The Academy Awards 2024 Season Finale

Kate McKinnon's Weird Barbie invites Jimmy Kimmel into her Barbieland house and unrolls a large presentation map of "Oscarsland", which looks like a Candyland game board with photos of each of the ten Best Picture nominees scattered along its dotted-line path.

Kate McKinnon’s Weird Barbie gives a lost Jimmy Kimmel directions to the Oscars, in ABC’s extended trailer.

Oscar season is over at last! Tonight ABC aired the 96th Academy Awards, once again held at ye olde Dolby Theatre and hosted for a fourth time by ABC’s favorite trooper Jimmy Kimmel. This year’s soiree clocked in at 144 minutes, a surprising 14 minutes shorter than last year’s telecast. That’s after starting six minutes late and keeping the stopwatch running till the very end of the end credits, up to the final boilerplate disclaimer read by announcer David Alan Grier. Kimmel and his writing staff made only a single overtime joke in the monologue, then dropped that annual running gag for the rest of the night. It’s refreshing whenever a tired joke is crossed off the setlist.

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Indianapolis Man Watches All 53 Academy Award Nominees, Receives Pat on Head from His Oscar Widow

Jon Batiste on stage at Carnegie Hall, viewed from behind as he raises his arms toward an impressed audience.

Jon Batiste playing Carnegie Hall between awards ceremonies.

I am so, so tired. It’s been a loooong six weeks.

Previously on Midlife Crisis Crossover: Oscar Quest ’24 has dominated my head space and made me neglect numerous other overdue blogging projects. I’m pleased to report I’m at long last finished: I’ve seen all 38 nominated features and all 15 shorts, marking my first-ever 100% achievement of completing my OQ24 scorecard before the big ABC ceremony. I don’t watch sports, so the Oscars are my Super Bowl, which makes me look weird to most folks in my circles. Nevertheless, once again my traditional hobby-journey was spellbinding, enlightening, maddening, exhausting fun.

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“Io Capitano”: From Naivete to Nightmare

Google Wallet screen shot of the mMovie poster for "Io Capitano": Black teen walks through the Sahara Desert while a smiling African woman flies behind him and holds his hand.

When you wish upon a star…

Previously on Midlife Crisis Crossover: Oscar Quest ’24 is in the home stretch! We do our best to see how many freshly nominated works we can catch before ABC’s big, indulgent Academy Awards ceremony ends the viewing season.

Our final theatrical release on the list is the Best International Feature nominee Io Capitano. It opened in Chicago and Cincinnati at least a week before its distributor deigned to grace Indianapolis with its presence on the very last weekend of this Oscar season. Its local “Coming Soon” status had been in limbo for weeks, leaving me to seriously consider road-tripping to Cincy for the sake 100% completion of this annual hobby-project. My patience paid off, and some time and gas money were saved.

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“Robot Dreams”: You’ve Got a Friend in Me (for Now)

A cartoon dog and a robot on a skyscraper's observation deck playing around on coin-op binoculars. Other cartoon animal tourists are scattered around the deck, including a yak.

If you love pointing at ’80s stuff or iconic NYC places, have we got a film for you!

Previously on Midlife Crisis Crossover: Oscar Quest ’24 continues! We do our best to see how many freshly nominated works we can catch before ABC’s big, indulgent Academy Awards ceremony ends the viewing season.

Each year there’s at least one nominee for Best Animated Feature that’s completely unknown to mainstream audiences because they don’t come with a massive corporate brand stamped on the front. This year is no exception: Pablo Berger’s li’l Spanish dramedy Robot Dreams kept me waiting for any kind of release, whether streaming or in theaters. My patience finally paid off: Indianapolis’ own Kan-Kan Cinema was among the few theaters holding exclusive, one-night-only screenings the Wednesday before the Oscars. I showed up alongside three or four dozen other folks at various stages of their own Oscar Quests. Oscar Quest is often such a solitary activity for me that it was nice not to be alone for a little while.

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Yes, There’s a ‘Word of the Day’ After the “Perfect Days” End Credits

Sixtysomething Japanese man in a blue jumpsuit labeled The Tokyo Toilet stands in a park in daytime, smiles and waves at someone offscreen.

Neither snow nor rain nor heat nor gloom of night stays this cleaner from the swift completion of his appointed rounds.

Previously on Midlife Crisis Crossover: Oscar Quest continues! We do our best to see how many freshly nominated works we can catch before ABC’s big, indulgent Academy Awards ceremony ends the viewing season. As is often the case, candidates in Best International Feature endure the slowest rollout of any category due to the complexities of overseas finances and/or struggles to get Stateside studios to pay attention to them and give them turns at our box offices, especially cities outside NYC and L.A.

So far in the BIF competition we’ve caught Spain’s Society of the Snow set in South America, the U.K.’s The Zone of Interest set in Nazi Germany, and Germany’s The Teachers’ Lounge, whose protagonist is from Poland and whose director is of Turkish descent. Our next nominee for your Oscar consideration is Japan’s Perfect Days, from German director Wim Wenders. Thus the mixing-and-matching of nationalities among creators and works continues, apropos of its main character’s aesthetic tastes.

