Hit Man is back! And this time, it’s personal!
Imagine you’re in a harsh alt-reality episode of Who Wants to Be a Millionaire? and the next question — for, I dunno, a cash prize of six bucks — is “How does this entry about Edgar Wright’s The Running Man begin?” The possible answers are:
- A. “In the wake of The Long Walk and The Life of Chuck, the best-ever year for Stephen King film adaptations maintains its batting record with yet another home run…”
- B. “As with his last feature film, the glam-noir psycho-thriller Last Night in Soho, Edgar Wright once again spins nostalgic flax into a new generation’s gold…”
- C. “After his charismatic turns in Top Gun: Maverick, Devotion, Hit Man, Twisters, and more, Glen Powell keeps flying high toward A-list cloud-nine…”
- D. “I read the book in high school and watched the Schwarzenegger adaptation on late-night cable around the same time, so I wrote 2000 words on all the differences I noticed…”
If you picked an answer, you’re wrong! They’re all lies. And in this harsh alt-reality the producers could drop your loser self into a boiling vat of Crystal Pepsi, film your embarrassing demise, have an A.I. Regis Philbin hologram deliver a mocking eulogy, and sell action figures of you covered in third-degree burns and sticky soda. But if you’re an average sci-fi citizen, of course the part that’d make you maddest in your final seconds of life on Earth is how you’re out the six bucks.
Midlife Crisis Crossover! 