2014 Oscar-Nominated Live-Action Shorts: From Best to Not-Best

The Phone Call!

Sally Hawkins standing by in “The Phone Call”.

Each year since 2009 my wife and I have made a day-long date of visiting Keystone Art Cinema, the only dedicated art-film theater in Indianapolis, to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not. To be honest, this year’s live-action contenders were not my favorite lineup.

Presented below are my rankings of this year’s five Live-Action Short Film nominees, from the most effective to the most not-so-much. One or more of these were formerly streaming online for free, then yanked once they were nominated. It’s my understanding they’re available on iTunes or other such services. Links are provided to the official sites or the next most relevant thing I could locate if you’re interested in more info. Enjoy where possible!

Continue reading

The 87th Oscars Nominations: Initial Random Thoughts and Lists

Selma!

The long march from Selma to the Dolby Theatre was stopped cold in its tracks by a fabulous year in white cinema.

The Academy Award nominations are in! But you already knew that. Like 99% of America, you likely haven’t seen too many of the nominees yet. The complete list is available in myriad locations (here’s the example I’ve been using for reference), so I don’t see a point in wasting time or space copying, pasting, and reformatting all that off someone else’s site. The nice thing about running my own site is I have no high-pressure word-count quotas to meet.

I’ve seen and written about three of the nominees so far — Birdman, Boyhood, and Selma — all of which I super-liked, all of which I wish could win all the prizes, one of which was dealt a far crappier hand than the other two by the elderly white voting majority of the Academy of Motion Pictures Arts and Sciences. Perhaps Selma‘s most egregious error was in failing to better balance the dual celebrations of black and white nobility like The Help did. Who can say.

The following lists and other thoughts popped into my head throughout the day while I mulled over this year’s honorees:

Continue reading

The 86th Oscars Nominations: Initial Random Thoughts

Sandra Bullock, Gravity, Best Picture NomineeIf you’re online much, you’re already aware this year’s Academy Awards nominations were announced today. If you follow either The Hollywood Reporter or The Academy of Motion Pictures Arts and Sciences on Twitter, you had the opportunity to see the categories live-tweeted one at a time early this morning. If you shared my mistake of following both entities, you were treated to a double-barrel Oscar-nom redundancy blast that turned Twitter to sludge for fifteen minutes. Homework question: how many live-tweeters does any given event really need?

I’ll not waste your bandwidth copying-‘n’-pasting the full list of nominees that’s readily available on a million other news sites. Several thoughts popped into my head throughout the day while mulling over the results:

* As discussed in the past, since 1997 I’ve made a point every year of seeing every Best Picture nominee as soon as possible. This year I’m facing quite the obstacle course, as I’ve only seen one of the nine nominees so far (hint: the one with the spaceship). In my defense, six of the nine only opened here in Indianapolis within the last month, a few of which were packed exclusively into the single art-house theater on the other side of the city. Late December and early January are never the best time of year for leisure travel. Unless they’re each gifted with a wider re-release in the nearer gen-pop theaters, I’m seeing a lot of mileage in my immediate future.

Beyond the curtain for more…

2013 Oscar-Nominated Live-Action Shorts: From Best to Not-Best

Shawn Christensen, CurfewEach year since 2009 my wife and I have made a day-long date of visiting Keystone Art Cinema, the only dedicated art-film theater in Indianapolis, to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not. A few of the past marathons have varied wildly in quality, but this year’s proved a superb bunch. To be honest, this is the first time in memory that I’ve preferred the live-action contenders to their animated colleagues.

Presented below are my rankings of this year’s five Live-Action Short Film nominees, from the most effective to the slightly flawed. None of these appear to be streaming online for free as the animated nominees are, but it’s my understanding they’re available on iTunes or on Video On Demand if your carrier offers the channel called Shorts HD (ours doesn’t). Links are provided to the most official-looking sites I could locate. Enjoy where possible!

Curfew: Writer/director/editor/star Shawn Christensen plays a deadbeat at the end of his rope, granted a fateful reprieve in the form of a phone call from his estranged sister, begging him for one night of babysitting the niece he hasn’t seen since infancy. The premise easily could’ve been expanded into a ninety-minute dumb-adult/smart-kid mismatch comedy starring Jason Bateman and a doomed child star. The tentative reunion, expectant life lessons, and mandatory cutesy musical number belie the sharp turns taken in the later scenes, when we learn more about the rift between siblings, and about how Mom spent her evening out. A charming, disturbing, sometimes intense drama about family, forgiveness, and our sad propensity for overlooking our importance to others who love and need us.

Continue reading

2013 Oscar-Nominated Animated Shorts: From Best to Not-Best

Walt Disney, PapermanEach year since 2009 my wife and I have made a day-long date of visiting Keystone Art Cinema, the only dedicated art-film theater in Indianapolis, to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not.

Presented below are my rankings of this year’s five Animated Short Film nominees, from the greatest to the most head-scratching. Unlike last year, all five nominated animated shorts can be viewed online for free…as of today, at least. Links are provided for each, but may be subject to change without notice. Enjoy!

Paperman: You should’ve already seen this in front of Wreck-It Ralph. If you didn’t, it was unique in its use of Disney’s new CG/2-D hybrid system called Meander. The blend worked wondrously, and the meet-cute romance was sweet-hearted.

Continue reading