My 2012 Staycation Movie Marathon Midweek Report

I’m blessed to have spent the past twelve years working for a company that firmly believes in allowing its employees too much vacation time. Each year I take one week off to spend with my family in the summer (cf. the ongoing “Road Trip” series) and one week in the fall to spend at home alone. While my son is in school and my wife is at work, during the daytime I have the house all to myself, as long as I don’t mind sharing the territory with our dog.

I’m also ridiculously blessed with a wife who doesn’t view my annual one-man one-week staycation as an opportunity to hit me with a dreaded “Honey-Do List” of five hundred different odd jobs that remain undone around the house. A friend at work complains that whenever he takes a staycation, his wife schedules enough activities for him that he spends all his so-called “time off” alternating between playing handyman and Mr. Mom. This is not a problem for me because my wife wants me to rest, in hopes that she’ll get to keep me around and alive for as many decades as possible. I wouldn’t call myself a workaholic, but I do have my frequent moments of appearing burnt out and frazzled. I’m told that relaxation makes a difference in my condition.

In most years, when I haven’t violated the premise and written myself a lengthy to-do list, my staycation usually takes the form of a week-long movie marathon. Like many American families, we suffer the first-world problem of buying more DVDs than we can possibly watch in a reasonable number of sittings. In an average week, when I’m burning the candle at both ends between my full-time day job (plus overtime) and my part-time non-paying night job (i.e., the blog), to say nothing of other activities and requirements of adult life, I’m lucky if I have time to sit still for three TV shows and a single movie. The high ratio of purchasing-to-watching means I have a never-ending stockpile of works on hand to ensure that I’ll never be bored inside my own home for the rest of my life.

The portion of the stockpile with the densest accumulation is comprised of things that no one in the house except me is interested in watching — movies and shows that have little chance of making the cut for Family Quality Time, a few of which I arguably shouldn’t be watching. Lately I’ve been actively curtailing my purchases in that subsection — partly for spiritual reasons, partly due to volume, and partly because watching things alone is a lot less enjoyable than viewing experiences that I can share with others around me. Anything in that subsection has to wait on the shelf and collect dust until I have extended time to myself and an inclination for solitude.

That’s where my annual one-man one-week staycation comes in handy. It’s one of my best opportunities to chip away at that particular viewing pile. Much of this week has been spent running errands around town, sleeping too much, and busying myself with the Internet and my part-time non-paying night job, which cruelly offers no paid vacation time. In between all of that, so far I’ve found time to watch six movies that I’d never seen before. I’m saving the DVD extras for another time, to fill small time slots between activities in future work weeks wherever possible.

Ranked below from best to worst, this week’s staycation feature presentations have been:

1. Broadcast News. Writer/director/producer James L. Brooks’ lamentation of the ever-growing superficiality of network TV news, and its increasingly money-minded fixation on entertainment value, is a tragic reminder of how little has improved since 1987. Amidst the anti-sheen commentary is a complicated love triangle between William Hurt’s shallow but skillful anchor-hunk, Albert Brooks’ sharp-minded but blindered nebbish, and Holly Hunter’s professional but bamboozled producer. I picked this up for the satire, but was surprised to discover that it cloaked a relationship film that I wished had been longer. Fortunately my copy is a Criterion Collection edition that includes additional scenes and an alternate ending among the extras, so eventually my wish for more will technically be granted.

2. The Town. The second film from writer/director Ben Affleck, making the most of the second phase of his career as he’s successfully moved beyond the grasp of super-stardom that placed him in several awful films in a row before he stepped back and took stock of his life. Affleck directs himself and an explosive Jeremy Renner as Charlestown bank robbers with a lifelong hometown-boy camaraderie, but slowly diverging opinions as to what they should be doing with their lives. Renner is perfectly happy to stay the course, but Affleck discovers new motivations to find a new direction for living. In that sense it’s practically a parable of Affleck’s own film career before segueing to directing. (If one reached too far, one could even insert an unfair observation about Renner standing in for Matt Damon in yet another context…)

3. Miller’s Crossing. The third big-screen collaboration between young Joel and Ethan Coen, this 1990 production about a 1920s gang war is mostly two hours of Albert Finney, Jon Polito, Marcia Gay Harden, and various other actors taking turns punching Gabriel Byrne in the face and stomach. In between the body blows, Byrne’s convoluted plan to establish long-term peace by escalating the war into a bloody free-for-all reminded me of Kid Loki’s recent efforts in Marvel’s Journey into Mystery series. The ambiguity of some characters’ actions was occasionally dissatisfying, but would evolve into a polished motif in later Coen Bros. films.

4. Last of the Wild Horses. This was actually a sixth-season episode of Mystery Science Theater 3000, the celebrated TV show that mocked a different bad film in every episode. The original feature was a so-so Western about…something. I’m not even sure now. All I remember is a cranky wheelchair-bound father being shot to death on his front porch in poorly conceived indignity. Mike Nelson and the ‘Bots defend themselves against the movie’s mediocrity with verbal slings and arrows. As a parody of the Star Trek episode “Mirror, Mirror”, the host segments center around a transporter calamity that causes Mike Nelson and Tom Servo to swap places with their evil counterparts from another dimension. We know they’re evil because Evil Mike has a mustache and goatee, and Evil Servo wears a yellow sash. Meanwhile in the MST3K mirror universe, the good versions of Dr. Forrester and TV’s Frank are forced to watch the first twenty minutes of the film, marking the only time those two entered the theater in the show’s history.

5. Sucker Punch. On the plus side, Zack Snyder’s girl-power action yarn is much less exploitative than I’d feared, even as reconfigured into a 127-minute Extended Edition. This alleviated some anticipated guilt, but didn’t make it a success. Emily Browning (Violet Baudelaire in A Series of Unfortunate Events) is a victimized teen consigned by her wicked stepfather to a mental asylum, which she reimagines to herself as a stylized brothel in which she’s trained to dance alongside fellow inmates Jamie Chung (Premium Rush), Disney’s Vanessa Hudgins, Abbie Cornish (the Robocop remake), and Jena Malone (Johanna in the upcoming Catching Fire). Rather than hire a choreographer to design a memorable Bunheads-style routine for Browning to master, Snyder instead has her delve one level deeper into her subconscious and symbolically represent each dance as a vapid, meaningless, expensive video game sequence. A rotating onslaught of giant artillery-wielding samurai, undead WWI German trench-dwellers, Lord of the Rings orcs, and sci-fi security robots each take turns destroying everything and meaning nothing. Some might find comfort in the movie’s message of The Power Is In You, but I was occasionally bored and ultimately bothered by the passing structural similarity to Pan’s Labyrinth, a more poetic and far superior film about a young girl escaping an oppressive environment through a secret entrance into a fantastical world.

6. Blow Out. Writer/director Brian DePalma’s 1981 take on the Hitchcockian wrong-place/wrong-time thriller sees post-Kotter John Travolta as a sound technician for grade-Z film productions caught in a conspiracy web when he records a fateful car accident with a high-profile victim and a telltale sound effect meant to go unheard. Robocop‘s Nancy Allen is surprising as a ditzy call girl with even worse timing that Travolta’s. Dennis Franz is suitable as a sleazy paparazzo who makes things even worse. John Lithgow cuts his teeth in what would be the first of many irredeemable psychos he would play throughout his career. I enjoyed the old-time scenes of Travolta editing and cutting recordings the old-fashioned way on reel-to-reel tapes, with all the constant rewinding and forwarding. Undercutting the suspense and making this difficult to recommend are the satirical pandering of the first five intentionally exploitative minutes, and the final thirty seconds of the film, in which an ostensibly tragic ending instead came off as out-of-character and revolting.

That’s what has passed for “relaxation” for me so far this week. I’ve exhausted my errands list, but I’ve no shortage of movies on deck. Assuming I don’t oversleep any more, I’ll see how the moods and options guide the rest of my staycation.

To Be Continued!

Ranking the Six “Sherlock” Episodes While Waiting to Judge “Elementary”

Sherlock, ElementaryMy wife and I were quite pleased to catch up with our peers recently by viewing all six episodes of the BBC’s fascinating Sherlock. Before diving in, I expected I’d at least enjoy some engaging moments from Martin Freeman, one of my favorite components of the original UK version of The Office, among other productions. Once our viewing began, I was struck more deeply by Benedict Cumberbatch’s performance as a truly intelligent character with a broken social compass. More succinctly put: he’s smarter than everyone around him and doesn’t care who that bothers. I’ve known more than a few Internet users with that same attitude, many of them mistaken in their position. I can see why the show would attract such a sizable Stateside fan base.

We owe sincere appreciation to the creators — Steven Moffat, Mark Gatiss, and some ancient writer named Doyle — for an intricate, adrenalized concoction of tension, intrigue, and emotional gamesmanship. I’d also like to thank the crowds of fans who recommended this to us. At the moment, I would rank the six episodes produced so far as follows, with spoilers ahead.

