Coming to you not-quite-live from Mass Ave. in downtown Indianapolis!
Previously on Midlife Crisis Crossover: last year we attended a genuine film festival! For more than a single film! My wife Anne and I enjoyed the Heartland Film Festival experience so much that we’ve resolved to seek more of those opportunities where possible. As it happens, Heartland isn’t the only game ’round these parts.
Indianapolis is also home to the Indy Shorts International Film Festival, which began as a sort of Heartland spinoff but has taken on a life of its own. It’s the largest Midwest festival of its kind, enjoys a lofty status as an official qualifying event for consideration in the three Academy Awards short-film categories, and has indeed seen past participants go on to Oscar nominations (e.g., last year’s The Barber of Little Rock). This year they fielded 5,130 submissions from filmmakers worldwide and whittled them down to 200 selections that have screened over the course of 34 programs across six days up to and including this very weekend.
I scored two free tickets courtesy of my employer, one of the festival’s sponsors, to attend one program of my choice. I’m game for just about any sort of genre or category and didn’t feel beholden to seek the most geek-forward material, but their “Science Fiction and Alternate Realities” program lined up neatly with an open time slot in what’s proven a rather hectic weekend for us, so we leaned into our geek-aesthete side anyway.
Each year since 2009 my wife and I have made a day-long date of visiting Keystone Art Cinema, the only dedicated art-film theater in Indianapolis, to view the big-screen release of the Academy Award nominees for Best Live-Action Short Film and Best Animated Short Film. Results vary each time and aren’t always for all audiences, but we appreciate this opportunity to sample such works and see what the Academy of Motion Picture Arts & Sciences deemed worthy of celebrating, whether we agree with their collective opinions or not. A few of the past marathons have varied wildly in quality, but this year’s proved a superb bunch. To be honest, this is the first time in memory that I’ve preferred the live-action contenders to their animated colleagues.
Midlife Crisis Crossover! 