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MCC 2014 Pilot Binge #2: “Selfie”

Selfie!

Hey, that was my face while watching, too! We can totes share the same emoji!

She was Amy Pond and Nebula. He was Sulu and the Headless Horseman’s lackey. Together, Karen Gillan and John Cho could be an unstoppable TV power couple. So how were they lured into starring in the new ABC show Selfie, which feels ready-made for Disney Channel prime-time?

I tend to be suspicious and unimpressed when the major networks try to act “hip” (as their senior execs still call it) by co-opting current zeitgeists, imitating the Kids These Days, exploiting the catchphrases du jour minutes after they’ve gone out of style, and passing it off as cutting-edge material for Nielsen viewers in the Midwest and the South. I was prepared to give Selfie a reflexive thumbs-down in response to its name alone, when the name was all I knew about it. When I heard it was a loose adaptation of George Bernard Shaw’s Pygmalion, known better to many as the source material for My Fair Lady, I wavered a little in my stance. My Fair Lady is one of my favorite Best Picture Oscar winners, so much so that I once paid extra to watch a restored version several years ago at a local IMAX theater. The May/December hookup at the very end between Audrey Hepburn and Rex Harrison never quite rang true for me, but the film crossed two themes that fascinate me at times: class warfare and manners.

A sliver of that last part survived the transition intact. Cockney flower vendor Eliza Doolittle is now Karen Gillan’s Eliza Dooley (syllables saved: 1), a.k.a. “@The_Doolio”, a paid social-media butterfly whose job is to stay popular and perky and jacked in to every imaginable internet outlet. Whereas the original Eliza’s flaws were mere disdain for courtesy and a roughshod accent and a crappy job, Eliza 2.0 treats people in person like an unfeeling, unconditional captive audience, and she talks like a tween cheerleader reading her own tweets aloud. In the space of twenty minutes she runs through the complete writers’-room checklist of Things We’re Pretty Sure Today’s Young People Say Out Loud: “insta-famous”, “hashtag-blessed”, “GIF” (pronounced “jiff”), “LOL” (pronounced “ell-oh-ell”), “Louboutins”, “Cardio Barre” (I had to look that one up), “SoulCycle” (ditto), “feels”, “epic fail”, “hella”, “totes”, “coolio”, and “dunzo”. And those last three were crammed into a single line.

After she suffers a major public embarrassment that tarnishes her internet-celeb status, Eliza wonders if maybe she needs to change a thing or two. Enter the upper-crust instructor formerly known as Henry Higgins: John Cho is haughty marketing whiz Henry Higginbotham (adding two syllables, apropos of stuffiness) who thinks he can rebrand her with a touch of classiness, maturity, sophistication, and maybe even respect for other living beings. Henry thinks he’s the only man for the job because his stubbornly off-the-grid lifestyle and resistance to smartphone addiction make him the greatest of all times. He may be the brightest guy in the room, but at least he’s polite to everyone about it. Hashtag-humblebrag.

Anyone can chart the course of the series from there, whether it runs seven seasons or three episodes. Can this wacky odd couple get along without driving each other and everyone around them crazy? Can Eliza be cured of her short-attention demeanor and the 21st-century chatspeak that the show treats as an affliction? Will Henry ever loosen up by at least joining Facebook? How soon should we expect their first kiss? Can the writers keep updating their slang glossary quickly enough? The possible outcomes are positively finite.

Da'Vine Joy Randolph!

Da’Vine Joy Randolph practices glaring with disbelief. The first of many such chances, I’m guessing.

According to my notes, I laughed twice and smiled once while I watched the pilot. Credit for two of those three reactions goes to Da’Vine Joy Randolph as receptionist Charmonique, who has to put up with this wacky couple and their eventual hijinks and life lessons. (My favorite line in the episode, among thin competition, when describing her young son’s CPAP mask: “He looks like Bane, but he sleeps like a baby.”) If the show were structured closer to my selfish whims, Charmonique would be our protagonist through whom we viewers live vicariously while waiting for everyone else to catch up with her.