1. “The Great Game” (s. 1, ep. 3) — A bored Sherlock finds his spirits, and later his blood pressure, raised when a mad bomber taunts him with a series of life-or-death puzzles to solve, with victims as the prizes. Our Hero finally meets an opponent to equal or even rival his talents, and finally demonstrates that he actually has moral boundaries in comparison. Humor succumbs to terror as the challenges proceed relentlessly, concluding with a revelation that had me kicking myself for not guessing it sooner. (Mental note: when reading or watching a work about Holmes, any character named “Jim” needs to be heavily scrutinized. How could I not even have thought about it?)

2. “The Reichenbach Fall” (s. 2, ep. 3) — Moriarty drives Holmes and friends to the brink of insanity with the greatest game of all, one that destroys reputation, relationships, and lives with equal aplomb. The hyperintellectual brinksmanship was truly a wonder to behold. At times it was extraordinarily tough to disbelieve the lies. The main reason it has to settle for runner-up is because the last thirty seconds of the episode were no surprise. I already knew the show would be returning for season three. Granted, I have very little idea how Sherlock actually pulled off this astounding stunt (other than a nascent theory involving Molly), but we know that, somehow, someway, he did pull it off. When I’m supposed to be surprised and I’m not, I deduct points.

3. “A Study in Pink” (s. 1, ep. 1) — Where it all began, laying out the premise, putting all the pieces in starting positions, and setting the bar ridiculously high with an initial, disturbing stumper of a mystery. Tonally distinct, visually inventive, detail-oriented, funny, and enthralling.

4. “A Scandal in Belgravia” (s. 2, ep. 1) — For once, not only does Sherlock have to discern what the clues mean, he has to discern what the clues are. The Woman is such a formidable, superior Catwoman to Sherlock’s momentarily awkward Batman that I was a little disappointed that the solution to the locked MacGuffin phone depended on her being deep-down lovestruck. Otherwise, all performances were in top form, though Irene Adler’s risqué nature pushed the content boundaries a bit more than we’d expected.

5. “The Blind Banker” (s. 1, ep. 2) — Sherlock versus the Asian underworld, with a little help from British subculture and a little interference from Watson’s wish for a personal life. This would’ve been a very good episode of any other TV show, but the impersonal villain and the cutesy dating scenes felt inessential in the context of this series.

6. “The Hounds of Baskerville” (s. 2, ep. 2) — I would still call it good TV to an extent, particularly the scene in which an incensed Sherlock shows off to prove he’s still in control of his faculties, but it was the most predictable episode to date. Once you eliminate any possible supernatural causes on general Holmes-lit principle, the only remaining explanations possible for the demon dog are (1) the vulpine roomie from Being Human is a liar or a madman; (2) genetic tampering; or (3) hallucination. The excessively misty government property narrowed the possibilities for me fairly early into the episode. (If I was meant to think, “Oh, that’s just England for you!” it didn’t work.) The whodunit aspect also tipped its hand too early if you’ve seen too many mystery shows, which have taught us that the guest star who’s dying to be most helpful to Our Hero is almost always the guilty party. Sure enough, my wife and I had him pegged after his “chance” interruption of Watson’s drink-chat with the therapist. Alas, even the smartest kids in class are bound to trip from time to time.

The Internet says that Season 3 isn’t scheduled to begin production till January 2013, which means we have at least a year before my wife and I will be able to watch episodes as they air. Until then…well, we do have an option to keep us occupied. CBS’ new counter-interpretation of the Holmes milieu, Elementary, will premiere this Thursday evening, September 27th. Jonny Lee Miller and Lucy Liu are the prettier, Americanized versions of the detective duo who’ll be plying their trade in New York City and presumably encountering their own special Moriarty in the months ahead, though the early publicity info has a dearth of other Doyle staples such as Lestrade and Mrs. Hudson.

A schedule conflict will prevent me from watching the premiere as it airs, but I’d like to see it for myself at some point — partly because watching new things is a fun source of writing prompts for me, but mostly because I’d like to judge it firsthand rather than dismissing it outright. I’m willing to grant the benefit of the doubt, though I take slight issue with apologists who defend it on the grounds that plenty of actors have performed their own interpretations of Hamlet and other famous characters without being beholden to other versions. Though this is true to an extent, you rarely have two versions of Hamlet being staged in the same city at the same time. Usually a bit more space is left between them so they can stand or fall on their own merits, rather than competing against one another for the same audience. Also, if Elementary turns out to be nothing more than CSI: English Accent, I’m definitely done with it.

“Revolution” 9/24/2012 (spoilers): Mitigating Morality and Fussing Over Flags

The Rebel Alliance goes up to 11Last week’s premiere of the new JJ Abrams series Revolution achieved encouraging Nielsen ratings. Then again, so did the pilots for The Event and FlashForward. We’ll have to wait until Tuesday morning to discover how episode two fared. I’m sticking with it for now with some form of curiosity, but I can’t say the show is firing on all cylinders yet.

The interesting sword-fighting scenes in this week’s episode, “Chained Heat”, are mostly between Miles and special guest C. Thomas Howell as a generic bounty hunter. Unfortunately for Miles, all his other party members lack key adventuring skills. If they were Dungeons & Dragons characters, their class would be Hostage. Worse still in Miles’ mind, head hostage Charlie still adheres to old-fashioned, inconvenient, old-world beliefs such as Killing Is Wrong and Slavery Must Be Stopped. Through the course of the hour, Uncle Miles has to teach his niece that (1) life in the new world is basically a constant state of war, so killing is mandatory until someone reinvents the American legal and penal systems; and (2) they have better things to do than become a traveling abolition squad. The validity of either lesson remains open to debate.

At first Miles abandons his dead-weight companions and tries to carry the series solo, but Charlie refuses to let him because she believes she’s the main character, and also she wants to fight by his side with her crossbow that she’ll willingly use to wound animals or shield herself from swinging swords. Despite her inexperience and naivete, despite Miles’ considerable head start, and despite a scene where she plods around a playground for a while and has an intense childhood flashback, somehow she catches up with him anyway. One has to wonder if perhaps she possesses innate tracking skills not yet mentioned, if Miles somehow got lost, or if he was just testing her to see if she would follow him, and had been hiding in the bushes all this time.

Miles wouldn’t be alone in using shrubbery as camouflage. That’s exactly where “Nate” spent this episode, keeping himself, his conflicting motives, and his general brooding hidden but never far from the action. Basically he’s set up as a season 1 Angel to Charlie’s Buffy. Those are some big shoes to fill, “Nate”.

Of course, in order to follow Miles in the name of “only trying to help”, Charlie had to let Aaron and Maggie stay abandoned and fending for themselves. The duo reacts to this by not staying put, instead venturing forth armed only with the late Ben Matheson’s potentially world-saving flash-drive MacGuffin amulet, a dead iPhone that hopefully doesn’t experience memory degradation issues, and Aaron’s magic glasses that have survived fifteen years or more without collecting scratches all over the lenses. Maybe I shop at all the wrong optometrists, but after two or three years with the same pair of glasses, I’m usually half-blind and having to learn how to focus through the few clear spots.

Thus do Aaron and Maggie throw caution to the wind and advance in the direction of Grant Park, the hometown of Grace, the mysterious lady from last week that Danny met by pure happenstance, who then threw him to the wolves, and who for some reason has a working computer with a 56K modem with the old dial-up squawks and everything. We know little else about her so far except she had/has an asthmatic son whose inhaler had no expiration date; she’s not afraid to throw innocents to the wolves for the sake of saving her own skin or cause (too early to tell which of those means more to her); and her subplot ends in a cliffhanger involving a rude home invader named Randall. I like to think that a character with that name just has to be awesome, so I’m sure there was a perfectly courteous reason for him to smash her door down.

Funny thing about Grant Park, though: it’s fifty miles south of Chicago. That wouldn’t be a cakewalk for the Fellowship of the Ring, let alone for casual pedestrians. I can’t wait to see how that goes for Maggie and Aaron, who’s not exactly built like a cross-country runner. I also look forward to finding out how Charlie’s brother Danny, who was taken captive many miles west of Chicago in the pilot, somehow beat them to Grant Park by a full episode — accidentally and with asthma, at that. They do have one thing in their favor: Miles told everyone to meet in two weeks in Lowell, Indiana, which lies a measly fifteen miles east of Grant Park. That leg of their trip should be a breeze compared to the Chicago-to-Grant-Park marathon.

Miles’ side quest, as it turns out, is to recruit the last cast member, Nora (Daniella Alonso), who can hold her own in a fight, can allegedly blow stuff up, is willing to steal herself better weapons, and has a Rebel Alliance tattoo on her back, in the form of an eleven-star American flag. Apparently the rebels are so hardcore, they think North Carolina and Rhode Island don’t count as Original Colonies because they were too slow to get ratified. 11-OC in full effect, y’all.

