittle down the never-ending stack I’ve been stockpiling for literal decades, my long-term hope before I turn 80 is to get to the point where my reading list is more than, say, 30% new releases every year. That’s a lofty goal, but I can dream.

As with last year’s experiment, every book gets a full capsule summary apiece, because 29 years of reading Entertainment Weekly have gotten me addicted to the capsule format. The list is divided into a three-part miniseries to post on back-to-back evenings in order to ease up on the word count for busier readers. Triple bonus points to any longtime MCC readers who can tell which items I bought at which comic/entertainment conventions we attended over the past few years.

Special shout-out to our local library, source of a few of the books in this section. Also, please note the numbers don’t represent rankings. They were merely to help me count toward my grand total. On with the countdown! Some more!

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My 2018 in Books and Graphic Novels, Part 1 of 3

books 2018!

Other than a handful of library selections not pictured, this is the complete 2018 reading list.

Time again for the annual entry in which I remind myself how much I like reading things besides monthly comics, magazines, and self-promotion from internet users who have me muted. Despite the lack of MCC entries about my reading matter, I’m always working on at least two books at a time in my ever-diminishing reading time. I refrain from full-on book reviews because nine times out of ten I’m finishing a given work decades after the rest of the world is already done and moved on from it. I don’t always care about site traffic, but when I do, it usually means leaving some extended thoughts and opinions unwritten due to non-timeliness.

Presented over this entry and the next two is my full list of books, graphic novels, and trade collections that I finished reading in 2018, partly but not entirely in order of completion. As I whittle down the never-ending stack I’ve been stockpiling for literal decades, my long-term hope before I turn 80 is to get to the point where my reading list is more than, say, 30% new releases every year. That’s a lofty goal, but I can dream.

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Our Louisville Supercon 2018 Photos

Winkler Shatner!

That awkward moment when you don’t get to do jazz hands with world-famous actors.

On Friday my wife Anne and I had the sincere pleasure of attending the inaugural Louisville Supercon, run by the company responsible for Florida Supercon since 2014 and Raleigh Supercon since 2017. Like many convention companies they’ve now turned their attention to the Midwest, which has been enticing and enthralling show promoters for a good five years now, ever since they noticed some of our states have money and geeks in them, in that order. Mind you, I’m not complaining.

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