“Snowpiercer”: No Saints After the Apocalypse

Snowpiercer!

“Marvel Team-Up” presents Captain America and the War Doctor in Snowpiercer.

Sure, a bleak Korean sci-fi film based on a French graphic novel, delayed for months while studio heads squabbled over whether or not to delete nearly 20% of it before letting Americans see it, doesn’t sound like the perfect star vehicle for Chris Evans, cinematic hero of this summer’s Captain America: the Winter Soldier. It’s certainly not a vote of confidence that the Weinstein Company compromised by leaving it intact but downgraded to a limited-release run with minimal advertising. In the hands of an unkinder corporation, Snowpiercer could’ve found itself sentenced with immediate relegation to the Walmart $5 DVD bin.

Thanks to exactly one theater in all of Indianapolis, last weekend I had the chance to witness one of the darkest, riskiest, most thought-provoking spectacles of the year. Considering the competition is mostly sequels, I’ll admit that’s not saying much.

– All aboard for the Trip to Bountiless…->

Real Maps Are Like Big Crispy Paper Blankets

Map!

Remember the ancient times of the mid-to-late twentieth century, when long trips to unfamiliar places couldn’t be navigated by squinting at a computer the size of a deck of cards? If you needed to get from point A to point B, your first hope was that an elderly relative could give you directions that used no street names and depended on visual landmarks such as specific gas stations or funny-shaped trees. Plan B was to wander in the general direction until your wife got mad enough to make you stop the car and ask the locals for pointers. Plan C was to stay home and find something else to do.

Plan D was maps. Giant-sized maps that didn’t fit in your pocket unless you wadded them into a ball first, or wore overalls with enormous pockets. They unfolded into thirty or forty sections and covered your entire dining room table. If you were improvising on the run, they covered your dashboard, steering wheel, and most of your line of sight. Driving while mapping was, much like driving while texting, a fun way to terrorize your passengers and the drivers in the other lanes, adding new levels of stuntman risk to even the calmest Sunday outing.

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“The Internet’s Own Boy”: For Want of Information, a Light Was Lost

Aaron Swartz

Aaron Swartz, 1986-2013. (Photo credit: quinnums via photopin cc)

If RSS feeds, Creative Commons, Reddit, Tor, or Wikipedia are part of your everyday internet life, or if you cheered when SOPA was put to sleep, you can thank Aaron Swartz for helping make those possible. The deeply affecting new documentary The Internet’s Own Boy: the Story of Aaron Swartz retraces the path of one young man whose lifelong passion for freedom of Information — not pirating HBO shows or sharing porn, but for useful, scholarly, scientific, potentially world-changing, capital-I Information — took him through countless revolutionary contributions, creations, and crusades until his sudden, unforeseen, tragic end.

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“Transformers: Age of Extinction”: Public Enemy #1?

Transformers 4!

An inventive man of action, a young woman he’s sworn to protect, an amazing traveling machine, lots and lots of running, and they keep reusing the same old robot villains. So it’s like an American remake of Doctor Who.

So. Transformers: Age of Extinction, then. Last weekend the internet gave Michael Bay’s new endurance test an F-minus-minus-minus. I’m not sure if they sat through it or assumed as much based on the available evidence and testimonies. I have no idea how many critics were fans of the cartoons or other related products. I owned several toys and bought the first year’s worth of the original Marvel Comics series, but lost interest in both around age 14 and forfeited knowledge of any subsequent characters or continuity. I thought the first film was the Greatest Michael Bay Film of All Time For What That’s Worth, the second one was the complete opposite of art, and the third was somewhere in between, improved by use of real-life Chicago as a setting for the last four hours of its running time.

If it hadn’t been for the sake of father/son quality time while he’s home visiting for the weekend, I might not have seen Age of Extinction. But here he was, here the weekend was, and there the movie was.

Right this way for more EXPLOSIONS!

Unironic Wishes for a Happy July 4th

Backward Knee Bends!

Art by Joe Giella.

Y’know that one irritating relative who shows up for all your birthday parties whether he’s invited or not, never enjoys hanging out with you, loves sniping about your flaws to everyone, scoffs when anyone compliments you, goes above and beyond in ruining the party for anyone who cares about you, but eats twice his weight in cake and finger foods while he’s in your house?

You don’t? Cool. Neither do I. But when America’s Independence Day rolls around, any number of internet hangouts feel much like that every year. I’m not really in the mood for it just now.

I was trying to come up with some balance of “America” and “sincerity” to mark the occasion here on MCC, and the first icon to leap to mind was Captain America, because that’s how my mind rolls. I could’ve spent hours digging through my collection and scanning pages from the greatest Cap stories I’ve ever read. Instead I’ve consciously opted for a mix of quaint simplicity, practical wisdom, and childhood nostalgia that brought a smile to my face when I revisited it for the first time in years.