Meanwhile, Giancarlo Esposito’s Neville, the most interesting evildoer in the show, saw reduced screen time, but taught us two key lessons: he’s some kind of religious (for me, the most eye-rolling revelation this week), and the original fifty-star American flag has been renamed the “rebel flag”. With the series taking place in northeast Illinois, it may be years before the characters walk far enough south for us to learn what a Confederate flag is now called. His superior, Sebastian Monroe, presidential monarch of the Monroe Republic, had even less screen time with only two scenes to call his own: one demonstrating that he’s against torture but not murder; and one revealing that Charlie’s mom is alive and captive.

Hopefully the future doesn’t see Charlie following her mom’s lead in every other episode. I’d like to see her grow as a character, preferably sooner rather than later. It was sad to see her innocence die a little when she experienced her first kill (and, seconds later, her second kill) while helping Nora steal the cool sniper rifle from the copter-hoarding Imperial forces. She doubtlessly has more trials ahead of her, so she’ll need to keep working on her backbone development, stop letting strong men back her into helpless positions, and start owning the fact that this entire journey was her idea.

If she keeps insisting on retreating to the background, I would recommend the show change focus ASAP so that Miles really is the one true main character. Along those lines, they’d do well to change the name of the show as well. My suggestions for a new name would include Miles to Go; Miles Down the Road; Crossing Miles; Miles and Nora’s Infinite Hit List; or We’re Walking, We’re Walking, We’re Walking.

2012 Road Trip Photos #17: Powerful Panoramas from the Pinnacle of Pikes Peak

Once the Pikes Peak Cog Railway deposited us at the top of Pikes Peak, 14,110 feet above sea level, it was clear to all of us that Day Five had just won the vacation, if not our entire vacation history.

The views from all directions effectively narrate themselves.

Pikes Peak

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My Geek Demerits #4: Not Watching “The Big Bang Theory”

[Being the fourth in an intermittent series covering assorted areas in which I feel resigned to live as a minority among geeks.]

The people who hang around us the most realize that my wife and I differ from them in key ways. In small-talk situations we find ourselves fielding questions about certain movies, TV, books, genres, and other topics that never arise at elegant dinner parties. We’re not know-it-alls and we’re immediately honest in admitting when we haven’t seen or become aware of a certain work or area. If the answer lies within one of our personal proficiencies, we cheerfully oblige. I do edit myself for length because no one ever wants or truly needs my complete, passionate answer in paragraph form. I’m merciful that way. It makes me look more introverted and antisocial than I really am, but it’s for everyone’s own good. Also, people tend to wander off after the first three sentences.

Every August like clockwork, someone will ask if we’re attending GenCon. Five to six weeks after a new super-hero movie is released, they’ll ask if we’ve seen it yet. When the subjects of Star Wars or Star Trek arise on occasion, my wife tags in to the convo while I sit ringside. Once every eight to ten years when someone asks me about comics, I have to remember to limit my answers to twenty words or less, and to confine my citations to Marvel or DC titles only, because explaining the fact that hundreds of other publishers have existed throughout comics history will only frighten and confuse them. Conversely, if someone mentions sports of any kind, we have nothing to offer them and wait patiently until they can find a normal, human, sports-loving conversationalist to rescue them from us.

In the last year or so, one question has begun popping up more frequently than any other: “Do you guys watch The Big Bang Theory?”

For my wife, it’s an easy question to answer. She has no use for 98% of all network TV shows produced after 1992. Her part in the conversation is done, and she’s ready to flow to the next topic. I have my response rehearsed and down pat: I fix my gaze upon any other point in the room except the questioner, pause with a strained expression, and mumble, “No.”

They’ll say, “Really? Oh, it’s so funny!” Then they’ll try to quote a line or antic that comes to mind, smile, and wait for me to be bowled over. The most common choice is a shout of “BAZINGA!” as if this will implant fake happy memories of the show in my head and win me to their side.

Instead I bounce my gaze to a point on the opposite side of the room from the first faraway point, smile sheepishly, wince, and mutter, “Heh. Yeah, I…just don’t.”

If they’re terrible at reading body language, they’ll finish their pitch with, “Oh, you should try it! It kinda reminds me of you guys!”

My first impulse is to imagine them dying gruesomely before my eyes. Since that’s a sinful thought, I try to capture it, suppress it, nod a little, replace my smile with a blank look, and wait out the rest of the scene in silence, just like Clark Kent used to do on Smallville whenever anyone confronted him with a question he didn’t feel like answering. If I’m to continue living in peace with others, then I have no choice but to muster up a humane response.

I watched the entire first episode. In 2007 a magazine graciously sent us subscribers a promotional DVD containing the premiere episodes of both BBT and How I Met My Mother. My reaction to the latter was easy to summarize: Neil Patrick Harris was in top form, but I’m generally not amused by comedies about people striving for sex and love in that order. My reaction to the BBT pilot was even more adverse, but tougher to articulate. Everything that bugged me about the pilot has only been exacerbated by further examples and new reasons developed over the years.

Right off the bat, I was disappointed that the pilot was entirely stocked with stereotypes. The classic dumb blonde was the central figure, surrounded by the emotional good geek, the unemotional bad geek, the worse geek who thinks he’s suave, and the token nonwhite geek. I was more disappointed that all five characters were conscripted in service to a comedy about people striving for sex and love in that order. Well, except the bad geek, who appeared to suffer from a Vulcan emulation disorder.

More problematic: I simply didn’t laugh. At all. I half-smiled at the periodic table shower curtain. That’s as good as it got. Most of the jokes didn’t feel written For Geeks By Geeks. It felt like classically trained sitcom writers dusting off the old clichéd jokes about geeks and taking them for a spin at the geeks’ expense, even in lines spoken by one geek berating another. If I might borrow Johnny Carson’s old shtick and pretend that someone just shouted, “HOW BAD WAS IT?”: it was so bad, I once watched an entire episode of According to Jim that made me laugh more. The gags at the dumb blonde’s expense only worsened the feeling that I was watching corporate-approved assembly-line sitcom product.

I came away from the single viewing experience with an offended impression in my head that I couldn’t properly label until a few years later when an Internet participant under the message-board username “Front Toward Everybody” coined the right summation and crystallized my conclusion for me: “nerdsploitation minstrel show“. If the frat jocks from Revenge of the Nerds suddenly became aware enough to create a TV show spoofing and mocking their arch-nemeses, BBT is the end result I imagine.

I’ve witnessed little evidence to reverse my position. The jokes that are quoted to me every so often, whether by well-meaning friends or by easily amused magazine writers, elicit no merriment from me, and fall a few notches below the everyday chatter that online friends proffer via social networks for free. Those same samples have failed to dispel my presumption that the show revels in laughing at — not with — the issues and weaknesses of some among our crowd. I find that more saddening than snicker-worthy.

On a different level, I’m also annoyed that the show does indeed kowtow to corporate interests. I’d suspected this at first when ads for the show (produced by Warner Bros.) began appearing in titles published by DC Comics (owned by Warner Bros.) with the cast all wearing DC super-hero attire. My suspicion was confirmed this weekend when I received my subscription copy of the new issue of that same magazine that sent me the DVD in 2007. This week’s cover story about BBT (apparently they still love it to pieces) confirms on page 33, “A rule that only DC Comics products can appear in the comic-book store was lifted in honor of Marvel legend Stan Lee’s guest appearance in season 3.” I’m surprised DC didn’t bar Stan the Man from appearing and insist that the show feature special guest star Dan DiDio instead. Openly corporate favoritism is, in my opinion, highly anti-geek.

Naturally, the Nielsen commoners can’t get enough of it. It’s now the highest-rated sitcom in current production, preparing to start its sixth season this coming Thursday, September 27th. I realize the industry has rewarded it with many Emmys, which mean about as much to me as Tonys do. (Hint: as I live nowhere near Broadway, the answer is near zero.) I get that I’m supposed to dig the theme by Barenaked Ladies, who’ve composed several great songs but have never sustained a fully satisfying album from start to finish for my taste. I realize the show has garnered many renowned guests hallowed and revered to our crowd — numerous Trek actors and actual scientists, among others. How nice for the show that it has powerful friends, allies, and fans. Good for it.

Perhaps the show has matured since then and stopped falling back on easy go-to shtick. “It’s funny ’cause geeks don’t get women!” “It’s funny ’cause geeks use real big words!” “It’s funny ’cause geeks like stupid stuff!” If those have disappeared, great. I’m glad it’s experienced a miraculous, hopefully repentant turnaround. The rest of the world can continue enjoying it at their leisure for the twenty more seasons sure to come.

Meanwhile, I’ll be fine over here without it. If I want to see or read works authentically FGBG, funny or even dramatic, I’ve had plenty of options past and present about our mindset — Scott McCloud’s Zot!, Evan Dorkin’s “Eltingville Club” stories, Sideways, Frasier, High Fidelity, Phonogram, Fringe, The Nerdist channel, and the amazing, colossal, heartbreakingly underrated Community, which in its three seasons has been more magnificently FGBG than I thought humanly possible, without stooping to the lower common denominators or compromising a great taste in reference points.

