2013 Road Trip Photos #28: More to Rock-‘n’-Roll Than Elvis and the Beatles

Previously on Midlife Crisis Crossover: on Day Eight we woke up in Cleveland on purpose. Not many vacationers will lead a story off with that confession. This wasn’t like our last time in Cleveland, an ill-fated day in 2004 when we ended up trapped there for several hours, having been clobbered by a sneaky one-two punch of alternator failure and overturned semi. No, this time I wanted to be in Cleveland all day long. We had a to-do list of geek stops and I meant to assay every last one of them.

Our second stop of the day has a high-ranking item on my modest bucket list for years: the Rock and Roll Hall of Fame Museum, ruling majestically from the coast of Lake Erie. I’ll be honest: its six-hour distance from home wasn’t the only reason I’d procrastinated a visit. I was afraid the whole place will be one massive, nostalgic, retrograde tribute to old acts from thirty or forty years ago, just like the average Grammys ceremony. I was honestly surprised at the breadth of musical acts honored inside these randomly shaped walls.

Rock and Roll Hall of Fame Museum, Cleveland, Ohio

Follow the backbeat this way…

Best CDs of 2013, According to an Old Guy Who Bought Seven

Wesley Stace, Self-Titled

This man deserves to be selling zillions more albums. Someone see to it.

It’s that time of year again! The last time I summarized my year in music purchases, it was slightly longer than this year’s list, only because I bought a 2012 reissue that merited inclusion. I don’t limit myself to a maximum of seven CDs per year; the identical count is coincidental. Blame the music industry for largely boring or alienating me nowadays. As you can imagine, local commercial radio is no help.

The following, then, comprises every CD I acquired in 2013 that was also released in 2013. Back-catalog materials are forbidden from inclusion, though allow me to express in this singular clause that I wish I’d gotten Elvis Costello and the Attractions’ Live at Hollywood High much, much sooner.

On with the countdown, then — from least best to surprising favorite:

7. Childish Gambino, Because the Internet. The only other rap album I bought in the last five years was Donald Glover’s 2011 pseudonymous debut Camp — a killer mix of scathing satire and autobiography, laced with pop-culture references as cutting descriptors rather than random gags. Harsh language isn’t my thing anymore, but the Community-clever snark and wounded candor rose above. His sophomore effort, on the other hand, is a hodgepodge of half-finished tracks, electronic hooks in search of lyrics to stick to, verses that lead nowhere, Bone Thugs speed-rap for listeners who love rhyming words but hate complete sentences, and a general impenetrability that strings a velvet rope in front of us intruders who don’t Get It.

Sample track: The obligatory NSFW single “3005“, in which he sounds defensive about his insecurities and comforts himself with in-jokes. Or something. But it’s more or less a complete song in music-class terms. Points for English class completeness, I suppose.

This way for the other six…

Five Tracks That Got Me Through Young Stupid Adulthood

alternative rock audiocassettes

Yep. Those are cassettes. This is how old I am.

If I learned anything after the fact from Buffy‘s depressing sixth season, it’s that our early 20s is when we humans are prone to committing our worst mistakes, making our stupidest decisions, missing our best opportunities, undergoing our darkest times, and discovering all the best reasons to fear and loathe ourselves. For many people those were also hallmarks of their teenage years, but I was a late starter on the journey to self-flagellation.

A childhood in which I was raised to “find my own path” (read: wander blindly through life’s shadowy forests without a tour guide or even a working flashlight) left me with very few tools for suffering the worst trials and shouldering the heaviest burdens, too many of which I brought on myself. By age thirty a series of improbable coincidences and extensive rethinking sessions had led me at long last to an illuminated trail that’s taken me toward much more reliable means and sources of support and encouragement than I ever had during my extended, two-time college-dropout phase.

Before I walked that way, all I had was music.

Of all the hundreds of songs that have caught my attention throughout my life, five in particular stand out as rare instances in which I was moved by music, moments of lyrical lucidity and emotional truth that resonated deep down in that mushy core whose existence the common guy denies, moments I returned to again and again for comfort, advice, consolation, deep thoughts, and/or a boost of spirit. These were five solid shots struck at the foundation of the oddly designed structure that passes for my life.

