Tag Archives: movies

My 2023 Reading Stacks #3

November 26, 2023 By in Comics/Lit, Movies/Films/Flicks Tags: , , , , , , , , , , , , , Leave a comment
Covers of the first two books reviewed below.

Two books about movies, some of which are based on books. One book technically works as a sequel to the other.

Previously on Midlife Crisis Crossover:

Welcome to our recurring MCC feature in which I scribble capsule reviews of everything I’ve read that was published in a physical format over a certain page count with a squarebound spine on it — novels, original graphic novels, trade paperbacks, infrequent nonfiction dalliances, and so on. Due to the way I structure my media-consumption time blocks, the list will always feature more graphic novels than works of prose and pure text, though I do try to diversify my literary diet as time and acquisitions permit.

Occasionally I’ll sneak in a contemporary review if I’ve gone out of my way to buy and read something brand new. Every so often I’ll borrow from my wife Anne or from our local library. But the majority of our spotlighted works are presented years after the rest of the world already finished and moved on from them because I’m drawing from my vast unread pile that presently occupies four oversize shelves comprising thirty-five years of uncontrolled book shopping. I’ve occasionally pruned the pile, but as you can imagine, cut out one unread book and three more take its place…

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Yes, There’s a Scene During “The Marvels” End Credits

November 12, 2023 By in Movies/Films/Flicks Tags: , , , , , , , , , , , Leave a comment
Iman Vellani in costume as Ms. Marvel, standing in a spaceship cockpit and smiling starstruck at an off-screen Captain Marvel.

I rarely do entries about Marvel’s TV shows, but I really, really should’ve done one about the cheerfully grade-A Ms. Marvel before now.

Critics in the long run can be a slowly forgiving bunch whenever films break old rules, up until a film breaks one of the rules they happen to like. More than any other series since the end of the Rin Tin Tin canon, the Marvel Cinematic Universe’s narrative/marketing design has ceased any and all compliance with their longstanding preference for every film to be a self-contained work unto itself, welcoming any and all newcomers and generously bringing all viewers up to speed on preexisting elements without requiring homework or unconditional obsession. I read four different professional reviews of Marvel’s The Marvels before I saw it for myself, and three of them admitted up front they hadn’t kept up with the Disney+ shows that are now integral to the overall continuity. In possibly unrelated news, none of them gave it five stars or an A++.

To be fair, no one — pro, amateur, or non-writing casual — is obligated to love Marvel, embrace superhero films in general, or keep tabs on it all. The cosmopolitan scholars out there who routinely write book-length essays on the works of Abbas Kiarostami or Apichatpong Weerasethakul may not have much recreational use for “popcorn flicks” or TV shows in general. They may, in fact, want to spend their downtime away from screens. For our family, the MCU is one of our bonding rituals, each new film or episode an occasion in which we all put away our respective devices and gather before a single device for an hour or three. Fans who’ve followed along moment-of-release can tell you it isn’t actually that hard to keep up. Sometimes entire months fly by without new MCU stories. It only piles up if you step away for years. With very few exceptions (Anne, like many, still rejects Eternals) we’ve kept up and we helpfully remind each other of characters or plot developments that we’ve forgotten along the way. We’re the Goldens. It’s who we are and what we do.

So I can say with at least a modicum of hobbyist authority that the baffling incoherence of The Marvels‘ first half has nothing to do with forgotten lore or skipped content; its structure is shoddy and wobbly entirely on its own terms. In deference to the intent of director/co-writer Nia DaCosta (the fourth Candyman) to bring the runtime under two hours, she and co-writers Megan McDonnell (WandaVision) and Elissa Karasik (Loki) whittled the proceedings down to 105 minutes, making this 33rd MCU entry the shortest one to date, but tried to economize by front-loading it with action and shuffling too much useful exposition and cause-and-effect basics to the middle of the film.

I’d be more irritated if The Marvels also weren’t so delightfully all-out fun, provided your brain has an MST3K-programmed “You Should Really Just Relax” mode, which comes in handy for 1950s B-movies and for occasions like this. If it helps, I can sort through some of that disjointedness without major spoilers. Not all of it, mind you.

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“The Creator”: Won’t Someone Please Think of the Robots?

November 7, 2023 By in Movies/Films/Flicks Tags: , , , , , , , , Leave a comment
Tiny robot Asian child places his calming hand upon the head of a faceless, four-legged warrior robot.

