
If the show must keep swiping episode titles from sources cooler than it is, then “Looking Down the Barrel of a Gun” was a missed opportunity.

If the show must keep swiping episode titles from sources cooler than it is, then “Looking Down the Barrel of a Gun” was a missed opportunity.

What lies within…Item 37? (Hint: it’s bigger than a breadbox, smaller than the Ark of the Covenant.)
For those who missed out, my attempt to streamline the basic events follows after this courtesy spoiler alert for the sake of time-shifted viewers.
So…who wants to learn the Big Bad’s true name? Show of hands?
Tonight on the new episode of NBC’s Revolution, “There Will Be Blood”, the game is afoot for our hero, Tom Neville. The alleged President of the United States of America has returned to the mainland from his/her getaway in Guantanamo Bay and set up camp in Savannah, but his/her representatives are presenting themselves as the people’s rescuers through the use of big fat lies. Our hero knows the truth, believes nuclear madman Randall Flagg was working for them, and can second-guess their devious plan from a mile away: “Create the problem. Be the solution.” And Neville hates it when anyone lies but him.

The other six Endless cannot save you now!
For those who missed out, my attempt to streamline the basic events follows after this courtesy spoiler alert for the sake of time-shifted viewers.

Tom Neville is back. And this time…he’s still mad.
Revolution is back! And this time, it’s sorry if it made you unhappy and it swears it can change!

The gentleman doth protest his receipt. From tonight’s cute scene in which Crane learns about the pitfalls of taxation with representation.
For those who missed out, my attempt to streamline the basic events follows after this courtesy spoiler alert for the sake of time-shifted viewers.
Tonight’s Sleepy Hollow was brought to you by Overtaxed Donut Holes. 8.25% government-levied, 100% delicious!

She’s a medium-town sheriff with FBI dreams. He’s a 250-year-old Minuteman. They fight crime!
With a swing of the axe and a shotgun blast into the air, Fox brazenly kicked off the 2013-2014 fall TV season Monday night with our first new series, Sleepy Hollow. From the early ads its simple but silly premise — Ichabod Crane and the Headless Horsemen, ripped from Washington Irving’s short story and transported to the World of Tomorrow (i.e., today) — felt to me like another uninspired Hollywood reboot, scraping the bottom of the public-domain intellectual-property barrel.
If you don’t mind the occasional hour of loony, far-fetched “popcorn TV”, you can do plenty of fun things with barrel scrapings.

One last Bunheads pic for the road: Bailey Buntain, Kaitlyn Jenkins, Emma Dumont, and Julia Goldani Telles.
It’s never easy when one of your favorite shows ends prematurely without a chance for a tidy series finale.
After months of stalling on a decision, ABC Family finally revealed on Monday that Bunheads has been officially canceled. Despite internet buzz among select circles that now qualify for collective relabeling as a “cult following”, ratings among the Nielsen commoners were never great, especially compared to the performance of the rest of ABC Family’s mostly teen-soap lineup.
As created by Gilmore Girls mastermind Amy Sherman-Palladino and a talented staff working with minimal resources, Bunheads was a literate, tragicomic fusion of ballet, Broadway, a female-majority cast, Sorkin-speed dialogue, showtunes, obscure entertainment punchlines from previous decades, dexterous back-and-forth rhythms, and musical numbers not set to the tune of current Top-40 hits or overplayed ’80s oldies. On a broadcast network, a show containing any two of these elements would’ve been lucky to reach episode three, even on the CW.
Anyone who followed the entertainment news as it flooded out of 2013’s San Diego Comic Con found themselves shocked and surprised by two or more bombshells dropped from above, as the movie and comic book companies kept trying to top each other with the Greatest Announcement of All.
My general impressions follow of what stood out to me most, whether good, bad, or both.
Previously on Midlife Crisis Crossover nearly two months ago:
[This coming] weekend is the fourth annual Chicago Comic & Entertainment Expo (that “C2E2″ thing I won’t shut up about) at Chicago’s McCormick Place convention center, which my wife and I will be attending for our third time. As a tribute to this fascinating city, and an intro to C2E2 newcomers to provide ideas of what else Chicago has to offer while they’re in town, a few of this week’s posts will be dedicated to out experiences in the Windy City when we’re not gleefully clustered indoors with thousands of other comics and sci-fi fans.
…To be continued! Eventually. We’re out of time before C2E2 kicks off tomorrow, but I have a few more Chicago galleries in store, once my annual C2E2 mania subsides.
Now that C2E2 2013 is essentially over (except for one final entry I keep procrastinating), I’m resuming the Chicago Photo Tribute miniseries mostly so I can finish what I started, and partly to get back into the swing of MCC’s travel-minded side in honor of our upcoming 2013 road trip.
During one of our previous Chicago visits, my wife and I took a quick tour of the Museum of Broadcast Communication, currently housed in the first three floors of a former parking garage, with additional floors available for future expansion. The MBC is dedicated to the preservation and presentation of things related to TV and radio, initially on a modest budget by all appearances, but not without a few charming pieces if your expectations are modest and you’re truly interested in specific bits of entertainment history.
Our first sigh upon entering: original doors from the set of The Oprah Winfrey Show, the talk show hosted for twenty-five years by one of Chicago’s most famous living personalities.

