So There’s a Scene During “The Wolverine” End Credits

Hugh Jackman, Rila Fukushima, The Wolverine

For the first 2½ acts, The Wolverine is an engrossing slow-burn psychological thriller about the crippling effects of grief, powerlessness, sin, rediscovering your life’s purpose, and stranger-in-a-strange-land culture clash, all nestled inside an outlandish but well-oiled martial-arts flick that easily outclasses the previous Wolverine solo film. That being said, this is a rare instance of a Marvel film that would’ve functioned more cohesively if super-villains had been kept out of it altogether.

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San Diego Comic Con 2013: the Best and Least-Best News as Seen from the Cheap Seats

Godzilla movie teaser poster, America, 2014Anyone who followed the entertainment news as it flooded out of 2013’s San Diego Comic Con found themselves shocked and surprised by two or more bombshells dropped from above, as the movie and comic book companies kept trying to top each other with the Greatest Announcement of All.

My general impressions follow of what stood out to me most, whether good, bad, or both.

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Our Dog Lucky vs. Hawkeye’s Dog Lucky: a Companion Comparison

Seven years ago after moving into a new home, our family was joined by a dog named Lucky. Last year when the Avenger known as Hawkeye moved into his own solo series, he was joined by a dog named Lucky. I like to pretend this means something significant in the grand scheme. What are the odds of our dogs having the same name? Sure, it could be wild coincidence, and probably is.

Our Lucky’s previous owners were relatives who found that raising three kids was all the daily stress test they could handle. Due to a combination of the newborn’s safety issues and the oldest child’s apathy onset, Lucky had been spending most of his days caged and ignored, with nothing to occupy his time except storing energy so that every time he was released, he became a furry little whirling dervish. My wife’s previous dog had passed away several months before, leaving a dog-shaped hole in our hearts. We proposed a win-win exchange: we would accept Lucky into our home, and they would be free to replace him with a pocket-sized rodent more in line with the oldest child’s pet preferences. We decided not to change his name since he was already used to it.

At first glance, Lucky’s feisty demeanor seemed harmless.

young Lucky, dog

Hawkeye’s Lucky was owned by tracksuit-wearing gangsters from eastern Europe who had called him Arrow for reasons unknown, possibly because they were fans of American weapons terminology. Lucky was abused, surely taken for granted, and probably fed the nastiest, mealiest dog food around. Something with bits of vermin added for flavor, I’d bet. During a fracas between Hawkeye and the dogs, “Arrow” ended up on the losing side of a car collision. After sending the goons packing, Hawkeye rushed the dog in for emergency treatment, effectively took custody, and eventually renamed him Lucky. He’s sometimes referred to by the affectionate nickname “Pizza Dog” because the cast keeps giving him people food.

At first sight, Lucky’s grievous bodily harm appeared alarming.

Hawkeye, Hawkguy, Lucky, Pizza Dog

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Nick Fury’s Day Off: an “Iron Man 3” Deleted Scene

Samuel L. Jackson, Nick Fury, Iron Man 2(Courtesy spoiler alert: the following segment takes place roughly 100 minutes into Iron Man 3, give or take a repartee exchange. Proceed at your own risk.)

[Nick Fury, Agent of S.H.I.E.L.D., is somewhere far away from espionage — somewhere therapeutic, idyllic, free from strife and warfare and stimulation. Let’s say a random hotel bar in Charleston, West Virginia. Fury is required by company guidelines to take a vacation at least once every ten years. S.H.I.E.L.D. agents may consider most HR guidelines a joke, but HR wins one out of every 1,000 battles. Mandatory decennial vacations was one of them. Saving the world may be a 24/7/365/eternal vocation, but Fury for once has drink in hand and nothing on his mind but sweet, rare solitude.

His eye is fixed on his Product Placement Phone lying on the tabletop. Predator is streaming via Product Placement MovieStreamCloud App thing.]

FURY: Man, I haven’t watched this in ages. The scrawny, four-eyed guy is even stupider than I remember.

[The worst scene in the movie is interrupted by the S.H.I.E.L.D. Priority Alpha Mega Alpha One Supreme Alert shrieking-HD-klaxon app. Fury sighs and taps the SPAMOSA icon. Agent Dodge, a relative nobody of an underling, is on the other line.]