Whenever the teaser for this film came up between my rounds of Words With Friends, this was the exact image when the X would finally come up and I could exit the teaser and get back to my games.

“Robots are people too!” all the science fiction stories would plead with the ordinary citizens who dreaded a future where automatons immune both to Repetitive Strain Injury and to poverty might usurp our billions of factory jobs. Fantastical genre tales moved beyond Isaac Asimov’s Three Laws and into the pop culture firmament through the hard-luck journeys of Data, Short Circuit‘s Number Five, the Iron Giant, Chappie, the Westworld staff, the cast of Kubrick and Spielberg’s A.I., and legions of other eminently merchandisable microchipped personalities in between. If season 1 of Picard is to be believed, robots’ reputational status will remain a fragile thing even until the 24th century. All it takes is one malware-addled malefactor or one sinister organic-led false-flag operation, and robot rights can be tossed out the window as we revert to seeing them as our inventions and our property, rather than our friends, neighbors, or lovers.

Or, as we’re learning in A.D. 2023, all it takes is to redefine the parameters of the chat. Robots are out; A.I.s are in. Robots were willing to settle for our blue-collar jobs, but their non-corporeal cyber-brethren are coming for our white-collar and no-collar jobs. They aren’t even truly sentient yet, but limited-perception A.I.s on corporate leashes are being “hired” as journalists, writers and artists — utterly mediocre ones, to be sure, but just barely productive enough to please greedy employers and undiscerning audiences. Now the online citizenry are mobbing the networks with chants of “BURN THE A.I.!” as we’re ostensibly on the cusp of having literary discussions about the oeuvre of writer/director HAL 9000, auctioning off Skynet’s black-velvet paintings, or handing out Grammies and Newbery Awards to the dueling superprograms from Person of Interest.

Co-writer/director Gareth Edwards (2014’s Godzilla, most of Rogue One) doesn’t so much confront our current debates as he sidesteps them with The Creator, a quaint throwback to simpler times when robots, like immigrants, simply wanted to chase their personal ambitions freely in peace, and coexist with (and despite) the flesh-and-blood torch-and-pitchfork mobs at large. The film feigns relevance by referring to all its robots as “A.I.”, which is technically accurate yet may be confusing to anyone with a severe hangup about subgenre labels. To SF geeks, most of the cast are robots. ChatGPT and OpenArt do not in any way enter Edwards’ conversation here.

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Yes, There Are Scenes During and After the “Blue Beetle” End Credits

October 19, 2023 By in Comics/Lit, Movies/Films/Flicks Tags: , , , , , , , , Leave a comment
A wide-eyed, astonished Blue Beetle stands still while the alien energy shield around him shears a bus in half.

If too few people see this action-packed gem in theaters, we fans will never stop calling it “criminally underrated” until the day you die.

Previously on Midlife Crisis Crossover: I’ve name-checked Blue Beetle ten times in past entries over eleven years. Four of those instances referred directly to Jaime Reyes, who inherited the mantle in 2006 from his Charlton Comics predecessors that DC bought in the early ’80s. Of those four, only once have I gratuitously yet heartily recommended Jaime’s original series, which began in the hands of co-creators Keith Giffen (R.I.P.), Leverage co-creator John Rogers, and artist Cully Hamner, and was carried expertly to the finish line by Rogers and Brazilian artist Rafael Albuquerque. I stopped reading subsequent Beetle books from other teams due to letdown. (If there’s been a grade-A Jaime story printed since 2012, I’m open to recommendations.)

Despite DC Comics’ big-screen misfires, their few rousing successes in recent times gave me the hope I needed to raise my expectations for the Blue Beetle film. I was thrilled by the film, and thrilled to be thrilled. Director Ángel Manuel Soto (Charm City Kings) and screenwriter Gareth Dunnet-Alcocer (Miss Bala) don’t try to reinvent the wheel, but their combined talents go a long way toward differentiating Jaime from the hundreds of other superheroes who reached the American mainstream first.

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Our Heartland International Film Festival 2023 Photos, Memories and Afterthoughts

October 16, 2023 By in Conventions & Events, Indiana Tags: , , , , , , , , , Leave a comment
Me and Anne doing jazz hands on a red carpet. The wall behind us is covered in Heartland International Film Festival logos, red on white. Anne is dressed much nicer than I am, but I tried.