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“The Teachers’ Lounge”: The Case of the School Sleuth Snafu

A teacher wearing a scarf and holding a Rubik's Cube stands in her classroom, empty except for a single student she's talking to offscreen. Subtitle reads, "It's about mathematics not magic."

In my day, teachers could rest easy knowing Encyclopedia Brown would solve all their mysteries for them.

Previously on Midlife Crisis Crossover: our fourth annual Oscar Quest continues! We do our best to see how many freshly nominated works we can catch before ABC’s big, indulgent Academy Awards ceremony ends the viewing season. Every year the most challenging category for attaining a 5-for-5 viewing score is Best International Feature. Every single year, three-to-five out of five honored films haven’t even been released in the U.S. before their nominations are announced, so I have to contain myself as they slowly enter the national art-house circuit. Weeks can pass before they reach our Indianapolis theaters. Sometimes my patience pays off; sometimes a straggler or two misses the deadline.

Of this year’s lineup, I watched Society of the Snow on Netflix in early January, and The Zone of Interest arrived here a month ago. Whereas Society was a Spanish film about an Uruguayan ensemble and Zone was a U.K. film entirely about German characters, our next nominee The Teachers’ Lounge (oder “Das Lehrerzimmer” auf Deutsch) was Germany’s official submission for the category, but its main character is Polish and she’s fluent in German and English. ‘Tis truly a solid year for cosmopolitan cinema.

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“To Kill a Tiger” and the MCC Best Documentary Feature 2024 Revue

Closeup of a solemn Indian father in front of a courtroom where many motorcycles are parked out front. Subtitles read, "A father fighting for his daughter in a rape case..." and trail off.

…is apparently a rarer specimen in India than unicorns.

Previously on Midlife Crisis Crossover: our fourth annual Oscar Quest continues! We do our best to see how many freshly nominated works we can catch before ABC’s big, indulgent Academy Awards ceremony ends the viewing season. Oscar Quest means seeking out every studio feature we didn’t already watch for fun on our own, every art-house film we underestimated the first time around, every short we’d never heard of, and each and every last-minute procrastinator released on New Year’s Eve in New York or L.A., America’s only two cities. I understand a recent rule change will negate the latter cheaters in the future, a limitation I wholly approve.

Relevant to this entry, the Quest of course also covers the documentaries — long or short, foreign or domestic, cheerfully uplifting or fatally dreary. (Uplift was in short supply worldwide this year. I blame humanity.) Most years, the Best Documentary Feature category divides two ways: those readily available to stream versus those frustratingly sat-upon until after the season ends and my Oscarmania has subsided. This is the first year I’ve caught all five nominees on time, though one of them required a little extra effort.

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“Madame Web”: O, What A Mangled Web We Grieve

IMAX poster for Madame Web in a theater hallway. Visual elements include five eyes in separate circles surrounding a falling body. In the middle there's a tiny spider. There are concentric circles and some cluttered webbing.

Note the use of classic spider elements, such as webbing, multiple unmatched eyes, and someone falling down a waterspout.

We interrupt our annual Oscar Quest for this breaking announcement:

“If you take on the responsibility, then will come great power.”

Is your mind blown yet? Your life irrevocably changed? Your latent Spider-powers activated? Your craving for scrambled Marvel Easter eggs whetted?

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The MCC 2024 Oscar-Nominated Short Film Revue

Tenebroso illustration of a giant pink pig with pinprick eyes looming in the shadows over a girl rendered in black-and-white.

Some pigs are nice, like Wilbur or Arnold Ziffel. Some pigs are made of rage.

Previously on Midlife Crisis Crossover: my annual Oscar Quest continues! I’m still trying to catch all the Academy Award nominees I can before the big ceremony regardless of whether I think I’ll like them or not, whether their politics and beliefs agree with mine or not, whether they’re good or bad for me, and whether or not my friends and family will care in the least bit.

Each year since 2009 (except for 2021’s pandemic lockdown marathon) I’ve ventured out to the few Indianapolis theaters carrying the big-screen releases of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but I appreciate the opportunities to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether I agree with their collective opinions or not. My wife and adult son usually accompany me on the journey and we make a family outing of it, even though Oscar Quest is not their problem. Since 2019 I’ve also given myself extra credit for catching as many nominees for Best Documentary Short Film as possible, depending on their availability online, for the most complete shorts experience possible.

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Disney World! Part 8: Welcome to EPCOT

EPCOT's Spaceship Earth geodesic dome looming high about the crowded park entrance gates in the morning.

At last I would see the world’s largest golf ball for myself.

Previously on Midlife Crisis Crossover:

Each year Anne and I take one (1) road trip to a different part of the United States and see attractions, wonders, and events we didn’t have back home. One thing we rarely do is fly. We’d much rather drive than be flown unless we absolutely have to…or are given some pretty sweet incentives to do so. Fast-forward to December 2022 and a most unexpected opportunity: The Powers That Be at Anne’s rather large place of employment recognized her and several other employees nationwide for outstanding achievements in the field of excellence. Their grand prize was a Disney World vacation! We could at last announce to friends and family, “THE GOLDENS ARE GOING TO DISNEY WORLD!”

For Anne it was officially, legally a business trip. Much of the time, she’d have to work. Not ME, baby…

Lo, there shall come at long last an actual Disney Theme Park in this saga! Well, for one of us, anyway.

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