Yes, There’s a Scene During the “Twisters” End Credits

Twisters movie poster shows release date of July 19th above the two leads standing on a red ruck and looking at an imminently stormy sky.

So, how about that Singin’ in the Rain reboot?

If you think my usual movie entries suffer from subjectivity, don’t expect an exception here. The original Twister holds a special li’l place in my heart for a variety of reasons. Its director Jan de Bont, fresh off the Speed race, was also the cinematographer on my all-time favorite movie. My mom was (and is) a big fan of disaster films, which had a sort of Golden Age in my childhood, from the natural terrors of Earthquake to the man-made systemic failures of The Towering Inferno, The Poseidon Adventure, Airport, and more. Along a more sensitive vein: in the darkest month of my life, pop culture manifested two welcome distractions to take my mind off my anguish when I needed that most: Rhino Home Video’s very first wave of Mystery Science Theater 3000 episodes on VHS, and Twister hitting theaters. Setting my baggage aside, their timing was perfect, as the latter would make a great episode of the former.

Fast-forward 28 years and here we go again with Twisters! They’re back, and this time, they’re even windier. My stress levels aren’t as off-the-charts as they were in ’96 (well, as of this minute), but looking around me, I can’t say the same for the rest of the country, if not the world. Leave it to Lee Isaac Chung, director of the 2021 Best Picture nominee Minari and that season-3 hour-long episode of The Mandalorian that focused on reformed Imperial aide Dr. Pershing, to bravely decide it’s time again for humankind to pull together for a shared experience that’s not great, not terrible, just unapologetically crowd-pleasing and thrilling and extremely loud and filled with scenes of unironic smiling…well, when Mother Nature isn’t trying to murder everyone.

Continue reading

Science Fiction and Alternate Realities at the Indy Shorts International Film Festival 2024

Sandwich board touting the Indy Shorts Film Festival on a brick sidewalk.

Coming to you not-quite-live from Mass Ave. in downtown Indianapolis!

Previously on Midlife Crisis Crossover: last year we attended a genuine film festival! For more than a single film! My wife Anne and I enjoyed the Heartland Film Festival experience so much that we’ve resolved to seek more of those opportunities where possible. As it happens, Heartland isn’t the only game ’round these parts.

Indianapolis is also home to the Indy Shorts International Film Festival, which began as a sort of Heartland spinoff but has taken on a life of its own. It’s the largest Midwest festival of its kind, enjoys a lofty status as an official qualifying event for consideration in the three Academy Awards short-film categories, and has indeed seen past participants go on to Oscar nominations (e.g., last year’s The Barber of Little Rock). This year they fielded 5,130 submissions from filmmakers worldwide and whittled them down to 200 selections that have screened over the course of 34 programs across six days up to and including this very weekend.

I scored two free tickets courtesy of my employer, one of the festival’s sponsors, to attend one program of my choice. I’m game for just about any sort of genre or category and didn’t feel beholden to seek the most geek-forward material, but their “Science Fiction and Alternate Realities” program lined up neatly with an open time slot in what’s proven a rather hectic weekend for us, so we leaned into our geek-aesthete side anyway.

Continue reading

“A Quiet Place: Day One”: The Mega-Muppets Take Manhattan

Lupita Nyong'o hunched fearfully in an alley, hugging a black-and-white cat.

“I’m not coming out of this alley until you promise Nakia gets more scenes in the next Black Panther.”

Previously on A Quiet Place: Emily Blunt was a heroic mother surviving on a post-apocalyptic farm with her remaining kids and without her Concerned Husband until things once again went awry and they fled to a nearby island, the perfect hiding place from that unnamed alien army who jump-‘n’-slash at the slightest noises but whose fatal weaknesses happened to include bodies of water. Our Family’s happy ending was nice for about ten minutes until one of them learned how to boat. Nevertheless, the day was later saved and human life found a way.

