“Mortal Kombat II”: Another Chosen One Inserts Fifty Cents

Karl Urban as Johnny Cage manning a comic-con table covered in his own merchandise, mostly awful DVDs.

Alas, Johnny Cage might have an autograph line if only he’d ever done some anime voice-work.

Previously on Mortal Kombat: I’m not a deeply invested fan — even “fan” might be an overstatement — but I’ve dabbled in the franchise. Back in my fast-food management days, after closing time a friend and I would hang out at a local 24-hour grocery that had a Mortal Kombat II cabinet by the front doors. Their overnight crew ignored us while we virtually whaled on each other for a while. I learned the moves for Liu Kang and Jax, just barely enough to get by, but I was never a serious threat. Years later I saw the first live-action MK film on VHS -– Paul W.S. Anderson’s primitive directorial debut that should’ve been irredeemably terrible. It bunny-hopped over the low bar of “better than most direct-to-video martial-arts schlock” for its time. I may have even laughed once or twice at intentionally funny parts. Obviously one game plus one B-movie doesn’t quite add up to MK geek-cred.

I didn’t bother with TV-commercial director Simon McQuoid’s 2021 Mortal Kombat reboot in its COVID-era release. Reviews weren’t encouraging, but audiences — not at the American box office, but somewhere out there — apparently plunked down just enough quarters to continue the game anyway. I would’ve ignored Mortal Kombat II just as hard if the trailers hadn’t thrown in a new, confusing element that begged the question: what is Karl Urban doing in there? Curiosity got the best of me. I even prepped for the occasion by watching the last film (streaming on Max), mostly regretted it, and committed to letting the sequel pummel me on the big screen, for better or worse.

Really, though: Karl Urban? Eomer? Billy Butcher? Skurge? Dr. McCoy? Judge Dredd? THAT Karl Urban?

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“Almost Human”: Almost Renewable?

Almost Human, Fox

Left to right: Dorian, Detective John Kennex, and I’m really sorry but after thirteen episodes I still don’t know her name.

Tonight was the season finale of Almost Human, the science fiction series created by Fringe showrunner J. H. Wyman about a grumpy future detective (Karl Urban, a.k.a. Spock or Eomer), his emotional robot partner (Michael Ealy, previously on TV’s FlashForward), and their buddy-cop adventures in a world where all the tech advances seem to benefit the outlaws more than the citizens. Thirteen episodes later, the show’s fate rests in the hands of Nielsen commoners and Fox executives, left to decide whether or not the show deserves a second chance to address any of the questions viewers have had since episode one.

Why cancellation might not bother me…

MCC Request Line #2: “Dredd”

Welcome to the sophomore installment of our recurring feature in which I’m accepting viewing or reading suggestions from MCC readers and sharing my results in the interest of entertainment science. Today’s suggestion came from Senator Brett, photographer and Thought-of-the-Day thinker extraordinaire.

Karl Urban IS Judge Dredd IN "Dredd"Today’s subject: Dredd, the movie industry’s second attempt to adapt the iconic British comics character to the silver screen. The first attempt had okay visual effects, Sylvester Stallone reprising Cobra in funnier clothes, and Rob Schneider. Incredibly, the new version has fared even worse at the American box office, possibly because of rampant fears of an uncredited Schneider cameo.

What I knew beforehand: In a post-apocalyptic future, the grim and gritty Mega-City One sprawls across the land, contains hundreds of millions of inhabitants, too many of them evil. Whatever government remains has essentially given up on ruling and created an army of Punishers — duly authorized judges, juries, and executioners. The savings to taxpayers must be enormous. Judge Dredd is the best and angriest of the bunch. One of his frequent coworkers is Judge Anderson, a blonde with psionic powers. They kill crime.

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