Cutler and Stan (Harry Hamlin and Jay R. Ferguson) rush to the nearest TV to see what’s in store for their characters.

Former child actor Alfonso Ribeiro knows about gamesmanship. (photo credit: RangerRick via photopin cc)
Full credit for my Bunheads fandom goes to an atypical cast, talented crew, shrewd choices in songs and routines, the constant flurry of unpredictable pop-culture riffs, and Gilmore Girls creator Amy Sherman-Palladino, who had to know that a ballet dramedy would a hard sell in today’s TV landscape. Alas, too few Nielsen commoners supported its first season to guarantee its renewal, but it beat enough late-night infomercials to merit extended reconsideration by the Powers That Be…who, four months after the season finale, have yet to decide whether it lives or dies.
This same management team had no compunction announcing their latest approved acquisition this week: a weekly spelling bee! Because certified TV scientists have proven in their shiny corporate labs that America loves its game shows, erstwhile Fresh Prince sidekick Alfonso Ribeiro will be hosting the upcoming Spell-Mageddon, in which contestants must refresh themselves on their old high-school vocabulary tests and enter the low-stakes world of competitive spelling, without benefit of Auto-Correct or even Auto-text. Truly this promises to be like an aerial death match without a net.
After an opening montage of moments from the first nineteen episodes set to the tune of “Can’t Find My Way Home”, at long last begins the Revolution season-one finale, “The Dark Tower” (not the first time they’ve referenced Stephen King). When last we left, Monroe Republic President Sebastian “Bass” Monroe and former best friend Miles Matheson were facing off inside the tower with coilguns at twenty paces. Will this be the duel to end all duels? Here in the first minute of the episode?

There’s this place. It’s called…The TOWER.
Thus does tonight’s new episode of Revolution, “Children of Men”, begin with a promise of explosions. We ended last week’s episode with Rachel Matheson triggering the grenade she carried with her into President Monroe’s field tent in hopes of avenging the death of her son Danny. Instead of opening this week with Rachel and Monroe both dead — which, let’s face it, would be a true game-changer — the grenade gets kicked out of the tent, exploding outside and destroying some tanks full of movie combustion fluid or whatever. Everyone in the tent is safe, and Rachel is easily captured and embarrassed.

Charlie (Tracy Spiridakos) and Jason (JD Pardo) share a moment of true love while a disenchanted Atlanta evacuates in panic.
“There’s a lot of beauty in ordinary things. Isn’t that the point?”
— Pamela Beesly Halpert, May 16, 2013.
Our family spent this evening bidding farewell to the quotidian saga of The Office after seven solidly engaging seasons, one apocryphal season we endured out of customer loyalty, and one mostly improved bonus season to make up for that one. Of all our ongoing TV series, it was the only one we watched unanimously. Whenever the Dunder Mifflin staff spent another work day together, we spent quality time together, like the families of days past that gathered around the old-time radio, the puppet stage, the family plow, or whatever other objects past generations thought were worth gathering around. (Well, at least we did this after my son was old enough to appreciate it and binge-watched the early seasons over one summer vacation.)

Former Google executive Aaron Pittman (Zak Orth), possibly the only sci-fi character in history that I can convincingly cosplay at conventions.

My son and I liked NBC’s short-lived, suspenseful Persons Unknown so much, we had to watch the last two episodes online after NBC had given up on it, even when we hadn’t. The cast included Chadwick Boseman (42), Daisy Betts (Last Resort), and Alan Ruck (Bunheads!). Not pictured: Reggie Lee from Grimm.
In this present age of DVD boxed sets, TV series completism is easier than it’s ever been in world history. Buy a complete-series set (or collect seasons one by one as funding permits); set aside multiple weekends for binge-viewing; repeat until you’ve become an authority on the series long after it departed the airwaves. Cable networks provide reruns of many series for your catch-up pleasure, if you’re patient enough to wait until the ones you missed take their turn. Even easier to complete are those fledgling upstarts that grab your attention, air two or three episodes, and find themselves axed by ill-tempered TV execs who’d rather be flooding the airwaves with cost-effective reality stunts instead.

Meet Miles Matheson’s new partner! Can these two dangerous men share a post-apocalypse without driving each other crazy?

If something compels General Monroe to stop sulking in Independence Hall and walk around in open daylight, you know things just got real.