Director John Krasinski kept A Quiet Place: Part II‘s premise simple: “What if the first flick just kept going and was actually three hours long?” The sequel was more an expansion pack than a standalone tale unto itself. It came packaged with a free mini-prequel on the front, needlessly depicting how Day One of the invasion quickly devastated their small town. It was a satisfying course of more-of-the-same, but not in any groundbreaking way that left me yearning for further adventures in the Hyper-Hearing Horror-Horde Cinematic Universe.

Nevertheless, here we go again with some more prequel, A Quiet Place: Day One. With Krasinski off doing other things (i.e., IF, which I skipped), apparently any new AQP extensions are forbidden from moving the main characters forward, much like the Star Wars universe’s treadmilling-in-place spinoffs. Within that common yet exasperating genre-series boundary, what were the odds of a substitute filmmaker steering away from more-of-the-sameness?

Continue reading

Yes, There’s a Scene After the “Inside Out 2” End Credits

Joy stands excitedly at the control panel with Anxiety, who looks sheepish and very orange. The room is all purple with rows of yellow light bulbs.

Manic Pixie Dream Joy welcomes Frazzled Rock!

Previously on Midlife Crisis Crossover: Pixar made an entire movie about feels feeling feels! As someone who responds well to films that probe deeper emotions than “wheeeee”, I named Pete Doctor’s Inside Out my favorite film of 2015 – against the heavyweight competition of Creed, Spotlight, and Fury Road — after its in-depth examination of baseline emotions via cutesy anthropomorphization, as well as its complicated theses about the importance of sadness and the beginning of the end of childhood, wrecked me in the theater twice, back in that bygone era when I’d go see a film in theaters more than once if I thought it was that awesome.

Nine years later, Pixar has the blemished scorecard of any ordinary animation studio. I’ve had such mixed reactions that I only saw one of their last five films in theaters (and regretted giving in to the cash-grab). Nevertheless, I agreeably let them redeem Inside Out‘s stack of goodwill chips and left the house to catch the new Inside Out 2 while my inner voices of Skepticism and Hope squabbled with each other like Siskel and Ebert. Each of them scored points off the other, leaving me wrecked and nitpicky.

Continue reading

Disney World! Part 20: The Museum of Star Wars

Full Rey desert costume including goggles and face mask, plus big fictional speeder parked behind her. Exhibit backdrop is a nighttime desert with a rich, bluish-purple sky.

One of Daisy Ridley’s Rey costumes and her speeder.

Previously on Midlife Crisis Crossover:

Each year Anne and I take one (1) road trip to a different part of the United States and see attractions, wonders, and events we didn’t have back home. One thing we rarely do is fly. We’d much rather drive than be flown unless we absolutely have to…or are given some pretty sweet incentives to do so. Fast-forward to December 2022 and a most unexpected opportunity: The Powers That Be at Anne’s rather large place of employment recognized her and several other employees nationwide for outstanding achievements in the field of excellence. Their grand prize was a Disney World vacation! We could at last announce to friends and family, “THE GOLDENS ARE GOING TO DISNEY WORLD!”

For Anne it was officially, legally a business trip. Much of the time, she’d have to work…

…except for a single day off to enjoy together from dawn to dusk. Galaxy’s Edge was of course our feature presentation and favorite part of the entire vacation, but it wasn’t the only place to find Star Wars in Hollywood Studios. Up on the northwest side of the park, their Animation Courtyard section held Star Wars Launch Bay, a low-key gallery of props, vehicles, posters, miniatures, and other arts sprung forth from the collective Lucasfilm imagination. The building itself was removed from the main thoroughfares and a bit depressing with its all-black walls and minimalist adornment apart from the objets d’art themselves. It was a stark contrast from the rest of the uniformly eye-popping park and sparsely attended. It was arguably a good place for a time-out for guests who could use mental-health intermissions away from overpopulated theme-park hubbub.

