Oscars 2015: A Salute to Diversity on Stage (or, Never Mind the Ballots)

Oscars!

87th Academy Awards host Neil Patrick Harris reminds you there are no small winners, only small haters.

“Tonight we honor Hollywood’s best and whitest…”

Thus did Neil Patrick Harris kick off the 87th Academy Awards, whose twenty acting nominations failed to impress any onlookers who favor a multicultural viewpoint on everyday life. Much has already been said about this disconcerting coincidence over the past month-plus, but the show’s producers, no doubt in tandem with the Academy of Motion Picture Arts and Sciences, went all-out in assembling a team of celebrity presenters positioned a bit more broadly across the racial spectrum. Big names announcing or handing out awards included Oprah Winfrey, Idris Elba, Lupita Nyong’o (a lock regardless of controversy thanks to last year’s 12 Years a Slave win), Jennifer Lopez, Chiwetel Ejiofor, Kerri Washington, Viola Davis, Zoe Saldana, Dwayne Johnson, Terrance Howard, Octavia Spencer, Kevin Hart, Eddie Murphy, and AMPAS President Cheryl Boone Isaacs (another lock by virtue of her position).

Their compensation efforts were noticed. And to be fair, not everyone who took home a statue tonight was white. There are other interesting categories besides acting.

Right this way for the winners and special moments!

Yes, There’s a Thing During “The Grand Budapest Hotel” End Credits

Grand Budapest Hotel!

Fans of the Ralph Fiennes catalog may be disappointed The Grand Budapest Hotel doesn’t invite obvious Voldemort jokes. I’m reminded more of The Avengers. No, not Marvel’s.

Representing for first-half-of-the-20th-century world history in this year’s Academy Awards race is The Grand Budapest Hotel, the most Wes Andersoniest Wes Anderson film ever to Wes Anderson a Wes Anderson. Granted, I’ve only seen four of his other films, and this one’s probably a patchwork homage to nineteen different foreign films I’ve never heard of, but if nothing else it sums up all his past trailers and adds nice costuming flourishes and some charming fake backdrops.

Fun meta-trivia: this entry began as the fifth installment in my ongoing “MCC Home Video Scorecard” series, which is where I’ve lately been clustering my impressions of movies seen not in theaters. This time, I lost control and Budapest crowded out the other three movies I’d planned to include here, so now it has an entry all to itself. I saw this as part of my annual Oscarquest, and so far it’s been the cheapest of this year’s contenders to watch. It took some persistence to catch this affordably, as it’s no longer on Redbox and we don’t subscribe to the correct premium-cable channel, but three visits to the Family Video down the street finally paid off in the form of a $1.00 DVD rental. If you’d rather avoid the thrill of the case or if you hate money, you can also spend $13-$16 through the usual instant-streaming outlets, or Amazon has hard copies on sale for ten bucks (DVD and Blu-ray) as of this writing. Depends on whether or not less substance is worth more money to you, I guess.

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