
If the show must keep swiping episode titles from sources cooler than it is, then “Looking Down the Barrel of a Gun” was a missed opportunity.

If the show must keep swiping episode titles from sources cooler than it is, then “Looking Down the Barrel of a Gun” was a missed opportunity.
Tonight on the new episode of NBC’s Revolution, “There Will Be Blood”, the game is afoot for our hero, Tom Neville. The alleged President of the United States of America has returned to the mainland from his/her getaway in Guantanamo Bay and set up camp in Savannah, but his/her representatives are presenting themselves as the people’s rescuers through the use of big fat lies. Our hero knows the truth, believes nuclear madman Randall Flagg was working for them, and can second-guess their devious plan from a mile away: “Create the problem. Be the solution.” And Neville hates it when anyone lies but him.

Tom Neville is back. And this time…he’s still mad.
Revolution is back! And this time, it’s sorry if it made you unhappy and it swears it can change!
After an opening montage of moments from the first nineteen episodes set to the tune of “Can’t Find My Way Home”, at long last begins the Revolution season-one finale, “The Dark Tower” (not the first time they’ve referenced Stephen King). When last we left, Monroe Republic President Sebastian “Bass” Monroe and former best friend Miles Matheson were facing off inside the tower with coilguns at twenty paces. Will this be the duel to end all duels? Here in the first minute of the episode?

There’s this place. It’s called…The TOWER.
Thus does tonight’s new episode of Revolution, “Children of Men”, begin with a promise of explosions. We ended last week’s episode with Rachel Matheson triggering the grenade she carried with her into President Monroe’s field tent in hopes of avenging the death of her son Danny. Instead of opening this week with Rachel and Monroe both dead — which, let’s face it, would be a true game-changer — the grenade gets kicked out of the tent, exploding outside and destroying some tanks full of movie combustion fluid or whatever. Everyone in the tent is safe, and Rachel is easily captured and embarrassed.

Charlie (Tracy Spiridakos) and Jason (JD Pardo) share a moment of true love while a disenchanted Atlanta evacuates in panic.

Former Google executive Aaron Pittman (Zak Orth), possibly the only sci-fi character in history that I can convincingly cosplay at conventions.

Meet Miles Matheson’s new partner! Can these two dangerous men share a post-apocalypse without driving each other crazy?