On the “pro” side: it was more sights to see from, of, and about the Star Wars. Consider it extra credit to the interactive Galaxy’s Edge experience, albeit a few blocks down the road from all those superior, more lavishly exhibited areas.

Continue reading

Disney World! Part 17: Star Wars: Rise of the Resistance

Shiny Death Star chamber with vaulted ceiling and dozens of Stormtrooper mannequins standing before a fake bay window viewing space.

I’ve got a great feeling about this!

Previously on Midlife Crisis Crossover:

Each year Anne and I take one (1) road trip to a different part of the United States and see attractions, wonders, and events we didn’t have back home. One thing we rarely do is fly. We’d much rather drive than be flown unless we absolutely have to…or are given some pretty sweet incentives to do so. Fast-forward to December 2022 and a most unexpected opportunity: The Powers That Be at Anne’s rather large place of employment recognized her and several other employees nationwide for outstanding achievements in the field of excellence. Their grand prize was a Disney World vacation! We could at last announce to friends and family, “THE GOLDENS ARE GOING TO DISNEY WORLD!”

For Anne it was officially, legally a business trip. Much of the time, she’d have to work. Not ME, baby…

…except on Thursday. That was her one free day, all play and no work. She’d be asked to suffer no business meetings, no HR-mandated activities, no coworker chitchat, and no miss-you-SO-much text exchanges miles apart juxtaposing my solo adventures with her expertly catered drudgery. The Wednesday evening captive dinner was the nadir of our trip, but the next morning was The Best.

Five years ago we attended Star Wars Celebration Chicago, where the exhibit hall featured a sneak preview of Disney World’s extravagant, then-upcoming new attraction, Star Wars: Galaxy’s Edge at Hollywood Studios. An entire corner of that park was terraformed into a full-scale recreation of that world-famous far-faraway galaxy. Rides! Ships! Shops! Props! Merch! Environments! Cosplaying “cast members”! Long lines just like at the theater! The convention preview was fancy and entertaining, but we kept our enthusiasm in check. We’d already been to Florida once, visited the other Orlando theme parks, and didn’t plan a Florida encore anytime soon. Of course we dreamed of one, preferably before retirement while we could still walk under our own power, but it seemed pretty doubtful at Disney World prices. We figured by the time we did come back, Galaxy’s Edge would be long gone and replaced with, like, Doc McStuffins Village or whatever.

A lot can change in five years. And, to our shock, did. Their overpriced Star Wars-themed hotel was history, but Galaxy’s Edge was still there, waiting.

Pretty much within the first minute of our trip planning, we’d known where and how this day would begin: STAR WARS!

Continue reading

“FURIOSA: A MAD MAX SAGA” IN SUPER AWESOME DOLBY CINEMA ALL-CAPS-O-RAMA! (Well, Kinda!)

Post-apocalyptic warrior woman with black paint around her eyes gets out of a monster truck holding a sawed-off shotgun.

GET IN, LOSER! WE’RE GOING TO THE MOVIES!

PREVIOUSLY ON MIDLIFE CRISIS CROSSOVER: MAD MAX FURY ROAD WAS THE WINNER OF SIX ACADEMY AWARDS, A BEST PICTURE NOMINEE, ONE OF MY TOP 5 FILMS OF 2015, AND THE GREATEST MAD MAX MOVIE OF ALL TIME! I WATCHED IT AGAIN THE OTHER NIGHT AND IT WAS STILL LIKE BOBBING FOR GRENADES IN A BARREL FULL OF ADRENALIN! IT WAS EXTREMELY LOUDLY MIND-BLOWINGLY EXTREEEME! I WISH I COULD LEGALLY DRIVE LIKE THAT! AND I WROTE MY REVIEW IN SCREAMING MODE JUST LIKE THIS! IT WAS ONE OF OUR TOP 5 MOST POPULAR POSTS THAT YEAR! SO HERE WE GO AGAIN!

