Every year I follow exactly one (1) awards ceremony, ye olde Oscars. I care not one whit for the Golden Globes, the Peoples Choice Awards, or the various awards from industry guilds or critics’ cliques. I have no use for the Emmys, the Grammys, the American Music Awards, the Harveys, the Eisners, any award set beginning with “MTV”, or the Tonys, though I might be amenable to the latter if Manhattan ever moved next door to me. Since I don’t care for sports, I’m also left out of everyone else’s trophy excitement for the Super Bowl, the World Series, or whatever basketball calls their season finale.
My family knows the Academy Awards are always a major appointment on my calendar. Per my usual routine, I’m now counting down to the 85th Academy Awards ceremony, to be held Sunday, February 24th. Also per routine, I’ve already scheduled a vacation day for Monday the 25th so I can stay up late, arrange my annual write-up, and have some margin in case the horrendous happens and the ceremony drags past the six-hour mark because of incomprehensible dance numbers. Attempts to interfere with this itinerary are not recommended and end in unholy acrimony.
Welcome once again to the Midlife Crisis Crossover Request Line, in which recommendations from MCC fans send me reading, viewing, and reviewing assorted art and art-like objects, either because they want a proxy to evaluate the damage, or because my life won’t be complete without seeing them. Today’s suggestion came from
Despite a few dissidents who wished for something more, Stephen Spielberg’s new film Lincoln has received a host of rave reviews and much name-checking in articles about Academy Award predictions. The film aims to operate numerous levels, which may or may not work depending on what set of preconceptions and expectations you hope to see fulfilled: