Once again it’s National List Month, that only time of year when all of Hollywood buys “For Your Consideration” ads in newspapers to impress the AMPAS over-70 voting bloc. Meanwhile on the internet, where newspapers can’t touch us except when they’re spreading propaganda or puff pieces that their supporters have pre-approved, we dedicated theater-goers can overlook the stars’ campaigns, hash out our opinions free of influence, and vote with our bullet points. It’s just this fun thing some of us love doing even though the rules are made up and the points don’t matter.
I saw twenty-two films in theaters in 2016, but three were Best Picture nominees released in 2015 and therefore disqualified from this list, because I’m an unreasonable stickler about dates. (Ranking those from Best to Least Best: Room, The Big Short, and The Revenant…though throughout the year I mentioned The Big Short in conversations more often than any other 2015 film.) Disqualified from inclusion are four 2016 releases I watched via Netflix, Redbox, or Black Friday Bluray (which are ranked in that entry), because I let convenience and budgetary concerns talk me out of a few extra theater trips.
Of the remaining 19 contenders that I saw in theaters, I saw nine sequels (five of which were super-hero universe expansion packs), one reboot, one would-be big-budget YA series launch, three Based on a True Story (none of which were grade-A), five animated films (two of which were not-great sequels included in said count), one original musical and one original science fiction film. To be honest, 19 may be the fewest films I’ve seen in theaters in any year so far this millennium. Here’s hoping 2017 tempts me out the front door a bit more often, time permitting and quality pending.
Links to past reviews and thoughts are provided for historical reference. And now, on with the lower half of the countdown:









23. Wrath of the Titans. The explosions were clearly the star of the show. The labyrinth lent a welcome assist as the explosions’ chief henchman. The underworld was lacking, and perhaps should’ve spent more time as an understudy to the underworld from Spawn. Now that was a classy underworld, one that really chewed the scenery but was nonetheless generous to its costars, much more of a team player.