“No Other Land”: The Oscar Nominee THEY Didn’t Want You to See

Movie poster in a black case hanging on an exterior brick wall. Poster image is a young Palestinian man fallen on a rocky plain and a bulldozer parked on the distant horizon.

Now playing in 54 theaters this weekend, as opposed to Captain America 4‘s 4,100+ screens.

Previously on Midlife Crisis Crossover: Oscar Quest ’25 continues! Once again we see how many among the latest wave of Academy Award nominees I can catch before the big ABC ceremony, assuming the filmmakers can afford a release wide enough to reach us Midwest film fans in time.

As of February 17th my Oscar Quest scorecard was down to the final five unseen works, all of which I’d assumed would remain out of my grasp for the rest of the season. Then up stepped Indy’s own Kan-Kan Cinema, an eclectic nonprofit who frequently hosts tiny new films that the major chains overlook or think aren’t worth their time and space, because they really really need a dozen screens showing Dog Man for the rest of the year. Of all our theaters, I should’ve known they’d be the first (and as of this weekend the only one) to jump at the chance to bring us No Other Land. In a true rarity for recent Oscar history, it was nominated for Best Documentary Feature without a preexisting distribution deal. The filmmakers themselves have had to foot the bills for a slow rollout because all the studios passed on it (major and minor), possibly because it contains that magic hot-button word guaranteed to start a riot whenever it’s dropped into a conversation among two or more people: “Palestine”.

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