Yes, There’s a Scene After “The Flash” End Credits

Michael Keaton as Batman in the Bat-Cave, with his costume on except no mask.

…a.k.a. Batman III, as far as Warner Bros. and nostalgia addicts are concerned.

Weaksauce disclaimers up front. Your Mileage May Vary.

Sometimes we spend money on things you wouldn’t. Sometimes it’s for stuff we don’t endorse, like that time we paid to see the largest inherently racist monument in America, or when we watched House of Cards during the pandemic. Sure, we’re happier when our expenditures are a wholehearted vote for the parties responsible for the thing we’re about to experience or consume, but sometimes we pay the price because we want to see the flawed thing for ourselves and formulate our own impressions, for better or worse or worst. Any personal reservations and/or revulsion are then taken into consideration when expressing our opinions and/or regrets in the final analysis. Interpret it however you will, but we define it however we will.

In a sense, we compromised: my son and I went to see the latest superhero film starring an actor accused of felonies, misdemeanors, and misdeeds ranging on a scale from obnoxious to irresponsibly gross. Anne stayed home, enjoyed a free afternoon, and gave me permission to share all the spoilers later at dinner, from the funniest to the stupidest.

The TL; DR version: The Flash was better than I expected, which is more than I can say for some of this year’s other sequels. That’s neither a justification nor an unconditional thumbs-up for it. Onward we press with the usual wordiness.

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Indiana Comic Convention 2023 Photos, Part 2 of 2: Actors and Activities!

Me doing jazz hands with Grant Gustin.

It’s Grant Gustin! With The Flash soon coming to a close on The CW, TV’s Barry Allen is finally hitting the Midwest convention circuit.

Previously on Midlife Crisis Crossover:

It’s that time again! This weekend my wife Anne and I attended the ninth edition of the Indiana Comic Convention at the Indiana Convention Center in scenic downtown Indianapolis. They refrain from calling themselves “Indiana Comic Con” on paper for tiresome legal reasons that aren’t their fault, but to us they’ll always be Indiana Comic Con.

ICC 2023 was another opportunity to look at walls covered with old comics, meet people who create reading matter, boggle at toy displays, respect the anime fandom whose population dwarfs us older generations, and find space to breathe among or away from those cheerfully ever-growing crowds. Although the showrunners reserved less space than they did for last year’s edition — in fact, they moved the show back to the halls where the inaugural edition was held back in 2014 — geek life nevertheless thrived in abundance…

…relatively speaking. The smaller square footage meant noticeably fewer vendors than last year. In hindsight we probably didn’t need weekend passes, but we’d taken advantage of an early February sale that got us in Friday and Saturday (we almost never go on Sundays) for a mere five bucks less than what folks were paying for Saturday-only passes day-of at the door. So we did some stuff, but not as much as usual.

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The CW’s “Crisis on Infinite Earths” Midterm Report

Crisis Poster!

Shows will live! Shows will die! And The CW’s Arrowverse will never be the same!

Previously on Midlife Crisis Crossover: the landmark 1985-1986 maxiseries Crisis on Infinite Earths left such a massive impression on me as a young teen who’d been collecting comics since age 6, it changed the DC Universe forever as promised and factored into the naming of this very website 7½ years ago. It wasn’t easy for older fans to watch fifty years of comics canon and continuity get shredded and/or remixed, but youngsters with less of an emotional investment had front-row seats for The End of, and the subsequent rebirth of, the DC Universe as we knew it. Between Crisis, Alan Moore and Dave Gibbons’ Watchmen, and Frank Miller’s The Dark Knight Returns, 1986 was a grandly historic time for DC on multiple fronts. And I was there for it.

Fast-forward 34 years later: I’m a different, older, creakier guy, but I’m still at the comic shop every Wednesday, and still partaking in superhero fare, albeit decreasingly in moderation. DC is still here, still banking on superheroes and trying much harder than I am to stay young-looking. They’ve spent the past eight years unleashing hundreds of their characters onto The CW across six TV series and counting. Here in 2019 going on 2020, it’s their turn for a Crisis.