EVERYONE LOVED FURY ROAD SO MUCH, GEORGE MILLER MADE A PREQUEL! FURIOSA: A MAD MAX SAGA IS NOW IN THEATERS! BUT THERE’S NO CHARLIZE THERON OR TOM HARDY OR THE ONE CANCELED GUY THAT HARDY REPLACED! NO ONE REMEMBERS HARDY’S PART ANYWAY BECAUSE FURIOSA WAS AWESOME! SHE DROVE A TRUCK AND HAD A RAD HEAVY METAL BIONICLE ARM AND SHE STOLE THE MOVIE! BUT NOW SHE’S ANYA TAYLOR-JOY! WHO ISN’T CHARLIZE THERON! BUT SHE SURVIVED THE MENU AND SHE WAS MAGIK IN THE NEW MUTANTS, SO SHE’S BEEN THROUGH SOME STUFF!

Continue reading

Proclaiming the Good News of the “Kingdom of the Planet of the Apes”

Smart ape holds a falcon on its gloved arm.

“So, eagle, you do for apes what you did for dwarves and hobbit?”

Previously on Planet of the Apes: apes rule Earth now! Andy Serkis’ Caesar led apes to victory but died for ape sins! Virus strike whole planet, make humanity stupider! Humanity also mute now! Lucky apes not have to hear human stupidity! Unless apes reinvent internet! Movies not say humans can’t type! Maybe ape moderators ban humans from simian media!

Everything’s coming up monkey-house as we continue with the prequel/reboot (preqboot?) series that’s been among the most consistently entertaining of its kind in this era of I.P. recycle-overdrive. (R.I.P. those once-cool X-Men preqboots whose producers turned their last two flicks into shiny dumpster clutter.) So far we’ve had nary a clunker in the new bunch, more than we can say for the original Apes pentalogy. That’s including the latest release, Kingdom of the Planet of the Apes, which box-office pundits are dubbing a failure because its opening weekend earned “only” $58 million domestic, nearly twice as much as all other May 2024 blockbuster openings. Guess it’s hard out here for a chimp.

Continue reading

“Abigail”: Bunhead of Blood

Tween vampire ballerina bursts through a white door, large wood fragments flying, murder in her eyes.

Black Swan but with slightly less agony.

Horror hasn’t been a primary go-to genre for me as I’ve aged, but I’ll check out a given work in just about any genre if it can sink a hook into the elusive target that is my set of aesthetic peculiarities. (And by “hook” I do not mean I award imaginary brownie points for use of the empty “elevated horror” label.) In the wake of the Hollywood-wide restart after last year’s dual WGA and SAG-AFTRA strikes, some 7,000 new, quick-bake horror flicks will be coming to theaters over the next several months as studios catch up on their precious blockbuster assembly-line schedules. Amid the flood of recent blood-soaked trailers — from high-concept to lowbrow to “the plot is a spoiler!” — one pitch spoke to me from the fray: “From the directors of the last two Scream movies!”

If the preceding sentences sound familiar, it’s because they’re largely lifted from my previous write-up of Late Night with the Devil. If horror flicks have taught me anything, it’s that recycling is cool. Sometimes old parts can be reused in a new contraption without collapsing. Sometimes the contraption is pretty nifty, like folding a newspaper into a sailboat, or making an omelet with leftover taco filling, or lifting the one-line concept from an old Universal monster movie but throwing away the rest of the movie because no one remembers it anyway.

Hence, directors Matt Bellinelli-Olpin and Tyler Gillett (d/b/a the team “Radio Silence”) present Abigail. The 1936 work that inspired it is a spoiler. Its entire trailer is a spoiler. Fortunately it doesn’t spoil the whole runtime, as more twists abound and a crack ensemble makes up the difference in their performances whenever the writing withholds too much.

