Previously on Midlife Crisis Crossover: in Walt Disney Pictures’ century-long quest to devote at least one major animated feature to every human community or geographic region ever, they turned their attention to the Pacific Islands for Moana, a rousing high-seas mythical adventure that featured the lyrical stylings of Lin-Manuel Miranda during his post-Broadway movie-musical phase and a strong duo at its core — Auli’i Cravalho as the titular heroine whose connection to her environment brought an end to her home island’s cursed isolation; and Dwayne Johnson (on break from like twelve other acting jobs) as the vain demigod Maui who helped save the day with his magic tattoos, animal shapeshifting, and enchanted Saw-hook.
Moana and Maui are back with Moana 2, which was conceived as a Disney+ series before execs remembered movies can make way more money than TV, especially if the movie doesn’t suck. The reworking of that proposed material may explain why we have three credited directors and only two writers (the latter of which include Jared Bush, who was one of eight on the first one), but it works well enough for anyone who simply wants more Moana and Maui and isn’t finicky about the rest. The tremendously upgraded budget helps, one befitting a Disney theatrical release rather than simply stapling together whatever rough animatics were already in the can. It isn’t perfect and the first one’s better, but it’s better than the dregs of, say, The Fox and the Hound 2.
