“Wildwood”: Let’s See Your Lord of the Rings Miniatures Do THIS

Prue from "Wildwood" chased through mansion hall by suited henchmen, some of whom are part animal.

[music: bespoke “Yakety Sax” cover, but largo]

Previously on Midlife Crisis Crossover: My son and I don’t see animated features in theaters nearly as often as we did when he was younger, but we keep an eye out. We miss the days when every new Disney and Pixar release was an immediate must-see. So far this year we’ve only been lured to the big screen for the mixed-messaging antics of Toy Story 5 and the winning meta-hybrid Coyote vs. Acme. Rest assured we won’t be adding this weekend’s new Cat in the Hat to our dance card, which looks like a garish ADHD collection of studio execs’ worst guesses at what sheltered preschoolers might think is “cool” — e.g., loud noises, flashing lights, goofy dances, plush toys, the multiverse, etc.

Stepping into animation’s quality vacuum are the dedicated artists at Laika Studios, who arose from the ashes of Will Vinton Studios (yep, the California Raisins ad-makers) to dominate the ever-shrinking world of stop-motion animation. Last time we saw Laika writ large, I was in awe of 2016’s Kubo and the Two Strings for its “expansive panoramas, intricate settings, and dynamic fight sequences — some in midair, some on the animated seas — [which] would be a mighty feat if they were 100% CG. While computers added details around the edges, it’s staggering to contemplate how much of the film was painstakingly handcrafted in miniature and tediously yet lovingly shot frame-by-frame over the course of years. It’s a wonder the animators had the mental stamina to pursue this undertaking without cracking under pressure and setting things on fire.”

I wasn’t convinced at first by the trailers for their last film, 2019’s Missing Link, which felt like Aardman discards, but it won me over later when I caught it for my Oscars Quest. We didn’t repeat that mistake for their sixth and latest, the ambitious urban-fantasy epic Wildwood. Yet another collaboration between director Travis Knight and screenwriter Chris Butler (arguably faring better here than they did with Masters of the Universe), it’s another staggering, handcrafted achievement that deserves to have its vistas witnessed on the largest possible entertainment machines.

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So There’s an Extra During the “Kubo and the Two Strings” End Credits

Kubo and the Two Strings!

Animation so accomplished, even the characters can’t help staring at each other in awe.

One of my long-standing rules here on Midlife Crisis Crossover is that every movie I watch in theaters gets its own entry. The results aren’t a formal review so much as they’re a brick-by-brick deconstruction to cherry-pick which parts I’m interesting in recording my thoughts about for my own future archival purposes, stitched together with just enough exposition and summation for any MCC readers interested in following along even if they haven’t seen the movie in question.

Said subsection of readers isn’t what it used to be. I realize the format is odd and amateurish in some respects, and it’s not lost on me that the movie entries receive far fewer Likes from other WordPress users than our travel photo galleries do. But part of the grand MCC experiment is facilitating my itch to write and express myself, hoping anyone else out there finds kernels of usefulness in my indulgences, and not wallowing in self-loathing second-guessing whenever they don’t. It’s been one of the tougher aspects of the blogging process to grapple, and I think I’m thiiiiis close to nailing it.

I saw Kubo and the Two Strings over a month ago but kept procrastinating its entry because I worried the results would be a 1000-word stream-of-consciousness brainstorming session of every complimentary adjective Roget ever catalogued. And if there’s one opinion above all that I’ve acquired after 4½ years of writing about theatrical releases, it’s that I’ve grown to hate adjectives as a word class. Rather than risk abolishing the long-standing rule mentioned in paragraph one, I can either stick to my commitment or find something else to write about between travel entries.

Soooo who wants to see me typing lots about the week in politics?

…

…okay, then: Kubo!

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