Continue reading

“Late Night with the Devil”: Time Now for Stupid Host Tricks

1970s TV show host holds a mic and side-eyes stage right. Behind him is his house band, led by a chubby bald guy wearing red devil horns and a cape for Halloween.

“Our next guest needs no introduction…”

Horror hasn’t been a primary go-to genre for me as I’ve aged, but I’ll check out a given work in just about any genre if it can sink a hook into the elusive target that is my set of aesthetic peculiarities. (And by “hook” I do not mean I award imaginary brownie points for use of the empty “elevated horror” label.) In the wake of the Hollywood-wide restart after last year’s dual WGA and SAG-AFTRA strikes, some 7,000 new, quick-bake horror flicks will be coming to theaters over the next several months as studios catch up on their precious blockbuster assembly-line schedules. Amid the flood of recent blood-soaked trailers — from high-concept to lowbrow to “the plot is a spoiler!” — one pitch spoke to me from the fray: “Starring David Dastmalchian!”

Continue reading

“Godzilla x Kong: The New Empire”: Back to Basic Behemoth-Bashing

The yellow-and-black IMAX movie poster for "Godzilla x Kong: The New Empire". The title monsters are running in shadowed profile. Tiny fight jets zoom alongside them. The 'A' in "IMAX" is replaced with a Pyramid thinner than any real Egyptian Pyramid.

Bad beasts, bad beasts, whatcha gonna do?

Previously on Midlife Crisis Crossover: the MonsterVerse is a thing! Once enough time had passed since Roland Emmerich’s Godzilla and Peter Jackson’s King Kong, the blockbuster peddlers at Legendary Pictures decided America was ready once again for rude giant animals to crush everything in their paths and possibly dominate theaters. Their Avengers-style interconnected saga began with 2014’s recycle-titled Godzilla, which delivered one truly mighty monster melee after two hours of ordinary humans reminding us what we didn’t like about the previous five decades’ predecessors. Pop culture’s most popular overtall simian returned in 2017’s Kong: Skull Island, a period-piece prequel that shamelessly embraced kaiju camp, OD’d on steroids and let its creatures run amuck through Apocalypse Now backdrops and chase some of the best character actors in the biz. The humans were suspiciously more entertaining and having way more fun than usual, as monster toe-jam ingredients go.

Continue reading

“Dune: Part Two”: Another 40 Days in the Loudest Desert Ever

Poster for

Fresh off Oscar Quest ’24, we bring you a sneak peek at Oscar Quest ’25.

Previously on Dune: director Denis Villeneuve brought his gloriously ponderous, A/V-intoxicating, starkly symmetrical majesty to Frank Herbert’s universe, the quintessential American “Chosen One on Planet Sahara” space opera, and helped me heal from the childhood trauma of sitting through David Lynch’s compromised beach-ball of confusion. Villeneuve gambled on a dissatisfying To Be Continued ending for Part One with no guarantee he’d be permitted to keep going. Dune: Part Two ties up a thread or two, but to viewers who never pored over the sacred Herbertian texts (or who, like me, tried and failed to slog through), it was perhaps a surprise to find To Be Continued shall apparently be the saga’s status quo evermore, for as long as capricious Warner Bros. execs permit.

Continue reading

The Academy Awards 2024 Season Finale

Kate McKinnon's Weird Barbie invites Jimmy Kimmel into her Barbieland house and unrolls a large presentation map of "Oscarsland", which looks like a Candyland game board with photos of each of the ten Best Picture nominees scattered along its dotted-line path.

Kate McKinnon’s Weird Barbie gives a lost Jimmy Kimmel directions to the Oscars, in ABC’s extended trailer.

Oscar season is over at last! Tonight ABC aired the 96th Academy Awards, once again held at ye olde Dolby Theatre and hosted for a fourth time by ABC’s favorite trooper Jimmy Kimmel. This year’s soiree clocked in at 144 minutes, a surprising 14 minutes shorter than last year’s telecast. That’s after starting six minutes late and keeping the stopwatch running till the very end of the end credits, up to the final boilerplate disclaimer read by announcer David Alan Grier. Kimmel and his writing staff made only a single overtime joke in the monologue, then dropped that annual running gag for the rest of the night. It’s refreshing whenever a tired joke is crossed off the setlist.