Even if the Nielsen commoners take Community away from me after the new showrunners fail to appease them, I guarantee shouting “BAZINGA! BAZINGA! BAZINGA!” at me won’t change my mind.

Blustery Indiana Hailstorm Smashes Fauna, Causes Widespread Blackouts, Interrupts Quality Time

Temperatures in Indianapolis had been dropping this week, so we knew a change in the weather was in store, but we hardly expected anything like tonight.

We were in the middle of entertaining a guest, about forty minutes into Louis Leterrier’s Clash of the Titans when we realized that the explosive sounds of mega-scorpion warfare on TV were suddenly being drowned out by what sounded like massive artillery fire from outside, bombarding our house from every direction. Violating one of my personal rules, I paused in the middle of an action scene, then pulled the drapes to scope out the fuss.

Lo and behold: central Indiana was under siege by killer hail from above.

Indiana hailstorm 9/21/2012

Indiana hailstorm 9/21/2012

For readers lacking a frame of reference, let it be known for the record that our modest deck doesn’t normally look like someone’s laying the foundation for Christmas Town.

We’ve had hail before. The average hailstorm ’round our part of Indianapolis lasts twenty to thirty seconds, at best — not nearly long enough to jangle our nerves. This time was not the same. I rarely describe meteorological events as “frightening”, even when tornado sirens are blaring in my ear and the clouds have turned the color of murder. Tonight, the intensity level assailing our humble abode was officially frightening. For several minutes that dragged like dangerous hours, the onslaught just wouldn’t stop. This new, sturdier, 21st-century hailstorm raged and roared to the point where my son actually evacuated the living room to get away from the potentially hazardous window glass. We Hoosiers have been taught and lectured about important safety tips like that for years. I can’t blame him for obeying them, or for thinking his father was insane for being mesmerized by this unheralded, unsafe display of nature’s brutality.

I might’ve been a little more grounded and less collected if I’d looked out our front door first. This is what the storm did to our neighbors’ very large tree across the street:

Indiana hailstorm 9/21/2012

Granted, this could have been a stray lightning bolt accompanying the hailfire, rather than the hailfire itself. Somehow that doesn’t brighten my impression of the event.

So far our house seems unscathed, except for two sides that are now plastered with our neighbors’ former leaves. It remains to be seen how our roof fared. Our evergreen bushes out front are wider than they were this morning, as if a rhino rolled around on them to scratch his back. Our power blacked out in the middle of the storm, and remained kaput for over two hours before service resumed. As I understand it, we’re among the lucky ones in that regard — local news is reporting that thousands more people remain without power at the moment, and Lord only knows how many hail-related horror stories will be aired or posted by morning. I pray there were no casualties in all this, and that the damage is much less than I fear.

Admittedly, the hailstorm certainly put those fake, showy mega-scorpions into proper, minuscule perspective.

2012 Road Trip Photos #16: On the Way to Pikes Peak

The Manitou Cliff Dwellings are on the north side of Highway 24. On the other side of the highway is Manitou Springs, a cozy. woodsy town that thrives on Pikes Peak tourism. You may recall how last summer’s nightmarish wildfires made them a household name. Thankfully the coast was clear, embers were nowhere in sight, and the evacuations were called off days before our arrival. In fact, local news reports earlier that week had interviewed the townspeople about the impact of the wildfires on their economy. I like to think we did our part to reverse a little of that damage, if nothing else.

Lunch was at a restaurant called the Keg. I thought it was a mere bar when my son chose it from among several competitors, but we were starving and no one complained about his teenage presence, so I’m proud to label it as good family dining. I’m still not sure why he chose it, of all the many options surrounding us. Perhaps their wooden mascot captured his imagination with its trustworthy sign promising superlative cuisine. Maybe later we could also find a shop selling the Best Coffee in the World. I rolled with it for the sake of adventure and not-starving, and wasn’t disappointed in the least.

The Keg, Manitou Springs

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Trailer #2 for “The Hobbit” Starring Dr. Watson and Doctor Who

Longtime fans of Peter Jackson’s Lord of the Rings trilogy who’ve been watching last December’s two-minute teaser for The Hobbit: an Unexpected Journey on an endless loop every day for the past nine months can finally close that browser and tune in for the new, full-length trailer that was released to the Internet on Wednesday. It’s comforting to see our old friends Ian McKellen, Cate Blanchett, Hugo Weaving, and Andy Serkis all returned and on point, but I’m personally more interested in the new tidbits:

I’m delighted to see Martin Freeman portraying astounded exasperation with his usual finesse. Whether as Tim from The Office, Arthur Dent from The Hitchhiker’s Guide to the Galaxy, or the average-minded John Watson from Sherlock, Freeman specializes in men who can’t believe what he sees in the other men that surround them. To his credit, his Bilbo Baggins (at least in these scant samples) seems to retain at least a smidgen of confidence in stressful situations, a trait that his adopted nephew struggled to inherit in the trilogy.

New to our eyes this time around: Sylvester McCoy, erstwhile Doctor Who, as Radagast the Brown, a wizard colleague of Gandalf and Saruman who was name-checked in passing in J.R.R. Tolkien’s original novel. I remember reading it in seventh-grade English class, where our teacher Mrs. Price gave us extra credit if we completed our Hobbit homework and quizzes in green ink. I don’t recall Radagast’s name at all, but I’ll take everyone else’s word for it. Here his role has been broadened to compensate for his complete deletion from the LOTR trilogy, and set far apart from those other, mainstream sellout wizards by donning the world’s craziest winter hat and possibly threatening to invoke a divination method certain to make the Middle-Earth Humane Society cry.

Also integral to my seventh-grade Hobbit experience: the three trolls! I was hoping one of my favorite scenes from the book would be included in the first movie, instead of being relegated to The Hobbit Part 7 or however long this series ends up.

I’m especially curious to see more of Richard Armitage’s version of dwarf’s dwarf Thorin Oakenshield, the new face of 21st-century dwarfdom — to say nothing of his dozen companions. Compared to these nimble warriors, in hindsight Gimli son of Gloin looks like Volstagg the Voluminous.

You’ll also note the younger, cleaner Gollum who’s a little less sinister in his threats of hobbit cannibalism. Little does Prequel Gollum know he’s sparring with an opponent who’s a little less highstrung and morose than Frodo was. I don’t look forward to the moment when crafty ol’ Bilbo absconds with his Precious and shatters his heart.

In the grand tradition of The Return of the King and its endless parade of endings, Warner Bros.’ official movie site offers a total of five different versions of this trailer that end with different scenes, each one amusing in its own right, four of them at Bilbo’s expense. Laugh while you can, pesky dwarven bullies. Over the next three years, Bilbo will show you all.

“The Bourne Legacy”: 2½ Hours of Jeremy Renner Having the Time of His Life

Tonight’s entertainment was a discount showing of The Bourne Legacy, in which Academy Award Nominee Jeremy Renner enjoys the perks of action heroism without looking like a plasticine sellout. That’s all I wanted, and I’m happy that my expectations were cheerfully met. I was willing to let most of the deficiencies slide.

To understand my mindset, head directly the $5 DVD bin at your nearest Wal*Mart and pick up a copy of 2003’s S.W.A.T., which was chiefly a loud mash-up of the incongruous stylings of Samuel L. Jackson and Colin Farrell. When I watched it years ago, I couldn’t help noticing the showy bad-cop with all the best lines, played by a confident young guy who seemed to be enjoying himself a lot more than the marquee names were. Not long after, I caught him during my Angel DVD marathon in a season-one role as a gleefully evil vampire — once again, cockier and smiling a lot more than his opponent. After back-to-back favorable experience,s I made a mental note to keep an eye out for young Renner in the future.

Fast-forward years later: now his resumé includes The Avengers, The Hurt Locker, and Mission Impossible: Ghost Protocol — all grade-A films in my book, all this close to making Renner a household name. Also of interest: last November Entertainment Weekly published a lengthy article about him that detailed his lean years as a struggling actor living a life far from luxury while chasing his dreams. That struck a chord with me, and only served to upgrade my mental note into a full-fledged set of index cards. In the filing cabinet that is my mind, that’s a kind of praise.

Renner finally worked his way up to carrying a big-budget action film on his own (instead of as a sidekick or teammate) with The Bourne Legacy, in which his character is torn between a government that needs him dead and a skeptical audience that’s 95% certain he’s not Matt Damon. I liked the original trilogy, but not nearly enough to consider it sacrosanct. The same screenwriter, Tony Gilroy, is now in the director’s chair adapting his own words for the screen, and he even allows cameos from previous players David Strathairn, Joan Allen, and Scott Glenn. We still have the specter of the evil government programs named Treadstone and Blackbriar, begging to be joined by other new evil programs with ten-letter compound names like “Thumbscrew” or “Riverdance”. It’s in the same timeline as the trilogy, no reboot or disregard for what came before. (Granted, I have no idea how hardcore Robert Ludlum fans feel about what amounts to an apocryphal spinoff…)

I wasn’t really concerned with whether or not it lived up to its predecessors. I harbored no delusion that it would be groundbreaking. I entered in hopes of seeing a guy who used to live on ramen noodles and unpaid light bills enjoy the fruits of a turnaround of fate. As the last survivor of a black-ops Super-Soldier Program made possible by the sinister forces of Big Pharmaceutical, Renner finds plenty of quiet moments for emotion and sincerity in between the running, chasing, punching, kicking, parkour, motorcycle stunts, and smash-cam closeups. His earnestness and lack of Hollywood sheen go a long way toward redeeming a role that, in the shallow end of the ’80s, would have been relegated to any number of direct-to-video martial-arts “stars”.