NICK FURY: You just lost two pay grades.

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C2E2 2013 Photos, Part 3 of 6: Costumes from Marvel, Image, and Other Comics

Continuing our coverage of C2E2 costumes and other notable sights from April 26-27, 2013. Disclaimers are same as before. Corrections are always welcome.

In this installment: comic-book characters! At last, Marvel fans can thrill to the sight of Juggernaut versus Deadpool, no holds barred. Meanwhile, the tenth Doctor Who looks on and laughs as if he’s above such tomfoolery.

Juggernaut, Deadpool, C2E2

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Two Panels to Show Why “Journey into Mystery” is My Favorite Marvel Series

The Marvel’s The Avengers film series may have turned Thor’s half-brother Loki into a sinister household name (beyond those households who knew a thing or two about preexisting Norse myths, anyway), but in my book the eminently watchable Tom Hiddleston takes a back seat to my favorite Loki of the moment, the young reincarnated star of Marvel’s Journey into Mystery.

After the events of the 2010 major crossover event Siege, Loki was dead and gone after one final, uncharacteristically heroic act. As one would expect from Norse gods and their closest family, this condition was temporary. Through machinations of his own, Loki was quickly reincarnated. Through machinations not of his own, his new form is a younger, more naive version of himself with no magic power and no memory of the pain and suffering that his past self’s countless treacheries have inflicted upon others over the years. Kid Loki has spent his new life in a series of misadventures, saving lives, worlds, and entire Marvel crossovers through his uncanny knack for duplicity and shrewd deal-brokering for the greater good, despite the fact that no one trusts him and too many would love an excuse to kill him again.

In the current status quo, Kid Loki is now in the service of the triumvirate of All-Mothers who rule earthbound Asgard while Odin is occupied elsewhere. Along with him for his escapades is Leah, servant of Hela, who’s close to li’l Loki’s age, has magic power a-plenty, and pretends to hate his guts even while she reluctantly ensures his continued survival. Watching over his shoulder is an Asgardian blackbird named Ikol, who acts as an enigmatic, disturbing sort of Jiminy Cricket. Occasionally there’s also Loki’s li’l puppy Thori, a mixed-breed hellhound/Hel Wolf who breathes fire, speaks entirely in Grand Guignol death threats, and is as cute as a button.

The latest arc, which just began this month, tasks Loki with a trip to England to assist its current pantheon against an invasion from a new would-be pantheon called the Manchester Gods, who exist as enormous walking cities (think Howl’s Moving Castle) that draw believers to them and away from their previous beliefs. What seems by my crude American understanding to be a fun riff on intense soccer fandom begins with Loki and Leah journeying at the All-Mothers’ request as a godly covert-ops team to assist the elder British powers behind the scenes while Asgard’s public rulers pretend to follow the Prime Directive and abstain from direct meddling.

Their arrival is England happens like so:

Herne the Hunter waits patiently for his prey. I mean, passenger.

I’m a big fan of Kid Loki’s merry sense of adventure and unbridled optimism, staples of the series under the guidance of writer Kieron Gillen (whose creator-owned Phonogram was epic and whose first Marvel series S.W.O.R.D. was unfairly kneecapped) and artist Rich Elson (with the occasional guest artist). With mythic grandeur undercut by frequent bouts of sharp wit, Loki’s crew traipses across dimensions, infiltrates the realms of dreams in a respectable homage to Neil Gaiman’s Sandman, and even makes Marvel events like 2011’s Fear Itself more enjoyable by filling in their much-appreciated backstory. (If you wanted to know why Odin’s brother the Serpent was subjugating superhumans and laying waste to Earth, nowhere but in Journey into Mystery were we offered keen insight as to just why.)

For certifiable proof of how attached I am to this series, I can add only this: “Exiled”, the recently completed multi-part crossover that JiM shared with New Mutants, will be the only crossover I read in full this year. I bought and enjoyed every chapter even though I’ve avoided X-Men titles for years. I’ve dropped some Big Two titles as a result of crossovers, and intentionally skipped chapters of other crossovers on similar fussbudget principle. Only “Exiled” earned a pass from me as I grow weary of such needless marketing complications, because I suspected it would raise the bar. When it instilled new relevance into the lost myth of Sigurd and wrapped up the tragic arc of the man-hating undead Disir, I loved seeing my hunch pay off.