But no, the TV market dictates the famous young people who have top billing should also be the main characters. Usually they’re fine at what they do, but I’m used to seeing them elsewhere with much better material, and I’m even including the Harold and Kumar trailers. Maybe the problem is I’m old. Maybe it’s because any and all oral uses of “hashtag” are like fingernails scraping across sheet metal. Maybe because I don’t get a show that’s ostensibly skewing here-and-now goes out of its way to embrace the five-minutes-ago chic of Lady Gaga and M.I.A.’s seven-year-old “Paper Planes”, thus stomping my earlier, half-jokey use of “cutting-edge” further down into the Dumpster. Maybe it was the scene where Eliza uses “coxcomb” correctly in a sentence purely as a My Fair Lady callback even though Words with Friends never would have taught her its definition. Or maybe it was the scene with the vomit. Or Siri’s product-placement cameo.

I’ve followed John Cho through Go On and FlashForward, and would rather follow him into something worth his time. I’m not exactly sure what’s in it for Gillan, either — I can’t see Selfie becoming the dream project that helps her break free of the geek shackles of Doctor Who in quite the same way that How I Met Your Mother relieved Alyson Hannigan from the burden of being Buffy‘s Willow. And someday it might be nice to see a TV show that can keep apace of internet culture without sounding like the gasps and wheezes of sixtysomething corporate overlords taking notes from their granddaughters.

If I’m in the minority about all of this and the show becomes an overnight sensation embraced by all the largest Google+ circles, that’s fine, and that’s on them. I won’t be sticking around long enough to sing “I’ve Grown Accustomed to Its Face”.

(MCC 2014 Pilot Binge stat: Number of minutes passed before I wanted the show to go away: 2. For more information on the MCC 2014 Pilot Binge project, please visit the initial entry for the rationale, the official checklist of pilots, and links to completed entries as we go. Thanks for reading!)

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About Randall A. Golden
Hoosier since birth, geek since age 6, father at 22, Christian at 30; launched Midlife Crisis Crossover at 39. Full-time service rep; part-time internet contributor; former message board admin; inhabits Twitter as @RandallGolden. Views expressed herein do not necessarily reflect those of any other corporation, being, or party line.

6 Responses to MCC 2014 Pilot Binge #2: “Selfie”

  1. I have been so caught up in digesting the audiobook version of Doris Kearns Goodwin’s The Bully Pulpit (37 hours of narration in total) to actually notice that network TV has been flooding the market with new shows during the month of September. Selfie was the one that I wanted to watch, simply because, from the promo around it, it seemed like an entertainment trainwreck; a show built around a current and trendy buzzword with little behind it other than the title. How long do you give it before it is cancelled? From your analysis, I would say six episodes, maybe eight, after which ABC could then market the DVD set as “Selfie: The Complete Series.”

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    • I’m not convinced either actor has enough of a fan base among Nielsen families to last more than eight episodes. If ABC is craving younger TV viewers, I don’t think imitating some of their most annoying tics was the right way to go.

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  2. NotAPunkRocker says:

    I kept trying to find out why Christina Hendricks was on here…

    Liked by 1 person

  3. Forgot to watch, but the promos seemed kinda cute in a female-denigrating kind of way. Oh well, I’m not much of a tv watcher anymore. I’m glad you’re there to vet the shows for us! The Aussie version of Rake is a fave with me, as is UK Sherlock. I’ve learned to like Modern Family cos of reruns, I thought Red Band Society would be good, but ever since my son was hospitalized, I can’t bring myself to watch hospital/medical shows without being brought back to our own experience and it’s still too soon. (Although he made a miraculous recovery.)

    Like

    • I do remember reading about that, and I’m extremely glad you all had a happy ending. I can see how you wouldn’t be in a rush to revisit a hospital setting anytime soon, real OR imaginary!

      I wrote down your recommendation for Rake and definitely want to give it a try. Since it’s a series and not just a movie, I’m waiting till I have time to watch a few episodes close together. Really hoping for that free time soon…

      Liked by 1 person

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