Also worth noting is Rachel Weisz as the requisite damsel in distress, trying on an American accent for a change, carefully modulating her fearfulness instead of aiming for full-tilt histrionics like others might in her place, and standing her ground as needed with her fully accredited science skills. Edward Norton stands out a tad as the evil overseer with the best-written lines (particularly his discomfiting description of the evil Program as “morally indefensible and absolutely necessary”). I spent the entire movie thinking Stacy Keach was Albert Finney as Evil Overseer #2, so I guess that’s a job well done. And after having coincidentally watched *batteries not included the other night, I was shocked to see that Dennis Boutsikaris, as the constantly upset Evil Overseer #3, has indeed aged a full twenty-five years over the last twenty-five years. Shocking but true.

I had to focus on the performances because the rest of the movie was a mixed bag. The “plot” is Our Heroes enduring one long chase scene while all the best villains hide in a faraway room. All armed henchmen working outside the main control room are one-note, including one Super-Duper-Soldier with no lines and no demonstrable evidence as to why his even-eviler Evil Program was superior to Our Hero’s. The climactic auto-wrecking dance is shot with such a claustrophobic eye that I lost all sense of setting and placement, and thought I was trapped on a merry-go-round. And the movie pauses all that chasing instead of actually ending, as if everyone involved simply stopped and called a truce so they could move on to their next projects.

But for my money’s worth, I achieved my goal of watching Renner hang out with interesting people in exotic locales while stunts are performed and entertainment is adequately concocted for my discounted dollar. Hopefully we won’t have to watch the sad sight of Renner selling out altogether in future years and demanding ten times his salary for an extra-bloated sequel called The Bourne Travesty.

Three final notes, in keeping with past movie entries:

1. The Bourne Legacy has no scene after the end credits. Once again for the true fans, the credits do roll to a reprise of the official Bourne theme, Moby’s “Extreme Ways”.

2. In terms of content, mostly it’s about the smashing and exploding, with very few curse words added so we know it’s still a Hollywood film. For those with the sensibilities of a great-great-grandmother, the end credits include a warning label about the scenes of smoking (*gasp!*) being “an artistic choice” rather than paid product placement. If that makes or breaks the deal for you, consider yourself warned.

3. I counted one veteran of The Wire onscreen: blink and you’ll miss Christopher Mann — a.k.a. one-time mayoral candidate Tony Gray — as a panicky guard desperately failing to smash his way through a locked door. Poor Tony just can’t catch a break.

“Revolution” Pilot: From Slow Burn to Swashbuckling

Billy Burke, NBC, "Revolution"Tonight was the broadcast premiere of NBC’s newest genre series Revolution, from executive producer JJ Abrams and creator Eric Kripke, best known as the original mind behind Supernatural. In a world where electricity has gone the way of the dinosaur and the physics of combustion engines have magically suspended operation, factions have arisen to make the most of a scary new world without advanced technology, lifesaving devices, or Angry Birds.

After a cursory intro peppered by distant, low-key plane crashes, the show’s setting begins fifteen years later after mankind has regressed to villages and an entire generation has grown up with only vague memories of ice cream and the Internet. Our heroine, Charlie (Tracy Spiridakos), is a more optimistic, less assured Katniss Everdeen who eschews regular bows in favor of a crossbow, which serves her poorly when she learns the hard way that reloading takes longer. At least, I hope she realizes her error. If she sticks with the crossbow simply to avoid trademark confusion, I’ve no doubt that future fight scenes will sadly gloss over this issue. Don’t be fooled by how easy the Huntress makes it look, kids.

After a tragic death and the passing of a family MacGuffin, Charlie reluctantly inspires a ragtag team of misfits to quest with her to Chicago. There’s her dad’s Australian girlfriend Maggie (Anna Lise Phillips), a doctor with sly methods for maiming a foe; Aaron (Zak Orth), a former Google exec who tags along because of comic relief; and Nate (JD Pardo), an archer with multiple weapon proficiencies and shifty priorities. They vow to walk dozens of miles together for justice, revenge, safety, and premise.

The reason for this quest? Charlie’s asthmatic brother Danny (Graham Rogers) has been taken captive by the most immediate Big Bad, Giancarlo Esposito (now departed from Breaking Bad and incarcerated on Once Upon a Time), a sinister militia captain named Neville who’s not thrilled with the orders he has to follow, but has no qualms about putting his crack-shot skills to use for his overlord, Sebastian Monroe, ringleader of the militia that rules the immediate surroundings within the landmass formerly known as the USA. Esposito firmly takes charge of every scene and won’t let go, particularly in a sequence in which he nimbly and unflinchingly mows down a row of uppity villagers, exactly one split-second bullet per villager.

Our Heroes’ not-quite-epic journey to save David — even though he’s a prisoner waaaay back home — trots them through O’Hare International Airport, fifteen miles east to Wrigley Field, a few miles south to the Magnificent Mile, then into the heart of the Loop, where an old hotel sets the stage to introduce Charlie’s long-lost uncle Miles (Twilight dad Billy Burke), who may be the lynchpin of their cause if only he can put down the bottle, stop hiding, and assume his role as the One True Main Character…who’s apparently expected to drop all his plans, trek with them back across twenty-odd miles of I-90 North, and save the day without an audition or an incentive beyond “Because family is important!”

When Evil Esposito isn’t onscreen, the first ¾ of the pilot skims through a lot of character meetings without many chances to get to know anyone at length. The energy level cranks up at the 45-minute mark (including network ads) when Miles, previously described in an offhand manner as a “killing machine” as if it weren’t nothin’, engages in the sort of well-choreographed, high-speed, one-man-army swordplay demonstration that was once the hallmark of bygone shows such as TV’s Angel. For a few minutes, I was on Action TV Cloud Nine.

If you’re patient enough to endure the setup and introductions, lying in wait after all that happy Errol Flynn-ing are two special surprises in the final five minutes: a revelation that threatens to undercut the show’s entire premise; and a better look at one of the show’s secret weapons barely noted in the preview materials — David Lyons, once known as TV’s The Cape! Somewhere out there, Abed Nadir is deliriously happy.

The pilot was released online early at NBC’s official site, but that’s not helpful to people like me who prefer larger TV screens, or to people also like me who somehow didn’t find out about the early release until after the fact. (For shame, Internet — you’re supposed to tell me these things!) Revolution isn’t quite A-plus material yet, but the pilot, as directed by Iron Man‘s Jon Favreau, climaxes with enough pizzazz and tantalizes with enough promise that I plan to check back next week for more, though I’m making no long-term commitment yet. After the sweat and tears normally poured into a pilot on big-budget double overtime, it’s usually the second episode that doesn’t try as hard to impress, and is a better indicator of the real quality control levels to be expected in the weeks ahead. Also, I’d like to see if Charlie wises up and ditches that awkward crossbow.

2012 Road Trip Photos #15: Romping Through the Manitou Cliff Dwellings

The south exit from the Garden of the Gods is five minutes away from Manitou Springs, where we spent the next several hours of Day Five. West of the Garden on Highway 24 are the Manitou Cliff Dwellings.

Built ages ago by the Anasazi tribe in southwest Colorado around the Four Corners area, the Dwellings were carefully lifted by their foundations and transplanted further northeast in the 1900s under the care and coordination of a well-meaning anthropologist who rightly noted that they’d been abandoned anyway.

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Internet Commenters Demand Legislation Against Complex Sentences

Hello, readers. How are you? I am hunky-dory.

Today was a good day. I got to rest. I ate good food. I watched some DVD extras. One was a documentary. It was about A Night to Remember. That movie was about the Titanic. The documentary was not fun. The photos were okay. The narrators were all very old men. They talked a lot. Sometimes they talked for many minutes. They talked very slowly. Sometimes there were very long pauses. Then they talked some more. They were nice men. I felt like a great-grandchild. I did not see the last fifteen minutes. I stopped the DVD early. I was sleepy.

Then I got on the Internet. It has interesting pages. I wanted to read a movie review. It was about The Master. I have mentioned that movie before. Joaquin Phoenix is angry and confused. Phillip Seymour Hoffman is charming and maybe evil. Amy Adams is happy and unhappy. I may go see it. I have not decided. My city is not showing it yet. Maybe they will show it in October.