In the wake of Siege, all throughout Fear Itself, and on into “Exiled”, Journey into Mystery proved itself so exceptional at what it does, its magic touch makes any other comic next to it even better.

Comics I’m Not Reading: “Avengers vs. X-Men”

I recall a time from the 1980s when it was joked that too many chance encounters between Marvel heroes proceeded in identical fashion. Heroes meet; heroes fight and fight and fight; heroes pause to recuperate and compare notes; heroes team up against the real villain. I’d wager this was the premise of at least 200 of the 250 combined issues of Marvel Two-in-One and the original Marvel Team-Up.

Sure, fans loved debating the old “Who’s stronger?” arguments. Having two heroes meet and fight was a great way for writers to present their position, however skewed the answer would be, depending on whose series was hosting the showdown. After decades of Hulk/Thing and Hulk/Thor cage matches, we still don’t have an ultimate, decisive victor for either comparison, but fans love ’em anyway. They’re like literary sports. Since the teams are different each year, there’s every chance that the game’s outcome will be different than their previous face-off.

I can understand how younger fans might hop aboard the Avengers vs. X-Men company-wide crossover train. Not since Marvel vs. DC/DC vs. Marvel have we seen so many good guys pummeling each other senseless for no-stakes us-vs.-them excitement. That was fifteen years ago, though. Times, heroes, secret identities, continuities, pasts, and artistic preferences have changed. Just because it’s been done before doesn’t mean it deserves to be written off as a retread.

Odds are a small portion of the audience may also have changed. It stands to reason that somewhere out there are a couple of newer fans who missed out on that event and want some hero-boxing to call their own. They wouldn’t be opposed to something more recent, something composed by today’s well-regarded talents, and something a little more imaginative than their local HeroClix tournaments.

Here’s my issue, simply put: I have no vested interest in a large-scale skirmish that is the moral equivalent of policemen versus firefighters. When it comes to teams whose purposes and goals frequently intersect, I’m not interested in knowing which brotherhood is stronger, faster, better, or more awesome. After decades of coexistence, successful team-ups, and countless tragedies in which they’ve mourned each other’s losses together as one big Marvel family, you’d think at least one hero among them would have the common sense to raise a hand, suggest there might be a better way, and prevent a few dozen tie-in issues from taking place.

(I’m generously assuming, of course, that the entire conflict isn’t predicated on a simple, stupid misunderstanding along the lines of every episode of Three’s Company. As every bad writer knows, such misunderstandings are an unstoppable force of nature that no amount of effective communication skills could possibly hope to resolve. Can’t be done, don’t try, and don’t bother blurting out the plain truth, because making things even more awkward and excruciating is always the nobler way to go.)

(While I’m thinking parenthetically: this setup has given me one horrid mental image I can’t shake. Imagine if a bevy of surviving 9/11 responders were conscripted into the Hunger Games. Whee?)

As it is, I’m already inundated with all the us-vs.-them stories I can handle. They’re called “the news”. I can read real-life tales every day of good people in heated disputes with other good people over what “good” should look like. Most of the combatants wouldn’t consider themselves evil, but they’re fairly certain the other side is. At the very least, the other side’s sheep are the unwitting, helpless pawns of Big Evil. I have no doubt this is true in select cases, but good luck persuading both sides to agree on which cases. I don’t enjoy watching, nor do I seek out allegories of same, intentional or otherwise.

I firmly believe the writers and artists involved in this project are talented folks. I’ve bought works by most of them, and hope to buy more in the future. In this case, I don’t care who’s responsible or what the premise is. They lost me at the title, and kept me fenced out when the Big Picture was revealed as a widespread crossover. Ten times the story I’d prefer not to read is still a story I’d prefer not to read.

Even allowing that AvX might be intended as nothing more than mindless, literary sports, it’s worth noting that I generally don’t like sports, either. Gave up my man card years ago over that.

Worst thing about all this: when it’s over at long last and the rubble has settled, I bet we still won’t know which team is stronger.