Yes, There’s a Scene After the “Deadpool & Wolverine” End Credits

Deadpool and Wolverine tied up together in a wasteland.

Now your two favorite Canadian antiheroes come bundled, like cable! (Not to be confused with Cable, not included.)

Previously on Midlife Crisis Crossover: I’m the hypothetical boogey-moviegoer who lurked in the MPA’s hivemind imagination when they invented the PG-13 label! This prudish geek is back for another round of simultaneous enjoyment and irritation flared up from the inner turmoil between my oft-undiscerning appetite for comics-based movies that aim to deliver Something Different, versus my general disdain for F-bombs (with extremely few exceptions) and sex jokes (more adamantly unilaterally). I realize I’m outnumbered millions-to-one among geekdom-at-large, but I find ways to cope, such as typing into the void upon my tiny, mostly nonpaying hobby-job site.

I skipped the first Deadpool in theaters and instead watched it on a Black Friday Blu-ray with variant Christmas cover, where a smaller medium helped minimize its gratuitous indulgences. All the other parts of Tim Miller’s directorial debut were amazing, though, so I upgraded Deadpool 2 to a theatrical outing. The first one was better, but David Leitch delivered far more satisfying renditions of Colossus and Juggernaut than their half-baked mainline forms. I appreciated both films offering pleasures beyond the guilty kind, sometimes to an intentionally daffy extreme, which is not something that automatically bugs me. All told, the Merc with a Mouth’s two misadventures as a headliner were better than most X-films and, fun trivia, outgrossed them all.

Hence more of the same, but no longer confined to a licensed offshoot series that doesn’t “count”. One corporate merger and a few non-superhero films later, Ryan Reynolds and his entourage of masked stunt doubles are back! And this time, it’s more all the way! More fanboy pandering! More fourth-wall breakage! More pop culture references! More overplayed Top-40 oldies from across the decades! More F-bombs! More sex jokes, obsessively specializing in gay-panicky snark! But the more, more, MORE begins with its very title: Marvel Cinematic Universe After Dark! Wait, no, I mean Deadpool & Wolverine!

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2022 at the Movies at My House

Halle Berry and Patrick Wilson as astronauts just standing there looking pained.

Live footage of Halle Berry and Patrick Wilson exiled off-planet as punishment for costarring in Moonfall.

Previously on Midlife Crisis Crossover: in 2022 I made 18 trips to the theater to see films made that same year. Though I’ve tried to get back out there with my vaccines and my restlessness and whatnot, more often than not the motivation level still wasn’t quite where it used to be. As a sort of compromise, in the year’s back half I tried to overcompensate and catch up with 2022 through our various streaming subscriptions and a smattering of Redbox rentals. We don’t have HBO Max or Amazon Prime, but I nevertheless watched plenty by estimation, enough to present the third annual installment of the MCC tradition borne of the pandemic: a ranking of all the brand new films I saw on comfy, convenient home video in their year of release.

Whittling away any and every film with a pre-2022 release date, our living room hosted 28 films in 2022 that fit the specific parameters for this list. We’re not far away from the Oscars’ nominations announcement on January 24th, which for weeks I’ve been keeping in the back of my mind as the deadline for this listicle, so…on with the countdown!

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Yes, There’re Scenes During the “Deadpool 2” End Credits

Deadpool 2!

I see a handful of critics listed on Rotten Tomatoes who might use this as their letter grade…

The Merc with a Mouth is back! And so is Deadpool!

For any regular readers who roll their eyes whenever I have one of my “Old Man Yells at Cloud” moments when it comes to excessive profanity…well, you might wonder what in the world possessed me to go see Deadpool 2 in the first place. Perplexing question, isn’t it? I am large, I contain multitudes, there are comics involved, sometimes I like to go scavenger hunting for priceless curios in landscapes that are basically alien to me, sometimes I do things that aren’t good for me, and there are other logistics involved that are too weird to go into here, even for me.

But every film I see in theaters gets its own MCC entry. I can either write about the movie in America that also happens to have scenes during the end credits, or I can finish an entry for the mostly inert Pacific Rim: Uprising that I’ve been procrastinating for six weeks and counting because I get sleepy every time I return to it, and will surely be of use to lots of moviegoers when I eventually finish it because as of tonight the film is playing in [checks notes] zero theaters, having been officially yanked after May 17th.

…so. Some thoughts on Ryan Reynolds’ latest multi-million-dollar paycheck it is, then.

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MCC Home Video Scorecard #9: Catching Up with 2016

Deadpool!

For old folks like me who saw Ferris Bueller’s Day Off in theaters and sat all the way through to the scene after the end credits, the final minute of Deadpool is ours to claim.

Previously on Midlife Crisis Crossover: the recurring feature that’s me jotting down capsule-sized notes about Stuff I’ve Been Watching at home. In this entry: four 2016 releases I missed in theaters because I can’t see every movie ever. Blame work, Netflix convenience, internet shenanigans, and The CW’s unwieldy yet not-bad DC Comics lineup for hogging my weeknight attention.

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“Turbo”: Routine Underdog Learns Lessons about Perseverance, Self-Promotion

Ryan Reynolds, Paul Giamatti, Turbo, DreamWorks

Reynolds. Giamatti. Turbo.

Midlife Crisis Crossover calls Turbo the Best Indianapolis Tourism Ad of the Year!

That was my first impression, anyway. It’s rare that Hollywood sets a big-budget motion picture in my hometown. The last film to use us, Eagle Eye for a single action scene, couldn’t be bothered to research our geography on Google Maps and pretended that 72 West 56th Street is a crowded financial district like downtown Boston. Local pro tip for future filmmakers: 72 West 56th puts you in a highly tree-filled residential area between the wooded Butler University campus and the trendy bars of Broad Ripple.

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