The review was written by a movie critic. Her name is Lisa Schwarzbaum. Her boss is named Entertainment Weekly. She has worked there for decades. She likes itty-bitty foreign films. She also likes movies about sexiness. Sometimes I do not agree with her. Sometimes I do. She uses big words and long sentences. I can usually understand her. Sometimes I also use big words and long sentences. Sometimes she mentions really weird movies. That does not bother me. Sometimes I also talk about weird things.

Ms. Schwarzbaum liked The Master very much. She gave it an A. Her review had big words and long sentences. This was the last sentence of her review:

The cubism of the concluding third of the picture allows a disoriented viewer to consider this singular movie not only as a character portrait, but also as a photographic travel diary, from the days before Instagram, by an important artist following the itinerary of Americans seeking salvation and prosperity when an exterior world war was over but interior psychological battles raged.

The word “cubism” threw me for a moment. I looked it up on the Internet. It has dictionaries and WikiPedia in it. I found Cubism in there. Now I understand the whole sentence. “Cubism” is a good word for a Paul Thomas Anderson film.

Some readers did not like her review. They really did not like her last sentence. A few readers said mean things about her. One reader said this direct quote:

…it is exhausting – why does she have to create super complex sentences with thesaurus worthy big words – it doesn’t impress me, it belittles me. and that last sentence, WTF? I’d hate to be stuck next to a cooler with her, attempting to carry on a conversation about the latest small town drama. Know your audience.

Her audience does not like long sentences or big words. “Entertainment” is a big word. Lisa’s words are mostly shorter than “entertainment”. They should rename the magazine Things Weekly. The audience would like them better.

Another unhappy reader said this direct quote:

“the cubism of the final third……….” this sentence is not only THE most pretentious piece of critical crap I’ve ever read, it also convinced me not see the probable load of “important” blarney that inspired it.

The Internet has many pretentious pieces of critical crap. I have read some of them. I usually do not rank them. Some reviews can be pretentious and not crap. Sometimes I like pretentiousness. That word is even bigger than “entertainment”. It does not scare me. I used to be an English major. Other English majors scared me. One time our class talked about “Murders in the Rue Morgue”. That is an old story about gross murders. One victim was stuffed inside a chimney. One classmate had a theory about the scene’s meaning. He used the phrase “return-to-the-womb motif”. I was very scared. I wanted to leave class immediately. Now I am older. I have conquered that fear.

Ms. Schwarzbaum probably writes how she wants. Maybe she even thinks that way. Her writing made other people sad. She should rewrite her last sentence. It should be many sentences. The sad people might like the new sentences. They could look like this:

The movie shows you things about each character. Some of those things are very different from each other. It takes place in the past. The old places tell one long story. It is better than random photos. The story comes after a war. People were not happy yet. They had a lot to think about. They tried to make money and be saved. The movie is very good. The director is neat.

Shorter sentences can be happier sentences. The biggest word in those sentences is “different”. That word should not be scary. I think Liza Schwarzbaum is a different writer. Maybe I am a very different reader.

Well, got to go. Have a nice day. I will see you all tomorrow. My next entry may have commas and more clauses in it because of pretentiousness. I hope you will not hate my important blarney. I promise I will not read it aloud to you with extra long pauses. That might make it worse.

The Fall 2012 TV Season: Which New Shows Can I Kill Just By Watching Them?

The Flash. Brimstone. Clerks. Firefly. Threshold. FlashForward. Studio 60 on the Sunset Strip. Persons Unknown. Outsourced. Terra Nova. I watched these shows, I grew attached to them for various reasons, and they each lasted one season or less. This has happened to me often enough that I refuse to write it off as coincidence or horrible taste.

I am not simply unlucky in leisure. I am more than a mere jinx. I am the destroyer of new network programming.

Even as far back as my childhood, incidents occurred. Does anyone else remember the McLean Stevenson vehicle Condo? Its truncated run wasn’t another example of his own curse in action. That was me. When Isaac Asimov co-created Probe, I was there to ensure he failed in at least one creative venture in his entire life. What had two thumbs and watched the American version of Cracker? This young adult viewer, that’s who.

By comparison, consider a few of the shows I didn’t watch: Lost, Heroes, The Big Bang Theory, 99% of all reality shows — all of which I didn’t follow, all of which may have lived longer than they should have. Sometimes I’ve even saved the life of a show by walking away from it. I gave up on Grimm after several episodes about a cop with a greater destiny who insisted on remaining a boring old cop; lo and behold, without me around, the cop and his world of were-critters live on. If a bad time slot and the CBS site’s horrid streaming browser hadn’t caused me to lose track of Person of Interest halfway through its decently rated first season, surely something awful would’ve happened to it or its cast, guaranteed.

(Never mind examples that dispute my hypothesis. Once Upon a Time was either a magical fluke, or will nosedive in quality this season and join the small Two-Season Miracle Club alongside Pushing Daisies, Dollhouse, and Who Wants to Be a Super-Hero? You heard it here first.)

The 2012 fall season is now upon us, and I’m about to kill again. I can’t help myself. Sometimes I just like watching new things on TV. At the moment I’m considering trying several different shows this season. I apologize in advance for the livelihoods I may ruin and any budding fandom that will be crushed because of my attempted participation.

The death march consists of the following shows. I may watch a few others if I hear great things, or if I’m in need of more writing fodder.

Last Resort — A heavily armed submarine crew disobeys a direct order to begin nuking things and finds itself a Gilligan’s Lost Island on which to stand its ground, declare nationhood, and get to the bottom of a vast government conspiracy back in their former homeland. The unusual Tom Clancy-esque premise is bolstered with a cast that blatantly delves into the my mental catalog — Homicide‘s Andre Braugher, Dollhouse‘s Dichen Lachman, Robert Patrick the original T-1000, Persons Unknown‘s Daisy Betts, Karen from Falling Skies, and TV’s Scott Speedman (whom I’ve watched in almost nothing, but he seems to get around anyway). I’ve not seen any other shows from creator Shawn Ryan (The Shield, The Unit), but the buzz from them alone sounded out-of-the-ordinary, and he receives bonus points for having worked on one season of Angel.

Revolution — To be honest, I hate the premise of the show. Earth has all its electricity permanently turned off after a mysterious event, of the kind that made such winners out of FlashForward and The Event. Fifteen years later, the show picks up with the remnants of humanity making the best of a situation where apparently all generators and Duracells were instantly ruined and never reinvented. I’ve never been a fan of shows with primitive settings. I’m hardly a JJ Abrams completist. The cast is largely unknown to me, except for the never-boring Giancarlo Esposito and Elizabeth Mitchell from the new V…but part of me wants to know how they plan to patch this together into a viable series. Also, the pilot was directed by Iron Man auteur Jon Favreau. Whatever happens, at least that episode shouldn’t be boring.

Arrow — May Justin Hartley forgive me, but as a comic book reader, I feel it my duty to try at least one episode of the colorless Green Arrow series, even though it more closely resembles the morose Mike Grell post-Crisis reboot of the late ’80s than the dashing Smallville bright spot. When it comes to comic adaptations that the general public may not get, it can’t possibly be as bland as Sable, which I also helped bury in my youth after a handful of airings. Sorry, First Comics. My fault.

Elementary — My wife and I still have one more episode of Sherlock to watch before we’re caught up with the rest of the world. After that finale undoubtedly blows us away, maybe then I’ll be in a position to ask what in the world CBS is thinking. I thought the preview I posted a while back had potential. Then I began watching Sherlock. Now? I really hope Jonny Lee Miller, Lucy Liu, and the Star Trek: Voyager writer who developed this version know what they’re doing.

Go On — I’ve already seen the first two episodes. So far, it hasn’t been canceled yet. Knock on wood, I suppose. In his role as a sportscaster grieving for the loss of his wife who died while texting and driving, Matthew Perry balances snark and pathos better here than he did on Studio 60, where he was still trying to shake the “Chandler” label. Enough time has passed, and enough hair has grayed, that I didn’t think of Friends once during either episode. The determinedly quirky cast includes Tony Award Winner Laura Benanti, character actor Bill Cobbs, Sam Witwicky’s mom, the new Sulu, the Chris that Everybody Hates, friendly traitorous Skye from Terra Nova, and some comedians I don’t know, none of which I loathe yet. I’m a big fan of humor/heart fusions, and Go On seems to be working well toward finding the right mix. The “March Sadness” scene is what first drew me in, but the interplay between the variegated members of the support group will make or break it in the long run. I could see it happening…alas, if only I weren’t there to see it.

Wave goodbye to all the nice, well-meaning shows, folks. Perhaps I could save careers and lives by sticking to DVD sets or TV Land reruns, but I refuse to live with my head in the sand, or to turn on TV Land if I can help it.

Here’s hoping more than one of them isn’t terrible, and that at least a few of the Nielsen commoners can finally agree with me on anything. The power to stop my TV show killspree is ultimately in their hands.

