Heartland Film Festival 2025: “It Was Just an Accident”

An Iranian auto mechanic sits in his van in the middle of the desert, smoking and thinking. Not far away are a body-sized hole he's dug and a discarded shovel.

CAUTION: Rated NC-45 for scenes of smoking.

Previously on Midlife Crisis Crossover:

It’s that time again! Since 1992 my hometown of Indianapolis has presented the Heartland International Film Festival, a multi-day, multi-theater celebration of cinema held every October. Local moviegoers have the opportunity to see over a hundred new works in the realms of documentaries, narrative features, shorts, and animation made across multiple continents from myriad points of the human experience. Some participants stop in Indy on their grand tour of Hollywood’s festival circuit; some are local productions on shoestring budgets; and a wide spectrum of claims are staked in the innumerable niches between, projects with well-known actors screening alongside indies with enormous hearts.

This’ll be my third year diving in and seeing more than just a single entrant. Heartland’s 34th edition runs October 9-19, for which I’ve made plans to catch at least six films in all (Lord willing) — maybe more if time permits…

Our next film is Heartland’s sold-out “International Centerpiece Screening” of It Was Just an Accident, which has been building buzz online among pro critics in the days leading up to its limited release in the largest U.S. markets this week. It’s rare for a small foreign film to open in Indy the same weekend as it does in NYC and L.A., so it’s nice that Heartland provides such occasions for us to feel like we count as a Major City by Hollywood distribution definitions.

The latest from writer/director/producer Jafar Panahi isn’t the first time he’s shot a film in his native Iran entirely without the government’s permission. The same held true for previous films such as This Is Not a Film and No Bears, not to mention some of his earlier ones that were made “legally” only to be banned later. A suspended prison already hangs over his head, but he still has plenty more to say through his art.

Full disclosure: after seeing Accident but before sitting down to collect my own thoughts, I read Vulture.com’s new interview with him, which contained a wealth of fascinating information. Anything in this entry that resembles Fun Trivia comes from their article.

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MCC Q&A #3: How “Kill Bill Vol. 1” Ruined Revenge Flicks for Me

Vernita Green's daughter, Kill Bill Volume 1Whereas the first two editions of “MCC Q&A” were comprised of tongue-in-cheek responses to odd queries and sentence fragments that brought search engine users to my humble doorstep, this one is devoted to a single question from an MCC commentator. Far be it from me to allow the plaintive mumblings of nameless strangers to monopolize this slightly recurring feature.

In my previous entry about Django Unchained, I mentioned in passing that Kill Bill Vol. 1 remains my least favorite Quentin Tarantino film to date. To be fair, that statement was limited in scope since I’ve seen neither Kill Bill Vol. 2 nor Death Proof. I’ll concede that either or both could be worse. As of this writing, I wouldn’t know.

In response, reader Tommy Gardner wrote:

What do you have against Kill Bill? It was a perfect live-action anime. I don’t watch much anime because I think very few of them are really good (Trigun, Ghost In Shell, FMA) and Kill Bill nailed the genre in a very R rated way.

My answer involves the little girl in the above photo. Continue reading