The clickable image shown above is page 122 from the 1976 self-help classic The Mighty Marvel Comics Strength and Fitness Book, in which some of Marvel’s greatest heroes teach readers a series of exercises to improve their health, tone their physique, get their blood pumping, dispel their couch-potato image, and give them an edge in crime-fighting. The book isn’t exactly one of the classics from the Marvel library, but its advice and demonstrations are useful and encouraging to anyone seeking that sort of thing.

Among the participating big names are Captain America and the Falcon, along with the Falcon’s li’l sidekick Redwing. Modern readers may find this all dated and a wee silly, but consider what’s demonstrated in the space of that single page besides the exercise itself: teamwork; perseverance; trust; inter-demographic cooperation; focused dedication toward a shared goal; and complete disregard for whether or not anyone else thinks they look foolish. So many great features from the factory showroom model of Classic America.

The short version: they’ve got each other’s backs no matter what. It’s wildly off-topic, sure. It’s no one’s idea of an overt “Happy Fourth of July!” greeting card, but it exemplifies much of what I’d love to see in one. Your move, Hallmark.

Happy 4th. Stay safe. Go find something in your country to enjoy. Maybe stow the partisan rhetoric and played-out “‘Murica!” jokes till at least the 5th, what say?

“Sleepy Hollow” Hiatus News Roundup and Season 1 Recap Guide

Tom Mison! Nicole Beharie!

Tom Mison! Nicole Beharie! America’s new favorite buddy cops!

Less than three months until the season premiere of Sleepy Hollow! It’s been six months since the season 1 finale, but news and notices are popping up more and more as our heroes Lieutenant Abbie Mills and Professor Ichabod Crane prepare to return to active duty against the forces of the Headless Horseman, the demon called Moloch, the undead John Cho, and the mastermind behind them all, whose identity I should maybe not spoil for the sake of anyone planning to catch up on the series over the summer.

Today’s major news: Sleepy Hollow is coming to comics in October! Major indie company BOOM! Studios — whose current publishing lineup includes Adventure Time, Regular Show, Bravest Warriors, Robocop, Big Trouble in Little China, and the quirky creator-owned hit Lumberjanes — has secured the license to bring Crane, the Mills sisters, the Irving family, limbo-bound Katrina Crane, and the late Sheriff Corbin’s fatherly flashbacks to my favorite medium. (Sorry, movies. Missed it by that much.) The creative team of Marguerite Bennett and Jorge Coelho will have four issues to tell new stories that take place between various season-1 episodes, maybe filling in some gaps and finding ways to go all-out gonzo in print without having to worry about a strict TV budget.

This way for sample art, a review of recent headlines, a merchandise sighting, and the MCC recap links!

The Days Are Saved, Thanks to Scrapbooking!

Short entry because I’ve spent much of the night immersed in one of these:

Scrapbook!

For preserving our family’s experiences, I have my writing and my wife has her scrapbooks. When my memories falter, her photo spreads help jump-start the recovery process for those old, lost anecdotes. She’s been assembling these for years and years, building up quite the family library. Vacations, conventions, special one-time outings, random notable occasions, family holidays — if we did something besides work, sleep, eat, or stare at screens, she’s scrapbooked it.

I’ve delved into this one tonight to retrieve several old 35mm photos from our 2006 vacation for future use. A few were previously scanned, but not all of them. It’s so weird looking back at my son, tall for an 11-year-old yet far from his adult height; my wife, timeless as always; and me, the year after my diet. And many of the shots with her 35mm camera looked better than the results from the frustrating digital camera I had at the time. Quite unfair. So I’ve been scanning and scanning and scanning and scanning the night away and I’m really, really tired of staring at the scanner and waiting for the platen elves to hurry and make with the magical uploading.

Sometimes we’ll share her scrapbooks with friends, walk them through with tag-team narration. For the most part, they’re for our own future use, especially for revisiting in those golden years (so to speak) when individual tales begin to blur, vital details vanish, names become scrambled, and punchlines lose their impact. If either of us are stricken with one of the worst-case-scenario kinds of conditions, the ones that pulverize mental faculties and effectively sever any connections to prized talents and qualities, I want these scrapbooks right beside us as our reminders, as our life-savers, as our virtual tour guides to ourselves, imbued with all that we were and all that we meant.

The above pictures-in-picture are from a small-town Wizard of Oz festival we attended in 2006, a cavalcade of Oz cosplay, surviving Munchkin actors, arts-‘n’-crafts booths, and general whimsy. One day we ought to share that story, but I kept it in reserve for a few reasons, none of them personal. When the time is right and the story yearns to be told, either to ourselves or to others, the scrapbook will be waiting.