2012 Road Trip Photos #14: Morning in the Garden of the Gods

With sweet sorrow we parted with Denver on Day Five and headed south toward Colorado Springs. The tragic wildfires had been extinguished barely a week before our arrival, but we steered clear of Waldo Canyon and other affected areas. Those affected didn’t need voyeuristic out-of-towners traipsing around for scrapbook subjects.

Our first major stop was a park west of the city called the Garden of the Gods, whose claim to fame is a collection of geological oddities that don’t remotely blend in with their surroundings. Once you reach the Visitors Center, where I stood while snapping this, you can just tell which part of the landscape is the actual Garden.

Garden of the Gods, Colorado Springs, Colorado

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Unrevised Fragments of a Day Lived on Four Hours’ Sleep

1. Last night’s entry took twice as long to construct in print as it should have, even though it was two-thirds written in my head before I sat down. I hate when that happens, even if I’m satisfied with the results.

2. When I have to be at work supernaturally early to compensate for a late afternoon appointment, next time I need to remember to go to bed earlier. Such responsibilities means less time for evening writing, not more.

3. My average for the last decade-plus has been six hours’ sleep per night. I don’t recommend it, but my body complains and groans in those rare evenings when I try to exceed seven.

4. I failed to mention 9/11/2012 also marked my twelfth anniversary with my current employer. I’m certain I’ll never forget my start date or my first anniversary there.

5. The only thing I like about driving to work supernaturally early is the sparse traffic. All straightaways and no logjams make me a happy driver.

6. Jerk turkey is no substitute for jerk chicken. For want of mayo, my food-truck lunch was less remarkable than I’d hoped.

7. My son does not approve of dental hygienists who stab at his gums without mercy.

8. Part of tonight was spent on a surprise visit to the vet. Our dog Lucky tore a rear paw-nail and left cute but revolting bloody prints in several different places. His poor, injured paw is now swathed in a blue bandage that covered an inner gauze bandage. His blue bandage remains firmly in place at the moment, but somehow he yanked the gauze out from inside it with his teeth, like a little Dog Henning.

9. My son and I aren’t finding Super Paper Mario nearly as charming as Paper Mario: the Thousand-Year Door was, though the former’s version of the Pit of 100 Trials was a more refreshing challenge. After completing all 100 levels, your prize is a magical sprite that allows Mario and friends to run faster than normal. In all other Mario games we’ve played, super-speed was one of Mario’s first abilities he has in the game, not one of the last.

10. I’m sad that Kieron Gillen’s epic Journey into Mystery run will be concluding, but the final arc/crossover “Everything Burns” is full of action, shocking surprises, and characters making disappointing decisions that I wish they’d reconsider, even though they’re thoroughly logical given the course of events. I’m already preparing for the days when I’ll have to live with fewer misadventures of Kid Loki, his frenemy Leah, his bird-half Ikol, and his lovable homicidal fire-breathing hound Thori, but the team is certainly going down in flames in style. It’s scary seeing Kid Loki slowly beginning to grow back into his previous, less awkward, far less innocent self.

11. So far Harbinger remains the best of the Valiant relaunch, though the sanguinary madhouse that is Bloodshot isn’t too distant a runner-up.

12. The only news story that caught my attention today was about Pat Robertson cracking anti-Muslim jokes in much the same way that my third-grade classmates would crack “Polack” jokes back in 1980. Our family doesn’t watch The 700 Club, but we attended an episode taping during our 2008 road trip to Virginia Beach. The show’s host Terry Meeuwsen was gracious and amiable, but Robertson kept his distance from the studio audience, all eight of us. It’s sad to see the distancing continue.

13. Even when I’m only half-conscious, apparently I can still write lists.

Waiting Patiently for My Annual Day of Stillness to End

My mom’s generation had “Where were you when Kennedy was shot?” My generation has “Where were you on 9/11?” Since this blog wasn’t around last year at this time, restating my own anecdote for the record — probably just this once — might be prudent.

That day, I was at work sorting daily reports when someone cranked the volume on our quiet morning up to 12. Three hours into my shift, we were all panic and no work. This, plus the fact that I work in one of the tallest buildings in the city, was reason enough for our superiors to let us take the rest of the day off, just in case every American building over ten stories tall had been targeted for destruction. Fortunately nothing happened during the next hour that I spent gridlocked in the employee parking lot, waiting my turn to head for the hills.

Once I escaped and finally arrived home, I turned on the TV news, of which I normally watch an average of thirty minutes per year. With the TV feed kept on in the background to provide a steady stream of information, misinformation, endless speculation, live interviews with the shell-shocked, and endless repeats of all of the above, I served in the best way I possibly could at that particular moment: I spent the entire rest of the day and all of the evening online, talking to anyone who needed someone to talk to, sifting for incoming details faster than TV reporters could communicate them, and monitoring the myriad reactions at the geek message board for which I was a volunteer moderator at the time. As crowd-control jobs go, Internet moderating is less about physical stress, far more about emotional stress during times of unprecedented national trauma. Whether the members needed comfort, sought to make sense of anything, wanted to share updates as they occurred, felt like practicing their rhetorical bluster, or thought this was the perfect time for inappropriate jokes (way, way too soon — thank you so much, insensitive cool-kids), I stuck around to do my part as needed, however minuscule it was in the Grand Scheme.

While others suffered, while still others rose above to do their part in response, I was at home joining and sorting the chorus of those whose first response was to register their horror on the Internet for all to see. Hours passed while I kept waiting for a few moments of calm that might allow me to excuse myself from the fray, long after fatigue set in. The existing records confirm I was online till well after midnight. I broke a personal record for simultaneous IM chats, having carried on six such conversations at one time while still tending to the board. That was my day. Poor, put-upon, still-breathing me, having to type and type and type for the sake of others while buildings crumbled and societal paradigms quaked.

Every 9/11 since then, I’ve spent doing the opposite of that.

Every 9/11, I keep my online communications to a bare minimum. No grand pronouncements, no attempts at punditry, no prolonged conversations, no PhotoShop tributes, and very few laughs. A combination of throwing myself into my work, spending time with loved ones, consoling my coworker whose birthday is 9/11, and offline prayer is usually activity enough to hold me until the clock rolls over to 9/12, the anniversary of not much in particular.

It’s my way of deferring to those who treat the day with utmost, outspoken reverence. It’s my way of avoiding those who tire of the reverence and insist on bleating about their impatience. It’s my way of observing the truth to be had in Psalm 37:7.

It’s also my way of commemorating the Way Things Used to Be, noting The Way Things Have Been Ever Since, and dearly wishing they were the opposite of that.

Missing Blog Post Vexes, Frustrates, Makes Eventual “Complete Works” Anthology Impossible

I’m fanatical when it comes to keeping my littler possessions organized so I lose as few things as possible. I’m well aware my memory and concentration skills aren’t improving with age, despite how much I wish the opposite were true. If everything I own is filed and placed according to a system, then — theoretically — when those memory lapses happen, my system should direct me to where the lost object should be, if I’m on top of my filing.

I have one assigned pile for bills; one stack of Post-It notes scribbled with either to-do-lists or writing ideas that occurred to me at work; one area under the monitor for filled pocket notebooks; one assigned organizer slot for the pens I prefer to carry with me; a separate dumping drawer for pens that don’t fit the criteria; and one assigned organizer slot for my wallet, keys, and absolutely nothing else (any items carelessly dumped in this slot are immediately removed and strewn on the counter). My computer directories are set up in similar fashion, even if they make sense to no one else except me. When I want to locate something, the card catalog that I’ve turned our house into can simplify the process and lighten the mental burden.

When I lose things anyway, I try to remain calm. Misfiling can occur, regardless of safeguards. Tantrums will not summon lost items from their hiding places or their kidnapper hideouts, whichever the case may be. Most lost objects turn up sooner or later. Sooner would be better, but isn’t always possible. To a certain extent, computers are usually easier to manage than physical reality because they’re equipped with search functions that can reveal files that have been misplaced or saved in the wrong folder. I’ve spent the past few days looking around the room for a Search field in which I can type “Lowes receipt from last week” in hopes of locating a little slip of paper that I know is here somewhere, which I need to return some unnecessary, overpriced grass seed. No such luck — whatever construction company cobbled together this non-futuristic hovel of ours totally failed to install a search engine for the occasion. A wider, more thorough manual search may be necessary, but may be fruitless and really boring to conduct, so I’m continuing to procrastinate the manhunt for now.

Unfortunately some losses are beyond our control and must be accepted, whether memory is at fault or not. I’m trying very hard to focus on that right now because I was reviewing my past blog entries the other day, all the way back to Day One when it was just me and my muse hanging out together, and discovered that one of my early posts has vanished. I only recall deleting a post once (#46, according to my stats page), but I immediately reposted it a few minutes later once the issue that was aggravating me had been resolved. This, on the other hand, was not an intentional deletion on my part. This was either random computer error or an evil act of sabotage. I’m guessing the former, but I have no evidence to disprove the latter, except for the complete lack of tampering with anything else (which is circumstantial at best, and still leaves the door open for far-fetched conspiracy theories).