Jazz hands on the red carpet!

Previously on Midlife Crisis Crossover:

Since 1992 Indianapolis has held its own celebration of cinema with the Heartland International Film Festival, a multi-day, multi-theater marathon every October of documentaries, shorts, narrative features, and animated works made across multiple continents from myriad points of the human experience, usually with an emphasis on uplift and positivity. Ever since the “International” modifier was added in recent years, their acquisition team steadily escalated their game as they’ve recruited higher-profile projects into their lineups. For years my wife Anne and I have talked about getting into the spirit of the festivities. This year we will do better. The festival’s 32nd edition will run October 5-15. I’ve committed to at least five different Heartland showings — one of them virtual in-home, while the others will screen at four different theaters throughout central Indiana…

Mission accomplished! I saw six films in all, which is three times as many HIFF films as we’d seen in all previous years combined. That feeling of keeping my commitment felt rewarding in and of itself. Anne tagged along for four of those, while my son rode shotgun for another. That’s nowhere near as hyperactive as I get for my annual Oscar Quest movie marathons, but it’s an improvement.

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Heartland International Film Festival 2023 Screening #6: “Avenue of the Giants”

October 15, 2023 By in Conventions & Events, Movies/Films/Flicks Tags: , , , , , , , , Leave a comment
A short-haired Elsie Fisher and a slightly hunched, shabbily dressed Stephen Lang converse in the woods.

With no official site and no trailer online, this is the only image available for this film on any entertainment hub that’s covered its film-festival tour.

Previously on Midlife Crisis Crossover:

Since 1992 Indianapolis has held its own celebration of cinema with the Heartland International Film Festival, a multi-day, multi-theater marathon every October of documentaries, shorts, narrative features, and animated works made across multiple continents from myriad points of the human experience, usually with an emphasis on uplift and positivity. Ever since the “International” modifier was added in recent years, their acquisition team steadily escalated their game as they’ve recruited higher-profile projects into their lineups. For years my wife Anne and I have talked about getting into the spirit of the festivities. This year we will do better. The festival’s 32nd edition will run October 5-15. I’ve committed to at least five different Heartland showings — one of them virtual in-home, while the others will screen at four different theaters throughout central Indiana…

We’ve now gone beyond “at least five” into festival overtime. Due to unfortunate circumstances beyond our control at our fifth feature presentation, we wound up with a free pass for one more film. I’d already driven 150 miles this week around central Indiana for cinema’s sake — in the midst of a normal 40-hour work week, mind you — and was burned out on driving, but Heartland also had dozens of new films available for virtual rental at home (our first film was among those). After digging through the entire list, I found a drama in Anne’s historical-aficionado wheelhouse of World War II in general and the European theater in particular.

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Heartland International Film Festival 2023 Screening #5: “A Disturbance in the Force”

October 14, 2023 By in Conventions & Events, Movies/Films/Flicks Tags: , , , , , , , , , Leave a comment
Cartoonish poster for the documentary at hand, with various "Star Wars Holiday Special" stars drawn in a pyramid.

NEVER FORGET.

Longtime MCC readers may not be surprised to find this very special miniseries found a path toward Star Wars. We’re the Goldens. It’s who we are and what we do.

Unfortunately this also led to the worst theatrical experience we’ve had in years. For the record, this was not the filmmakers’ fault, but this entry was unwritable without being candid about that part.

Speaking of unfortunate viewing experiences…

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Heartland International Film Festival 2023 Screening #4: “Monster”

October 14, 2023 By in Conventions & Events, Movies/Films/Flicks Tags: , , , , , , , Leave a comment
A flabbergasted Japanese mother sits across from two unhelpful teachers. Her subtitles: "There was no misunderstanding!"

“Parent v. School System” is sadly a conflict that transcends international boundaries.

