Original working title for this entry: “I’m Sorry the Academy Thinks Michael B. Jordan Sucks”.
The Academy Award nominations are in! But you already knew that because chances are you’ve had more time for internet than I have today. You’ve already been surprised at how many of the nominees you’ve seen, not surprised that the theme of the 88th Academy Awards will be the Year of the White Guy, and probably up in arms that Star Wars: The Force Awakens wasn’t nominated in nineteen different categories including Best Foreign Language Film on behalf of the one scene with the two guys from The Raid. Ha! Sorry you got your hopes up, you FOOL. The guys from The Raid weren’t nearly white enough.
(If you had to work today like I did, here’s the complete list in showy poster format, or you can do like I do and skip to the “Printable List” button on the right side of that page for a handy PDF. I have zero interest in copying ‘n’ pasting the entirety from someone else’s site, or in typing every single title from scratch. It’s not like I’m paid by the word.)
Momentary pause here to signify my disappointment that Creed likewise failed to be nominated for all the awards ever. I’m sincerely cool with Stallone’s nomination and expected no less, but much more love needed to go out to Michael B. Jordan, director Ryan Coogler, Ludwig Goransson’s score, screenplay, editing, the works. I already went through this frustration two years ago with Fruitvale Station, and yet here we go again. A few things went my way, but seeing Creed seated at the kiddie table wasn’t one of them.
(Same goes to a certain extent for Inside Out, my favorite film of 2015, but I’m used to Hollywood underrating its animated films. To its credit, it received nods for Best Animated Feature and Best Original Screenplay, which means it got twice as many nominations as Creed did. Congrats?)
The following lists and other thoughts popped into my head throughout the day while I mulled over this year’s honorees:
If you’re online much, you’re already aware this year’s Academy Awards nominations were announced today. If you follow either The Hollywood Reporter or The Academy of Motion Pictures Arts and Sciences on Twitter, you had the opportunity to see the categories live-tweeted one at a time early this morning. If you shared my mistake of following both entities, you were treated to a double-barrel Oscar-nom redundancy blast that turned Twitter to sludge for fifteen minutes. Homework question: how many live-tweeters does any given event really need?
Each year since 2009 my wife and I have made a day-long date of visiting Keystone Art Cinema, the only dedicated art-film theater in Indianapolis, to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not. A few of the past marathons have varied wildly in quality, but this year’s proved a superb bunch. To be honest, this is the first time in memory that I’ve preferred the live-action contenders to their animated colleagues.
Each year since 2009 my wife and I have made a day-long date of visiting Keystone Art Cinema, the only dedicated art-film theater in Indianapolis, to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not.
Midlife Crisis Crossover! 