Through the miracle of Google Cache, I was able to retrieve a fraction of the purloined post:

Avengermania Fuels Nostalgia for Early Whedon Works Like “Cabin in the Woods”
Posted on May 6, 2012

After waiting an eternity’s worth of hours after opening day, I finally saw Marvel’s Joss Whedon’s The Avengers. At last I can rejoin the Internet, already in progress. By and large, I was a happy camper through most of the

That’s all that remains of the body of the victim. I have no idea when or how its silent elimination occurred.

Through additional searches I can tell the original tags included “movies”, “The Avengers”, “Avengermania”, “Joss Whedon”, “ancient gods”, and “Primeval Part 2”. From memory I can testify that it was a spoiler-filled, mixed-feelings piece about my issues with Cabin in the Woods, including a special appearance by Bat-Hulk to serve as a spoiler buffer. Thus does the forensic trail abruptly end.

I’m 75% certain it wasn’t the greatest post I’ve ever written. It was born in the very, very early days of MCC, when my daily traffic was still in the single digits, therefore likely to have drawn no ire or aroused any attention from other humans. Nevertheless, its absence is driving me batty. A few jokes I barely remember have all gone to waste, and I may never know why. Random computer error seems a more likely culprit than malice aforethought, but it’s no more comforting, and doesn’t even afford me the option to plot revenge against something or someone (or at least daydream about said plotting). Then again, I’m not sure the annoyance of such a trivial loss would fade any faster if I had a confirmed target to blame, so perhaps it’s just as well.

I’ll let it go in another day or so, but for now it remains a disappointment. If I never find that Lowes receipt, at least that unwanted grass seed can be returned for store credit. If I never find the rest of that lost Cabin review, my only recourse for recovery would be to watch the movie a second time and recreate it from scratch.

I’ve managed to retain the happy memory of Fran Kranz in action, but I’d rather let the rest go, including my own lost efforts.

2012 Road Trip Photos #13: Denver’s 16th Street Mall, with Good Money After Bad

After our extended lunch at the Buckhorn Exchange, we spent the late afternoon of Day Four in and around the 16th Street Mall, a 1¼-mile-long stretch of street tiled over for use exclusively by pedestrians and free shuttle buses. This sounded like a novel concept to us, but in person it wasn’t too different from the “lifestyle centers” (the new euphemism for outdoor malls) that we have back home in Indy, despite being four times their size. The constant (and free!) shuttle buses were a wonderful touch, though.

16th Street Mall, Denver, Colorado

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“Very Inspiring Blogging Award” Nominee Begins Saving Up for Full-Page “Variety” Ad

Very Inspiring Blogger AwardAfter a most unusual Labor Day Weekend enlivened by the responses to “The Day an Empty Chair Ruled the Internet“, I was humbled and flattered to be notified and nominated for a “Very Inspiring Blogging Award”. I’ve see similar awards passed around other blogs in the vicinity, but this is the first time one was pinned in my general direction. Suffice it to say, when someone presents me with the word “award” in it, I’m nothing less than honored and grateful.

Out of curiosity as a relative newcomer to the WordPress community, I tried researching the history of this blessed community achievement, but the roads were many and tangled. Who created this prize? Who was the original governing body or organization? Is there a Hall of Fame dedicated to past nominees and winners? Alas, the trail that I followed only went as far back as January 2012 before dead-ending, despite my resorting to viewing Google cached pages to connect a few broken links. Along the path I encountered many an exercise guru, photographer par excellence, fellow Christian, wizened sage, creative powerhouse, master chef, published author, and talking cat. I consider myself privileged to share the same datastream as these peers, predecessors, professionals, authority figures, and cats with an above-average command of spelling and grammar.

The official rules for accepting this nomination showed minute variations, as filtered through each respective nominee’s writing style, but always numbered at least four:

1. Display the nomination logo on your blog. See above.

2. Link back to the person who nominated you. Special, humbled thanks to Enchanted Seashells for the unexpected nod. To acknowledge this honor tonight, my planned tribute to Dial H for Hero has been postponed until a later date.

3. State 7 things about yourself. For those keeping score at home, consider these Bullet Points #101-107:

101. My best possible chance to participate in the National Spelling Bee was ruined by the word “fulsome”.
102. The first ‘D’ I ever received on a report card was in tenth-grade Debate class.
103. Despite dozens of recommendations from very well-meaning friends, I’ve never seen Fireproof because I’m afraid of how I’ll react.
104. I know all the words to “Bring the Noise”, but I prefer Public Enemy’s original to the later jam version with Anthrax.
105. The only soap opera I can say I ever really followed was Knots Landing.
106. I’m now collecting twice as many Image Comics series as I am DC Comics series.
107. One of my ears used to be pierced.

4. Nominate 15 other blogs for the Very Inspiring Blogging Award. And here we go:

1. Bucket List Publications, which I’m pretty sure is already deservedly festooned with awards a-plenty, but consider the fearless Mrs. Carter hereby named nonetheless.

2. Cristian Mihai; same deal here in terms of extra-awardedness. I first began following him early into my new-blog acclimatization period and found plenty of useful takeaways form his regular dollops of writing advice, even though he’s almost half my age and I don’t have an actual book fully planned in my head just yet.

3. Geeks Shall Inherit the Earth.
Recommended reading: “In Defence of Libraries

4. One Grain Amongst the Storm
Recommended reading: “The Last Salute

5. Canadian Hiking Photography
Recommended viewing: All of it. Grab a drink, give those sumptuous pages time to load, then marvel at the results.

6. Clotilda Jamcracker
Recommended reading: “Bring out your dead

7. Leanne Cole’s Photography Field Trips
Recommended montage: “Architecture in the Picture

8. Ms. Elena Levon Traveling. Great motto: “I choose to collect memories instead of things.” This is almost exactly why our family buys far fewer souvenirs than the average tourists, and why I’ve written online about our road trips every year.
Recommended reading: “Letter To My Father

9. retireediary
Recommended photo spread: “The Rainbow of Flowers in Biei and Furano, Japan

10. Simply Sage
Recommended viewing: “Weekly Photo Challenge: Growth

11. Together
Recommended reading: “Murder in the First” (It helps if, like me, you watched the movie years ago and can still remember the impression it left on you.)

12. Honie Briggs
Recommended reading: “Eighteen Hours in a Red Cross Shelter

13. The Smile Scavenger
Recommended reading: “‘Wow, That’s a Big Jump!’: a Fool’s Guide to Making Drastic Career Changes“.

14. LIFE is unwritten
Recommended reading: “How to Change the World Without Really Trying

15. Iconically Rare
Recommended reading: “Releasing Your Inner Superhero — Iconic Exemplars

As always, thanks very much for reading. Emphatic thanks once again to Enchanted Seashells for the nomination. For those of you still along for the ride, I hope at least one future post here will be worth your time.

Good night to one and all, stay well, drive safely, may God bless you, keep reaching for the stars, and don’t forget to tip your valet. That goes double for you talking cats, who really shouldn’t be driving anyway.

Using Time Loops to Dream-Cast the “Miss Peregrine” Movie

DON'T LOOK AT US! DON'T YOU LOOK AT US!

“Mmmm, box office receipts.”

I usually avoid reading recommendations from coworkers because few among them share my tastes. (Twilight? Not really aimed at me. The Shack? ) Not only did I recently make an exception, I’m glad I did so, when I was allowed to borrow a copy of Ransom Riggs’ first novel, Miss Peregrine’s Home for Peculiar Children. I’d read a review of it a while back in Entertainment Weekly that stuck in my head because of the unusual creative conceit behind it: Riggs amassed numerous bizarre, disturbing, or just plain head-scratching yesteryear photos of haunting-looking children and developed a narrative to string them together. Granted, anyone with bad vacation photos could muster at least a short story out of their own useless outtakes, but the photos in question elevate the project several levels above that.

On an overly reductive level, it’s a WWII-set X-Men vs. Groundhog Day. Jacob Portman is a present-day 16-year-old misfit who finagles his way to an obscure island near Wales to investigate his sketchy family history after his grandfather dies under violent circumstances. A trail of mystery and oddities leads Jacob into a place outside of time where a most unusual headmistress presides over a coterie of kids with impossible powers and features, here called “peculiars” instead of “mutants” — living in secret inside an endlessly repeating day for their own protection. There are super-powers, magical feats, disgusting things, poetic moments, terrifying evils, an open ending that begs for further journeys, and that mad, mad picture collection. I was left satisfied and ready for more.

According to the author’s official website, as of February 2012 the book has been optioned for big-screen adaptation, with big names attached such as director Tim Burton and screenwriter Jane Goldman, between whom I can easily see this being renamed Big Fish: First Class.

Please note the Courtesy Spoiler Alert at this point, where I’m about to delve a little further into character specifics. If this is still on your reading pile, now’s the time for a graceful exit, and I look forward to seeing you tomorrow.

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