My 2012 Movies in Retrospect, #15-8

In part one of our three-part miniseries, I reminisced about my least favorite theatrical experiences of 2012, works that other viewers may have liked a lot more than I did. Part two, then, is a veritable middle-ground parade — movies that weren’t a waste of my time, some even eligible for eventual addition to my library, but were a few steps removed from instant-classic status according to my recondite guidelines.

The countdown advances:

Jeremy Renner, The Bourne Legacy15. The Bourne Legacy. The way my mental math works out, this section of my list contains this year’s zestiest popcorn flicks — action yarns that propelled me along despite nagging storytelling flaws. Jeremy Renner’s two-hour overseas vacation video neatly fits that slot. Though the extended chases pale before the emotional stakes and the intricate cat-and-mouse games of the second and third Bourne chapters, Renner is fun to cheer on anyway as a plainspoken everyman upgraded to an outnumbered battle machine. In that sense it’s the spy-genre equivalent of a Rocky movie, albeit without a satisfying Ivan Drago analogue.

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My 2012 Movies in Retrospect, #23-16

Everyone knows January is National List Month on the Internet, that sacred tradition when the previous year’s creations must be remembered, recapped, and ranked. I’m not immune to the impulse myself. I like movies. I like making lists. It’s bound to happen. For fun-related reasons, since 2000 I’ve kept track of every movie I’ve seen in a theater, year by year. My list is shorter than a real critic’s because no one pays me to go see every release. I do what I can within my means and according to my curiosity level.

The final tabulations reveal I saw twenty-six films in theaters in 2012. However, three of those were officially 2011 releases and are therefore disqualified from being ranked on my 2012 Movies list. Any films I saw on home video — 2012 or otherwise — are also disqualified due to lack of theater. In addition, Les Miserables is disqualified from inclusion because I’m planning to see it this weekend, which will purportedly not fall in 2012. My movie-ranking rules are few, but there they are.

Part one of this three-part miniseries begins with the films I loved least. Links to past reviews and musings are provided for the twenty movies I previously discussed after MCC was launched. Apparently I only saw three 2012 releases prior to April 28, 2012. Blame it on the first-quarter release wasteland.

On with the reverse countdown:

Wrath of the Titans23. Wrath of the Titans. The explosions were clearly the star of the show. The labyrinth lent a welcome assist as the explosions’ chief henchman. The underworld was lacking, and perhaps should’ve spent more time as an understudy to the underworld from Spawn. Now that was a classy underworld, one that really chewed the scenery but was nonetheless generous to its costars, much more of a team player.

The human cast, on the other hand, was largely wasted, and sometimes blocked our view of the real stars. Except for Toby Kebbell’s mild comic relief, the non-CG actors mostly made bold pronouncements at each other, while every move they make requires a bombastic sound effect. Sam Worthington swats at someone, and BOOM! The most nondescript Ares in film history pummels a foe, and SEISMIC THUNDERCRACK! A sleepwalking Liam Neeson tosses lightning darts, and CORE MELTDOWN! Anyone blinks twice, and GATLING GUN! Mostly this felt like a video game sequel to a video game based on the first film. The graphics were bright and easy to absorb, but I get antsy and bored when that’s all I’m doing.

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