Continue reading

Fountains of Wayne, Soul Asylum, Evan Dando: My Personal One-Night Mini-Lollapalooza

The Vogue, Indianapolis, 10/17/2013Dateline: October 17, 2013 — Just got back from attending my first concert in years. Tonight at the Vogue, one of Indianapolis’ most well-known nightclubs in the heart of the Broad Ripple neighborhood, three catchy bands appeared on a single bill for an appallingly low price. Honestly, for $22.00 a head, I felt as if we were ripping them off.

I have multiple reasons for rarely indulging in live music, but in those extremely rare situations when bands I actually, truly like (or liked at one time) come to town, this old man has been known to grant exceptions.

The evening of excellence progressed like so:

Continue reading

An Old Man’s Excuses for Not Hoarding Digital Music

Mp3 icons

Why browse through someone’s full-sized collection of vinyl cover art when you can peruse a strictly formatted collection of charmless Windows icons instead?

Previously on Midlife Crisis Crossover, I waxed verbose about my long-standing like/loathe relationship with commercial radio, the medium that lured me into Top-40 fandom in my pre-teen years and spurned me from high school to the present.

One digression was left unexplored due to issues of relevance and length:

My reluctance to embrace MP3s would require an entry in itself. Short answer: not at this time, but thank you for the option.

Far be it from me to let a promise of digression remain unrequited.

I recognize that digital music has numerous advantages over CDs and its precursors, but I have yet to embrace iTunes or to fill multiple external hard drives with jams for a variety of reasons. Some of them may sound tired and overused; most are conclusions I reached over the years after repeated bouts of personal deliberation. Continue reading

A Perplexing Day with Commercial Radio, My Longtime Recurring Nemesis

107.9, Indianapolis radioYou know something’s afoot when you turn on the shower radio at 6:45 a.m. and hear Anne Murray crooning “O Come, All Ye Faithful”. Or maybe it was Julie Andrews.

I spend a minute or so trying to name the singer, ignoring for a moment that the radio was celebrating Christmas in May. The guessing game ends when the mystery diva is succeeded by Wham!’s “Last Christmas”, for which I have no use even in December. Somewhere in Indianapolis, either a DJ is greatly amusing himself, listener requests have taken a bizarre turn in the hands of joyous off-season mob rule, or Skynet is taking over the airwaves as part of a truly twisted master plan and doing a terrible job of acting naturally.

I’m not a morning person and my brain isn’t a morning organ. The confusion sown by my early-morning background noise inspires my brain to awaken more quickly than usual. Now it has a mystery to solve.

Continue reading

Soundtrack for Tranquility During a Month-Long Trainwreck

I’d wager the average American considers December the busiest, most stressful month of the year. Holiday shopping, family gatherings, crunch time at work before end-of-year final tallies are taken, mid-season finales, what have you — if we don’t pack the days from dawn to dusk, they’ll pack themselves. For our family May is far harsher when it comes to divvying up the minutes spent outside work or sleep.

Continue reading

Best CDs of 2012, According to an OId Guy Who Bought Seven

Whether on or off the Internet, I very rarely discuss music. I was a typical top-40 fan as a child, but segued to “alternative music” circa 1989 thanks to the late-night lineups of Post-Modern MTV and 120 Minutes that kept me company over homework into the wee hours every evening. I’ve followed musical acts of varying degrees of talent and volume ever since. I don’t consider myself finicky, but I’m not interested in 99% of the bands that receive mainstream coverage nowadays. I rarely discover new bands because local radio is a joke and I haven’t felt compelled to subscribe to satellite radio yet. You can bet the aging process hasn’t exactly broadened my vistas. As for the disparate gulf between my lifelong musical tastes and my present-day spiritual mindset, that’s a subject for another essay altogether.

I have the hardest time keeping track of when the musicians I still follow finally release new albums, but in 2012 I stumbled across six such occasions, and on another occasion tried one (1) relatively new act with pleasing results. I also bought one reissue, relegated to a separate category of its own. The following list scratches the surface of my purchasing preferences and may or may not provide any insight into me at all.