(Let me throw a courtesy spoiler warning up front: this entry isn’t a full recap, but remarks are up ahead about plot points, surprises, and possibilities in the fourth and fifth chapters that’ll conclude the major crossover event on January 14th. If you’re planning to catch up on your own between now and then, the exits are clearly marked on your browser.)

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Our Fanboy Expo Totally Awesome Weekend 2017 Photos

Ripley and loader!

Ellen Ripley’s Caterpillar P-5000 Work Loader from Aliens. Sure enough, she does have a Class 2 rating.

As it worked out, our last out-of-state foray for 2017 took us to the longest-named event of our year. Since 2012 Fanboy Expo has been a staple of the scene in Knoxville, Tennessee. After a presumably successful show in June, this year they branched out to a second show in October, the Fanboy Expo Totally Awesome Weekend. We’ve never been to a basic Fanboy Expo, but we gathered the Totally Awesome Weekend spinoff was built to focus more on the actor guests than on the “comic” in “comic con”. I deduced this not from any public statements on their part, but on the fact that the guest list on their official website listed five (5) comics/animation artists and six tattoo artists. This is abnormal compared to the events held in our usual bailiwicks.

That disparity doesn’t have to be a terrible thing. My wife Anne and I are more satisfied when a show finds a fair balance comics and entertainment guests. This time, however, we saw FBTAW as a companion piece of sort, the flip side of the previous weekend’s Cartoon Crossroads Columbus. There, I’d had the opportunity to overdose on comics; this weekend it was Anne’s turn for a whirlwind reunion tour with familiar faces from the classic TV of her childhood. It was only fair, especially since her birthday’s this coming week.

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MCC 2014 Pilot Binge #18: “The Flash”

The Flash!

Of all twenty-six pilots in this series, I had more mixed emotions about The Flash in advance than I did any of the rest. When I began collecting comics at age six, Barry Allen was one of the first heroes to teach me about truth, justice, and sequential numbering in long-running comics. I still have issues #270-350, along with the first 200+ issues of Wally West’s subsequent series (including the weirdly numbered Zero Hour and DC One Million crossovers). The first time he came to TV in 1990, I’d taped nearly every episode on VHS years before DVD was a thing, and when it became a thing and the show was eventually granted its release, finally getting to see the legendarily preempted Captain Cold episode was, pardon the expression, pretty cool. Until several years ago, I was a longtime fan of the Flash legacy.

I entered with trepidation into his new vehicle produced by The CW, purveyors of the frequently aggravating Smallville, which left me with so many negative emotions that to this day I still haven’t convinced myself to try a single episode of Arrow because I assumed the results would be similar or worse. (I haven’t forgotten Birds of Prey, either. Yikes.) Knowing that The Flash was a direct spinoff from a show I’m not watching didn’t encourage me, nor did the announcement that both shows are already planning their first crossover (ugh). Insert obligatory reference here to other problems with translating DC heroes to other media, especially movies.

But it’s on the list. So I gave it a try. And I was happy to be surprised. (Fair warning to anyone who hasn’t seen it yet: one paragraph in this entry covers the specific subject of Easter eggs. If you’re a fan of those and plan to savor them as a surprise someday, consider this your courtesy spoiler warning.)

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The Great Comics/Sci-Fi Invasion of the Fall 2014 TV Season

Grant Gustin IS The Flash!

Grant Gustin stares down the competition as the Flash, who hopefully won’t spend ten seasons moping and being called “The Red and Yellow Blur”.

With Community, Revolution, and Almost Human cancelled, I’m finding myself with extra holes in my schedule for the fall 2014 TV season. Mind you, I’m not interested in watching three hours’ worth every night. Even two-hour TV time blocks make me a little edgy and take time away from other activities (e.g., MCC, sleeping). Apparently I’m in luck — four of the five broadcast networks are launching new fantasy/sci-fi series geared for anyone who’s not interested in crime-drama franchises. (The fifth network, CBS, boasts a lineup whose star rookies will be their third NCIS and their fourth CSI. Yes, really. Not making these up. At most, both should handily restock the internet’s dwindling supply of CBS punchlines.)

But what’s a guy like me to watch? Oh, decisions, decisions. The networks released previews this week for the following newcomers, a few of which are based on comic books from my collection:

Right this way for super-heroes, demon hunters, and America’s next instant cancellations!