Continue reading

Indianapolis Man Watches All 53 Academy Award Nominees, Receives Pat on Head from His Oscar Widow

Jon Batiste on stage at Carnegie Hall, viewed from behind as he raises his arms toward an impressed audience.

Jon Batiste playing Carnegie Hall between awards ceremonies.

I am so, so tired. It’s been a loooong six weeks.

Previously on Midlife Crisis Crossover: Oscar Quest ’24 has dominated my head space and made me neglect numerous other overdue blogging projects. I’m pleased to report I’m at long last finished: I’ve seen all 38 nominated features and all 15 shorts, marking my first-ever 100% achievement of completing my OQ24 scorecard before the big ABC ceremony. I don’t watch sports, so the Oscars are my Super Bowl, which makes me look weird to most folks in my circles. Nevertheless, once again my traditional hobby-journey was spellbinding, enlightening, maddening, exhausting fun.

Continue reading

“Io Capitano”: From Naivete to Nightmare

Google Wallet screen shot of the mMovie poster for "Io Capitano": Black teen walks through the Sahara Desert while a smiling African woman flies behind him and holds his hand.

When you wish upon a star…

Previously on Midlife Crisis Crossover: Oscar Quest ’24 is in the home stretch! We do our best to see how many freshly nominated works we can catch before ABC’s big, indulgent Academy Awards ceremony ends the viewing season.

Our final theatrical release on the list is the Best International Feature nominee Io Capitano. It opened in Chicago and Cincinnati at least a week before its distributor deigned to grace Indianapolis with its presence on the very last weekend of this Oscar season. Its local “Coming Soon” status had been in limbo for weeks, leaving me to seriously consider road-tripping to Cincy for the sake 100% completion of this annual hobby-project. My patience paid off, and some time and gas money were saved.

Continue reading

“Robot Dreams”: You’ve Got a Friend in Me (for Now)

A cartoon dog and a robot on a skyscraper's observation deck playing around on coin-op binoculars. Other cartoon animal tourists are scattered around the deck, including a yak.

If you love pointing at ’80s stuff or iconic NYC places, have we got a film for you!

Previously on Midlife Crisis Crossover: Oscar Quest ’24 continues! We do our best to see how many freshly nominated works we can catch before ABC’s big, indulgent Academy Awards ceremony ends the viewing season.

Each year there’s at least one nominee for Best Animated Feature that’s completely unknown to mainstream audiences because they don’t come with a massive corporate brand stamped on the front. This year is no exception: Pablo Berger’s li’l Spanish dramedy Robot Dreams kept me waiting for any kind of release, whether streaming or in theaters. My patience finally paid off: Indianapolis’ own Kan-Kan Cinema was among the few theaters holding exclusive, one-night-only screenings the Wednesday before the Oscars. I showed up alongside three or four dozen other folks at various stages of their own Oscar Quests. Oscar Quest is often such a solitary activity for me that it was nice not to be alone for a little while.

Continue reading

Yes, There’s a ‘Word of the Day’ After the “Perfect Days” End Credits

Sixtysomething Japanese man in a blue jumpsuit labeled The Tokyo Toilet stands in a park in daytime, smiles and waves at someone offscreen.

Neither snow nor rain nor heat nor gloom of night stays this cleaner from the swift completion of his appointed rounds.

Previously on Midlife Crisis Crossover: Oscar Quest continues! We do our best to see how many freshly nominated works we can catch before ABC’s big, indulgent Academy Awards ceremony ends the viewing season. As is often the case, candidates in Best International Feature endure the slowest rollout of any category due to the complexities of overseas finances and/or struggles to get Stateside studios to pay attention to them and give them turns at our box offices, especially cities outside NYC and L.A.