And just so we’re clear, I really did buy all seven albums on CD. My disdain for collecting digital music is also a subject for another essay altogether.

On with the countdown:

7. Joey Ramone, “…Ya Know?”. If I’m understanding the candid liner notes correctly, the Ramones frontman’s first album since his death in 2004 was constructed from vocal recordings acrimoniously wrested through litigious means from the hands of frequent Ramones collaborator Daniel Rey. The bulk of the posthumous backup-band work is by Joey’s brother Mickey Leigh, late-’80s Ramones producer Ed Stasium, and assorted studio musicians, though a few familiar names also contributed — mid-’80s bandmate Richie Ramone; Bun E. Carlos from Cheap Trick; Steven Van Zandt; Dennis Diken from the Smithereens; and Joan Jett, though her part is reduced to backing vocals on “21st Century Girl” rather than a true duet. It’s nice to hear one last Joey collection, though the assemblage of various artists creates a sterile, corporate-bar-band sound too diluted to approximate the vintage Ramones buzzsaw sound. (Sample track: “Rock ‘n Roll is the Answer“.)

Continue reading

The Songs That Sweeten My Christmas Spirit

A Charlie Brown ChristmasConsider this list an overdue companion piece to my previous entry, “The Songs That Sour My Christmas Spirit“, in which I griped at length about lumps of audio coal guaranteed never to appear on my personal Christmas playlist. Let it not be said that my only thoughts on the subject are entirely negative, though. There, I tooketh away; here, I giveth.

The songs of the season that catch my ear, lift my spirit, and chase away the holiday errand-running blues, include but are hardly limited to the following, in no particular order:

* * * * *

* Dido, “Christmas Day — I’m not usually a fan of love songs, but I like the ethereal vocals, dreamlike gait, touches of electronica, and the lyrical tale of an anticipated traveler that may or may not be romantic.

* Anyone who cares to sing it, “The First Noel — I’ve been partial to this tune ever since I sang it solo in my school’s Christmas program in sixth grade. As I’ve aged and my spiritual outlook has metamorphosed since then, it’s taken on deeper level of meanings for me. Of all the Christmas songs we learned in school, it arguably receives the least radio airplay and is seldom covered by today’s artists. I’m sad when a song I like is never played, but I appreciate it when it’s not overplayed. For some songs that’s a tough middle ground to find. (I’m looking in your direction, “Santa Claus is Coming to Town”.)

Continue reading

The Songs That Sour My Christmas Spirit

Home Alone Christmas

Detail from the worst Christmas CD cover in my collection. What’s wrong with poor Kevin’s face?

For those stricken annually by some measure of Christmas cheer, we all have our favorite songs for the occasion. I’ve always been partial to “The First Noel”, which is followed by a long list of other classics and obscurities, both hymnal and secular. For my wife, I’m 95% certain “O Holy Night” wins the prize. (If I’m wrong, I’m sure I’ll learn the error of my ways shortly. Updates as they occur.)

When (at least) one of our local radio stations switches to a 24/7 Christmas format in late November, their limited playlist includes a handful of tracks I don’t mind hearing more than once throughout the month-long seasonal commercialization. However, since I’m not their primary listener, they’re also prone to spinning several holiday staples that I wouldn’t miss if they disappeared from heavy rotation forever:

* Eartha Kitt, “Santa Baby” — The first few hundred times I heard this ostensible satire of trophy-wife Christmas greed, I thought it was recorded during an earlier era when pining for material wealth was acceptable in pop music, decades before today’s top-40 artists dedicated entire careers to the subject. Perhaps the line about the platinum mine should have tipped me off sooner to the true nature of Kitt’s unreliable narrator, but how was I supposed to know that our ancestors didn’t really consider platinum mines a must-have? I’ve resented the song ever since for making me think too hard about something so shallow. I’m marginally more tolerant of Madonna’s cover because her Betty Boop impression better suits the satirical bent. I’m not sure what to think of the Everclear cover that transforms the narrator into a spoiled-rotten upper-class gay man.

Continue reading