The Globe Theatre used to be pretty cool about letting audiences interact with actors on stage, long before trying to tear famous people’s clothes off became a thing.
Oscars season is coming! On January 22nd the Academy of Motion Picture Arts and Sciences will announce the next round of Academy Awards nominations. Fans have a month to go before we learn which multi-million-dollar blockbusters will be validated in the secondary categories and which Best Picture nominees were only released in a single Times Square theater that would’ve made more money if they’d just shown porn instead. The more potential Oscar winners we watch now, the less we’ll have to cram into our annual Oscar Quest before the March 15th ceremony. Or, y’know, I could just take the old-fashioned approach: go see films I want to see for my own reasons and hope they get recognized later.
The latter applied for me in regard to Hamnet, the latest from Academy Award Winner Chloe Zhao. Her contemplative road-trip drama Nomadland took Best Picture during the pandemic, and I was among the six viewers who enjoyed Marvel’s disavowed Eternals, in which super-team punch-’em-up veneer cloaked a thoughtful exploration of religious disillusionment, immoral sacrifice in the name of The Greater Good, the soul’s search for purpose and sometimes repurpose, and what the treasured canard of With Great Power Comes Great Responsibility means on a cosmic scale. With Hamnet four years later, she’s retracted her reach from planetary destruction to merely the foundation of classic Western Literature, with a story set in the sixteenth century rather than traveling all the way back to the Dawn of Time. Yet another survivor of the Marvel Machine finds deeper artistic fulfillment on a smaller stage.
Midlife Crisis Crossover! 