
Left to right: Dorian, Detective John Kennex, and I’m really sorry but after thirteen episodes I still don’t know her name.
Tonight was the season finale of Almost Human, the science fiction series created by Fringe showrunner J. H. Wyman about a grumpy future detective (Karl Urban, a.k.a. Spock or Eomer), his emotional robot partner (Michael Ealy, previously on TV’s FlashForward), and their buddy-cop adventures in a world where all the tech advances seem to benefit the outlaws more than the citizens. Thirteen episodes later, the show’s fate rests in the hands of Nielsen commoners and Fox executives, left to decide whether or not the show deserves a second chance to address any of the questions viewers have had since episode one.
Today’s subject: Dredd, the movie industry’s second attempt to adapt the iconic British comics character to the silver screen. The first attempt had okay visual effects, Sylvester Stallone reprising Cobra in funnier clothes, and Rob Schneider. Incredibly, the new version has fared even worse at the American box office, possibly because of rampant fears of an uncredited Schneider cameo.