So far in the BIF competition we’ve caught Spain’s Society of the Snow set in South America, the U.K.’s The Zone of Interest set in Nazi Germany, and Germany’s The Teachers’ Lounge, whose protagonist is from Poland and whose director is of Turkish descent. Our next nominee for your Oscar consideration is Japan’s Perfect Days, from German director Wim Wenders. Thus the mixing-and-matching of nationalities among creators and works continues, apropos of its main character’s aesthetic tastes.

Continue reading

“The Teachers’ Lounge”: The Case of the School Sleuth Snafu

A teacher wearing a scarf and holding a Rubik's Cube stands in her classroom, empty except for a single student she's talking to offscreen. Subtitle reads, "It's about mathematics not magic."

In my day, teachers could rest easy knowing Encyclopedia Brown would solve all their mysteries for them.

Previously on Midlife Crisis Crossover: our fourth annual Oscar Quest continues! We do our best to see how many freshly nominated works we can catch before ABC’s big, indulgent Academy Awards ceremony ends the viewing season. Every year the most challenging category for attaining a 5-for-5 viewing score is Best International Feature. Every single year, three-to-five out of five honored films haven’t even been released in the U.S. before their nominations are announced, so I have to contain myself as they slowly enter the national art-house circuit. Weeks can pass before they reach our Indianapolis theaters. Sometimes my patience pays off; sometimes a straggler or two misses the deadline.

Of this year’s lineup, I watched Society of the Snow on Netflix in early January, and The Zone of Interest arrived here a month ago. Whereas Society was a Spanish film about an Uruguayan ensemble and Zone was a U.K. film entirely about German characters, our next nominee The Teachers’ Lounge (oder “Das Lehrerzimmer” auf Deutsch) was Germany’s official submission for the category, but its main character is Polish and she’s fluent in German and English. ‘Tis truly a solid year for cosmopolitan cinema.

Continue reading

“To Kill a Tiger” and the MCC Best Documentary Feature 2024 Revue

Closeup of a solemn Indian father in front of a courtroom where many motorcycles are parked out front. Subtitles read, "A father fighting for his daughter in a rape case..." and trail off.

…is apparently a rarer specimen in India than unicorns.

Previously on Midlife Crisis Crossover: our fourth annual Oscar Quest continues! We do our best to see how many freshly nominated works we can catch before ABC’s big, indulgent Academy Awards ceremony ends the viewing season. Oscar Quest means seeking out every studio feature we didn’t already watch for fun on our own, every art-house film we underestimated the first time around, every short we’d never heard of, and each and every last-minute procrastinator released on New Year’s Eve in New York or L.A., America’s only two cities. I understand a recent rule change will negate the latter cheaters in the future, a limitation I wholly approve.

Relevant to this entry, the Quest of course also covers the documentaries — long or short, foreign or domestic, cheerfully uplifting or fatally dreary. (Uplift was in short supply worldwide this year. I blame humanity.) Most years, the Best Documentary Feature category divides two ways: those readily available to stream versus those frustratingly sat-upon until after the season ends and my Oscarmania has subsided. This is the first year I’ve caught all five nominees on time, though one of them required a little extra effort.

Continue reading

“Madame Web”: O, What A Mangled Web We Grieve

IMAX poster for Madame Web in a theater hallway. Visual elements include five eyes in separate circles surrounding a falling body. In the middle there's a tiny spider. There are concentric circles and some cluttered webbing.

Note the use of classic spider elements, such as webbing, multiple unmatched eyes, and someone falling down a waterspout.

We interrupt our annual Oscar Quest for this breaking announcement:

“If you take on the responsibility, then will come great power.”

Is your mind blown yet? Your life irrevocably changed? Your latent Spider-powers activated? Your craving for scrambled Marvel Easter eggs whetted?

Continue reading