2013 Road Trip Photos #1: the First of Two Springfields

Each year our family embarks on an American road trip in a different direction. My wife and I snap photos of all things pretty and peculiar. I create a travelogue partly for fun and partly for my own future reference when my memory fails in my twilight years. Someone needs to remind future-me of the good ol’ days. It might as well be present-me.

This year’s journey was a nine-day trip from Indianapolis to Boston and back again, with a few stops in each direction. Regular MCC followers were previously privy to photo-a-day highlights while we were on the road. In a series of non-consecutive entries, I’ll be sharing a plethora of photos from each of our major stopovers in Massachusetts, Connecticut, Ohio, and upstate New York. Our experience wasn’t always sweetness and smiles, but we did our best to capture the sights and souls of our immediate surroundings.

The links to the full series, including the nine on-the-go entries, will be collected on a new main page shortly, same as was done for our 2012 road trip. Anyone who missed a chapter, joins in progress, or Googles their way here a year from now will be more than welcome to hop aboard. As always, comments and suggestions are welcome.

[SPECIAL NOTE: The following entry was lightly remastered September 4, 2023, at the request of sculptor Mike Majors, whose works featured prominently in our visit to Springfield, OH.]

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A Maudlin Moment about Moribund Marquees and Missing Metropolis

State Theatre, Anderson, Indiana

Every empty marquee tells a story:

Once upon a time, there was a community gathering place where citizens and neighbors shared adventure, laughter, heartbreak, tension, jingoism, victory, sorrow, dreams, and amazement in a cozy, rarefied atmosphere bereft of stereo sound, digital imagery, comfortable upholstery, or ads teaching you baseline smartphone manners. Many a childhood memory was born there, many a relationship begun there, many a care in the world set aside for two hours inside a temporary escape hatch offering inspiration or respite.

Something something something, and then it closed forever and now it’s an eyesore, and did you hear about the acrimonious lawsuits raging behind closed doors as we speak, but hey, at least we have a Redbox kiosk on every other corner. And they all lived in isolation ever after.

The name of the town changes like a Mad Libs answer. Sometimes the part about the lawsuits is redacted because no one cares enough to sue anyone else over its demise. But the rest of the story is frequently the same.

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Tips for Running a Movie Theater for Fun and Profit

MPAA spoofThe last time my family went to the theater, the ads that ran from the film’s scheduled showtime until the moment the feature presentation began spanned over twenty minutes. Many of the ads were movie trailers, but not all of them. Ads for new cars, smartphones, TV shows, and soft drinks are routine pre-show entertainment while you’re settling into your seat, mentally preparing yourself for temporary phone deprivation, swapping notes with your companions, and consuming your snack too early. Even when it’s ostensibly showtime, the commercial parade isn’t over yet, because a lot of manufacturers want a moment of your time, in exchange for keeping your theater in business.

According to a Hollywood Reporter article this week, the National Assocation of Theater Owners have decided that movie studios are taking advantage of your presence, and it’s all their fault that your time is being wasted. Obviously the owners can’t simply run fewer spots, because then here comes the poorhouse. To that end, NATO members are demanding an amended guideline limiting trailers to a maximum of two minutes, slashed from the current 2½-minute boundary.

We can infer from various statements in that THR article that owners believe this will reduce the length of the pre-show, instead of giving them latitude to run even more ads that eat up the same allotted minutes. They believe that it would be harder for shorter trailers to give away the entire movie, apparently forgetting that most romantic comedies can be boiled down to their primal essence in twelve seconds flat. They seem to think the current limit is a recent abuse of creative power, somehow unaware that trailers in the ’40s and other nostalgic decades could occasionally run well past the three-minute mark, sometimes spooling entire scenes instead of mere quick-cut snippets.

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