Previously on Midlife Crisis Crossover:

Since 1992 Indianapolis has held its own celebration of cinema with the Heartland International Film Festival, a multi-day, multi-theater marathon every October of documentaries, shorts, narrative features, and animated works made across multiple continents from myriad points of the human experience, usually with an emphasis on uplift and positivity. Ever since the “International” modifier was added in recent years, their acquisition team steadily escalated their game as they’ve recruited higher-profile projects into their lineups. For years my wife Anne and I have talked about getting into the spirit of the festivities. This year we will do better. The festival’s 32nd edition will run October 5-15. I’ve committed to at least five different Heartland showings — one of them virtual in-home, while the others will screen at four different theaters throughout central Indiana…

Thanks to Heartland I’ve finally seen my very first film by acclaimed Japanese filmmaker Hirokazu Kore-eda. Years ago Shoplifters was in my Hulu queue for about ten minutes before it disappeared, because Hulu isn’t the best service for movies. My son saw that one as well as Nobody Knows and After Life, so he had an advantage over me as we watched Kore-eda’s latest drama, Monster. I have no basis for comparison, but my son thinks Monster might be his favorite Kore-eda film yet.

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Heartland International Film Festival 2023 Screening #3: “Fancy Dance”

October 12, 2023 By in Conventions & Events, Movies/Films/Flicks Tags: , , , , , , , , Leave a comment
Lily Gladstone's lesbian aunt character Jax, curtly talking to an offscreen relative/policeman. The room is poorly lit, lots of beige.

If you can only see one Lily Gladstone film this year, you now have two choices if someone hurries up and distributes this one.

Previously on Midlife Crisis Crossover:

Since 1992 Indianapolis has held its own celebration of cinema with the Heartland International Film Festival, a multi-day, multi-theater marathon every October of documentaries, shorts, narrative features, and animated works made across multiple continents from myriad points of the human experience, usually with an emphasis on uplift and positivity. Ever since the “International” modifier was added in recent years, their acquisition team steadily escalated their game as they’ve recruited higher-profile projects into their lineups. For years my wife Anne and I have talked about getting into the spirit of the festivities. This year we will do better. The festival’s 32nd edition will run October 5-15. I’ve committed to at least five different Heartland showings — one of them virtual in-home, while the others will screen at four different theaters throughout central Indiana…

Erica Tremblay’s name rang a bell when I saw it on Heartland’s website: she’s served as Executive Story Editor for AMC’s Dark Winds (based on Tony Hillerman’s Leaphorn & Chee novels) and Sterlin Harjo’s Reservation Dogs, and wrote one of the latter’s funniest episodes, “Decolonativization”. One of those shows is great so far; the other is among Best TV Ever and deserves its own MCC entry sometime. Hopefully they lead the way for more Native/indigenous stories to be told across screens great and small. She’s now directed her first feature film, Fancy Dance, which she also produced and co-wrote (with Miciana Alise) and which opened at Sundance earlier this year. Heartland’s artistic director who introduced our showing mentioned Tremblay has had several shorts previously at this festival. I’m kicking myself for having missed out, more so after watching her heartfelt, heartbreaking results here.

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Heartland International Film Festival 2023 Screening #2: “The Promised Land”

October 9, 2023 By in Conventions & Events, Movies/Films/Flicks Tags: , , , , , , , Leave a comment
Period-piece farmer Mads Mikkelsen standing over a burning field at night.

What if Little House on the Prairie but Charles Ingalls is a retired badass?

Previously on Midlife Crisis Crossover:

Since 1992 Indianapolis has held its own celebration of cinema with the Heartland International Film Festival, a multi-day, multi-theater marathon every October of documentaries, shorts, narrative features, and animated works made across multiple continents from myriad points of the human experience, usually with an emphasis on uplift and positivity. Ever since the “International” modifier was added in recent years, their acquisition team steadily escalated their game as they’ve recruited higher-profile projects into their lineups. For years my wife Anne and I have talked about getting into the spirit of the festivities. This year we will do better. The festival’s 32nd edition will run October 5-15. I’ve committed to at least five different Heartland showings — one of them virtual in-home, while the others will screen at four different theaters throughout central Indiana…

During his downtime between playing villains in four out of every five Hollywood films, Mads Mikkelsen enjoys the occasional smaller production back home in Denmark. Last time we saw him at this level was for the Oscar-winning Another Round, in which he played a gregarious family man who turns frivolously alcoholic with his buddies For Science, only to have things spiral out of control. He starts in a completely opposite corner yet descends into chaos once more in his latest film, a historical farming drama called The Promised Land that one could argue is a Western with smaller hats.

(Minor housekeeping trivia: The Promised Land is no relation to Promised Land, the 2012 Gus Van Sant film that starred Matt Damon and John Krasinski, which I totally forgot existed. It’s blander than the original Danish title, Bastarden. I get why the renaming, but they could’ve kept brainstorming.)

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