“Bugonia”: What If Rod Serling Made a Lifetime Movie

In a basement, Jesse Plemons and Aiden Delbis in rumpled suits standing over a seated and angry Emma Stone, whose head is shaven.

Reservoir Dogs x V for Vendetta.

Two-Time Academy Award Winner Emma Stone has earned the clout to do only whatever she feels like after La La Land and Poor Things cemented her in the Hollywood history books, not to mention her nominations for Birdman and The Favourite. She could easily coast for the rest of her career playing unstoppable world-changing women with the best fashions, hairstyles, and male costars equal or lesser to her in power rankings. She’s more than earned the right to just sit back, relax, and coast along as the headliner in a network or streaming legal drama for the next ten years.

Instead with her latest she’s doubled down on her current outrĂ© mood. Anyone who hasn’t seen her previous black comedies she made with the idiosyncratic director Yorgos Lanthimos — not just The Favourite and Poor Things, but also Kinds of Kindness, which I have yet to endure — may be unprepared for their latest collaboration Bugonia. Technically it could be reduced to a too-basic streaming-menu logline: “Resourceful businesswoman must escape the madmen who kidnapped her.” Sounds like it could be slotted snugly in between 20-year-old basic-cable remainders and Netflix’s increasingly middlebrow offerings, right? Like a prime candidate for an inaugural Investigation Discovery TV-Movie of the Week? You could maybe even con subscribers into thinking it’s a vanguard in that burgeoning new pop culture market, “Based on a True Crime Podcast”. Eventually — and it does take a while — the viewer realizes with growing horror that it’s none of those things as Lanthimos gets down with his outlandish Lanthimosian self.

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