Grumpy Cat Signs Three-Year $5 Million Deal to Join “The View”

Grumpy Cat, morningsIn the wake of recent conflicting headlines regarding the revolving-door employment status of its longtime participants, ABC’s The View announced a new initiative to move forward into a bold new era by hiring Internet sensation Tardar Sauce, star of the massively popular “Grumpy Cat” meme, as new co-host to represent for furry, nonhuman, and hatemonger minorities. The arguably photogenic Ms. Sauce will replace outgoing co-host Joy Behar and has sinister plans to drive out the three survivors until none remain. ABC executives are on board with this dramatic plan in hopes of boosting viewership in the precious young-adult-male demographic from its current double-digit negative ratings share.

Viewers who were Grumpy Cat fans before Grumpy Cat was cool are cordially invited to share her official site or her official Facebook page with bandwagon jumpers to show how superior you are to them, even though she hates you and newcomers equally.

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My Valentine’s Day is What I Make of It.

Lugash, Valentine's Day, The SimpsonsWhen you’re sitting at a ballpark or other sports stadium, the crowd is doing the Wave, and you see the crest heading straight for your section, do you rise and raise your arms in rhythm with your neighbors? Or do you scowl, remain in your seat, and lecture your friends about how the Wave is conformist tomfoolery?

When your coworkers decide they’re not in the mood for cafeteria food or the tiny Weight Watchers meals they brought in their lunch bags and decide to order pizza or Chinese takeout together, do you go with the flow and chip in a few bucks for a little something different for yourself? Or do you denounce their impulsive extravagance and consign yourself to the turkey sandwich you brought because it was slapped together with only the purest of motives?

When you need to buy drinks at the grocery, do you base your decision on advertising? Do you buy drinks regardless of their advertising? Or do you specifically boycott any drinks that have ever been advertised in any way because advertising is shallow and irritating and unholy, and instead limit yourself to buying only products that have never been advertised in any medium?

If you’re at the theater watching a movie that the other patrons seem to be enjoying a lot more than you are, do you leave them to their difference of opinion and count down the minutes till the travesty is over? Or do you castigate them for their life choices and demonstrate the superiority of your disdain by chasing them around the theater with a stun-gun?

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Morgan Freeman Photos Convey Authority, Win Debates, Certify Anything as Gold

Morgan FreemanDuring the solemn, lamentable weekend following last Friday’s senseless tragedy in Newtown, Connecticut, Facebook users who were already struggling with their own reactions, the reactions of their friends, and the fights breaking out between friends of conflicting reactions all found themselves interrupted dozens of times over the course of the weekend by the reassuring face of Academy Award Winner Morgan Freeman, perceived as one of the kindliest, most grandfatherly figures in all of Hollywood. His face was attached to a short essay decrying the culpability of mass media in encouraging too many broken young men to become power-tripping mass murderers because of the seedy allure of posthumous headlines and ten minutes of front-page infamy. Few would argue with the content of the well-meaning essay, but this wasn’t just any old essay written by an ostensibly intelligent typist. This was an essay attached to a photo of Academy Award Winner Morgan Freeman.

Somehow the photo imbued those words with a godlike acumen that transcended all racial, economic, and spiritual barriers. Within seconds one out of every one-and-a-half Facebook users was forwarding the words and picture to everyone in striking distance under the assumption that they naturally had something to do with each other. No need for fact-checking, no verifying sources, no asking why Freeman would release a public statement as if he’s an official White House spokesman — someone they knew forwarded it to them, so it had to be true.

What you saw probably resembled this, except more professionally cobbled together and without my modified attribution:

Morgan Freeman Fraud Sample

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Internet Commenters Demand Legislation Against Complex Sentences

Hello, readers. How are you? I am hunky-dory.

Today was a good day. I got to rest. I ate good food. I watched some DVD extras. One was a documentary. It was about A Night to Remember. That movie was about the Titanic. The documentary was not fun. The photos were okay. The narrators were all very old men. They talked a lot. Sometimes they talked for many minutes. They talked very slowly. Sometimes there were very long pauses. Then they talked some more. They were nice men. I felt like a great-grandchild. I did not see the last fifteen minutes. I stopped the DVD early. I was sleepy.

Then I got on the Internet. It has interesting pages. I wanted to read a movie review. It was about The Master. I have mentioned that movie before. Joaquin Phoenix is angry and confused. Phillip Seymour Hoffman is charming and maybe evil. Amy Adams is happy and unhappy. I may go see it. I have not decided. My city is not showing it yet. Maybe they will show it in October.

The review was written by a movie critic. Her name is Lisa Schwarzbaum. Her boss is named Entertainment Weekly. She has worked there for decades. She likes itty-bitty foreign films. She also likes movies about sexiness. Sometimes I do not agree with her. Sometimes I do. She uses big words and long sentences. I can usually understand her. Sometimes I also use big words and long sentences. Sometimes she mentions really weird movies. That does not bother me. Sometimes I also talk about weird things.

Ms. Schwarzbaum liked The Master very much. She gave it an A. Her review had big words and long sentences. This was the last sentence of her review:

The cubism of the concluding third of the picture allows a disoriented viewer to consider this singular movie not only as a character portrait, but also as a photographic travel diary, from the days before Instagram, by an important artist following the itinerary of Americans seeking salvation and prosperity when an exterior world war was over but interior psychological battles raged.