If something compels General Monroe to stop sulking in Independence Hall and walk around in open daylight, you know things just got real.
As of tonight, now we know for certain why NBC tastefully postponed the new Revolution episode “The Night the Lights Went Out in Georgia” from last week. At first I wondered if the reason would be more scenes of Nora carrying out heroic bombing on behalf of the Rebel Alliance, but no. Even more unnerving, given the events of last week in real life: this week, Sebastian “Bass” Monroe, President of the Monroe Republic, mad with electrical power and incensed paranoia, sends a few henchmen to Atlanta, the capital of the neighboring Georgia Federation, to threaten it with an old-fashioned suitcase nuke. Presumably Monroe and his loyal scientists have been sitting on this portable, stylish WMD through all fifteen years of the blackout, waiting for the opportunity to fire it up and stop postponing WWIII. Luckily for them, most fissile materials have a half-life with a distant expiration date.
“No one’s a good guy.”
Thus does our hero Miles Matheson (Billy Burke) sum up the current state of mankind in the final minutes of tonight’s new Revolution episode, “The Song Remains the Same” (another Led Zeppelin song title, for annotation fans). If the power is restored for one and all, to oppressors and oppressed alike, who’s to say the warring factions of the country formerly known as America would set aside their differences and reunite for the good of mankind? If adversity wasn’t enough to inspire peaceful cooperation, why should we expect the restoration of power access to be any less divisive?
It’s a question worth asking, in light of the surprise revelation about the true nature of Ben and Rachel Matheson’s secret invention responsible for the worldwide blackout. Bets were won and high-fives were exchanged for any viewers who guessed that the correct answer is…
…insert drumroll here….
…redundant pause for tension effect…
…one last pause for no good reason…
Tonight’s new episode of Revolution, “Ghosts”, divides its time between two primary threads, each about former partnerships torn asunder but looking for common ground to reunite, and finding it in the form of evil armed henchmen. Nothing mends fences like common foes.
Of the episode’s two halves, more interesting and personal is the tension between Charlie and Rachel, as mother and daughter grieve the loss of son/brother Danny in last week’s mismatched showdown between a pair of working helicopters and one thermal-guided surface-to-air missile launcher. As the Rebel Alliance relocates its Annapolis base from its now-missile-ridden digs to a nearby former hospital, Rachel wallows in guilt and blame (when she’s not busy drawing electrical diagrams of the mysterious blue-light device she retrieved from her dead son’s innards last week), while Charlie rebuffs her and instead looks for opportunities for action, doing whatever she can for the resistance so that Danny’s death won’t be as much in vain as his hard-fought rescue from Independence Hall ultimately was. She storms off without Mom’s permission to assist in an overnight militia raid and returns the next day with an ugly shoulder wound, rebuking any attempts at assistance and talking back in hardcore Wolverine tough-guy whispers. Their argument ends with Rachel slapping Charlie. That doesn’t help, and seems unnecessary now that Tracy Spiridakos’ performance is showing signs of improvement.
Tonight on Revolution: EXPLOSIONS! GUNFIRE! MAJOR DEATH! BAZOOKAS! PUNCHING! Behold the end results of a three-month retooling hiatus.
We rejoin Our Heroes for the new episode, “The Stand” (I don’t have to explain the reference, right?), quickly resolving last winter’s cliffhanger that saw them facing the world’s first working helicopter in fifteen years, its cannons fully loaded, its pendant-powered generator in working order, its pilot ordered to kill. Fortunately everyone outruns the flying death machine, scampers into the abandoned (fictional) restaurant pictured above, and escapes death by hiding in the freezer until the chopper stops firing missiles into the joint. If a refrigerator can save Indiana Jones from atomic warfare, it stands to reason than an entire walk-in freezer would be just as impervious a bunker.

If this doesn’t work, Miles is gonna look really silly.
If you’re like me and not too fond of extended hiatuses and the effect they have on TV recall, you’ve probably forgotten everything about the show except the few reminders that the “Revolution Returns” preview may have jump-started. You may also have forgotten that the first ten episodes were recapped right here on MCC, as quickly as I could cobble them together after each airing. Rest assured I plan to continue with the show, not only because I insist it has potential (despite the frequent shortcomings), but also because I want to see what sort of changes will be wrought by the “retooling” rumored to have been ordered by NBC execs. A recent TV Guide cover article confirmed that a major character won’t survive the show’s return, so you’ll need to be fully up to speed in order to place your bets.

If only the blackout hadn’t canceled all Presidential debates, “Bass” Monroe could be rocking the podium.
Scene 1: Open on a knock-down drag-out melee between Our Heroes and a horde of sword-wielding hobos inside a spacious, empty indoor set. Miles takes them down three at a time. A heavily bandaged Nora is reduced to slaying only one at a time. Charlie is struggling with one grimy, 350-pound lout who refuses to let go of her crossbow and is shouting ugly sexist epithets. Aaron is hiding outside behind a bush, watching everyone’s backpacks. Charlie slips and falls backward. Her aggressor raises her crossbow above her head, poised to strike. Five-second “REVOLUTION” title card rolls.
Scene 2: “TWO HOURS EARLIER…” says the caption. In the hour that’s passed since last week’s train job failed, Our Heroes have only walked as far as Dayton, Ohio, some 110 miles east of Noblesville. Nora’s massive stab wound is clearly slowing down their progress. Miles decides they can’t go on like this and she needs a stab-wound specialist. He knows a former friend in Grand Rapids who might be able to help. Charlie is torn between continuing their trek to rescue her brother Danny in Philadelphia, or losing yet another female cast member. Grand Rapids it is, over 300 miles northwest of Dayton.