The word “cubism” threw me for a moment. I looked it up on the Internet. It has dictionaries and WikiPedia in it. I found Cubism in there. Now I understand the whole sentence. “Cubism” is a good word for a Paul Thomas Anderson film.

Some readers did not like her review. They really did not like her last sentence. A few readers said mean things about her. One reader said this direct quote:

…it is exhausting – why does she have to create super complex sentences with thesaurus worthy big words – it doesn’t impress me, it belittles me. and that last sentence, WTF? I’d hate to be stuck next to a cooler with her, attempting to carry on a conversation about the latest small town drama. Know your audience.

Her audience does not like long sentences or big words. “Entertainment” is a big word. Lisa’s words are mostly shorter than “entertainment”. They should rename the magazine Things Weekly. The audience would like them better.

Another unhappy reader said this direct quote:

“the cubism of the final third……….” this sentence is not only THE most pretentious piece of critical crap I’ve ever read, it also convinced me not see the probable load of “important” blarney that inspired it.

The Internet has many pretentious pieces of critical crap. I have read some of them. I usually do not rank them. Some reviews can be pretentious and not crap. Sometimes I like pretentiousness. That word is even bigger than “entertainment”. It does not scare me. I used to be an English major. Other English majors scared me. One time our class talked about “Murders in the Rue Morgue”. That is an old story about gross murders. One victim was stuffed inside a chimney. One classmate had a theory about the scene’s meaning. He used the phrase “return-to-the-womb motif”. I was very scared. I wanted to leave class immediately. Now I am older. I have conquered that fear.

Ms. Schwarzbaum probably writes how she wants. Maybe she even thinks that way. Her writing made other people sad. She should rewrite her last sentence. It should be many sentences. The sad people might like the new sentences. They could look like this:

The movie shows you things about each character. Some of those things are very different from each other. It takes place in the past. The old places tell one long story. It is better than random photos. The story comes after a war. People were not happy yet. They had a lot to think about. They tried to make money and be saved. The movie is very good. The director is neat.

Shorter sentences can be happier sentences. The biggest word in those sentences is “different”. That word should not be scary. I think Liza Schwarzbaum is a different writer. Maybe I am a very different reader.

Well, got to go. Have a nice day. I will see you all tomorrow. My next entry may have commas and more clauses in it because of pretentiousness. I hope you will not hate my important blarney. I promise I will not read it aloud to you with extra long pauses. That might make it worse.

Waiting Patiently for My Annual Day of Stillness to End

My mom’s generation had “Where were you when Kennedy was shot?” My generation has “Where were you on 9/11?” Since this blog wasn’t around last year at this time, restating my own anecdote for the record — probably just this once — might be prudent.

That day, I was at work sorting daily reports when someone cranked the volume on our quiet morning up to 12. Three hours into my shift, we were all panic and no work. This, plus the fact that I work in one of the tallest buildings in the city, was reason enough for our superiors to let us take the rest of the day off, just in case every American building over ten stories tall had been targeted for destruction. Fortunately nothing happened during the next hour that I spent gridlocked in the employee parking lot, waiting my turn to head for the hills.

Once I escaped and finally arrived home, I turned on the TV news, of which I normally watch an average of thirty minutes per year. With the TV feed kept on in the background to provide a steady stream of information, misinformation, endless speculation, live interviews with the shell-shocked, and endless repeats of all of the above, I served in the best way I possibly could at that particular moment: I spent the entire rest of the day and all of the evening online, talking to anyone who needed someone to talk to, sifting for incoming details faster than TV reporters could communicate them, and monitoring the myriad reactions at the geek message board for which I was a volunteer moderator at the time. As crowd-control jobs go, Internet moderating is less about physical stress, far more about emotional stress during times of unprecedented national trauma. Whether the members needed comfort, sought to make sense of anything, wanted to share updates as they occurred, felt like practicing their rhetorical bluster, or thought this was the perfect time for inappropriate jokes (way, way too soon — thank you so much, insensitive cool-kids), I stuck around to do my part as needed, however minuscule it was in the Grand Scheme.

While others suffered, while still others rose above to do their part in response, I was at home joining and sorting the chorus of those whose first response was to register their horror on the Internet for all to see. Hours passed while I kept waiting for a few moments of calm that might allow me to excuse myself from the fray, long after fatigue set in. The existing records confirm I was online till well after midnight. I broke a personal record for simultaneous IM chats, having carried on six such conversations at one time while still tending to the board. That was my day. Poor, put-upon, still-breathing me, having to type and type and type for the sake of others while buildings crumbled and societal paradigms quaked.

Every 9/11 since then, I’ve spent doing the opposite of that.

Every 9/11, I keep my online communications to a bare minimum. No grand pronouncements, no attempts at punditry, no prolonged conversations, no PhotoShop tributes, and very few laughs. A combination of throwing myself into my work, spending time with loved ones, consoling my coworker whose birthday is 9/11, and offline prayer is usually activity enough to hold me until the clock rolls over to 9/12, the anniversary of not much in particular.

It’s my way of deferring to those who treat the day with utmost, outspoken reverence. It’s my way of avoiding those who tire of the reverence and insist on bleating about their impatience. It’s my way of observing the truth to be had in Psalm 37:7.

It’s also my way of commemorating the Way Things Used to Be, noting The Way Things Have Been Ever Since, and dearly wishing they were the opposite of that.