“Alien: Romulus”: When the Perfect Killing Machine Stops Evolving

Red-and-black poster with a xenomorph face-hugger attached to a buzz-cut Asian actress.

In space, no one complains about eating the same meal rations again and again and again.

I can’t speak for fans of Ghostbusters or of Harry Potter post-Deathly Hallows, but whenever I get attached to an IP, I’m excited whenever that universe shows signs of forward motion or at least simulating it. Granted, when it comes to the Alien movies, my opinions are already warped — James Cameron’s Aliens is one of my Top 5 films ever, which I saw years before I got around to Ridley Scott’s original. I also respected Jean-Pierre Jeunet’s engagingly bonkers Alien Resurrection for pushing the series’ boundaries and actually getting somewhere — anywhere — after edgy pre-auteur David Fincher’s Alien³ ramrodded Ellen Ripley’s story into a literal dead end.

All Alien works since then have treated Resurrection as The End, and/or as a disowned mistake. Directors — not to mention writers of its various transmedia spinoffs — limit themselves to rooting around the limited preceding timeline for unoccupied dance floors where they can twirl in place and try out their freshest moves, never quite distracting from how the club has had the same dusty disco strobe and jukebox since 1997. Double-dates with Predators were one-night stands that no one could maintain eye contact with. When Scott himself barged back in indignantly all, “SEE HERE NOW!” we knew he could make spaceships shinier and creatures slimier, but Prometheus gave us a half-unwritten origin and Alien: Covenant was a cram session to finish the same assignment in as few pages as possible.

27 years later the franchise continues moving nowhere at sub-FTL velocity with Alien: Romulus, a pre-sequel brazenly set between Alien and Aliens in hopes of blending in, in more ways than one. I’ve seen no previous works by Fede Álvarez or his co-writer Rodo Sayagues (though Don’t Breathe is on my extremely long mental to-do list), so I came into this with few preconceptions except a faint awareness that gore is his medium. I saw the first trailer at C2E2 with an exclusive Álvarez intro, which was promising, but the second gave away way too much. I offered benefit of the doubt for as long as I could.

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C2E2 2024 Photos, Part 5 of 5: And the Rest!

Me doing jazz hands inside fake Alien webbing beneath a looming Alien Queen statue at least 15 feet tall.

Hi, I’m a xenomorph host!

Previously on Midlife Crisis Crossover:

My wife Anne and I just got home from the latest edition of the Chicago Comic and Entertainment Exposition (“C2E2″), a three-day extravaganza of comic books, actors, creators, toys, props, publishers, freebies, Funko Pops, anime we don’t recognize, and walking and walking and walking and walking. We were undecided for months because this year it was scheduled the same weekend as one of our hometown shows, Indy Pop Con. Ultimately Chicago lured us back…

…and we had a great time pushing ourselves to the brink of exhaustion and possibly over its curb. We’ve shown you costumes, celebs, panels, jazz hands, and Artists Alley comics. But wait! There’s slightly more!

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C2E2 2024 Photos, Part 3 of 5: Actors!

Us doing jazz hands with Mads Mikkelsen! He wears a gray cap. I crouched down to Anne's height, so he leaned down to meet us there.

Hey, kids! It’s Mads Mikkelsen!

Previously on Midlife Crisis Crossover:

My wife Anne and I just got home from the latest edition of the Chicago Comic and Entertainment Exposition (“C2E2″), a three-day extravaganza of comic books, actors, creators, toys, props, publishers, freebies, Funko Pops, anime we don’t recognize, and walking and walking and walking and walking. We were undecided for months because this year it was scheduled the same weekend as one of our hometown shows, Indy Pop Con. Ultimately Chicago lured us back…

…where they brought in new actors for us to see in person from stuff we’ve watched!

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Countdown: Four Weeks Until US Release of Last Ten Unspoiled Minutes of “Prometheus”

Ridley Scott’s newest science fiction milestone commands the cover of the May 18th issue of Entertainment Weekly, whose sidebars in previous issues about the Alien prequel/spinoff/homage/whatever may already have said too much. If the official American trailers, several international trailers, viral-marketing future DVD extras, epic-length WikiPedia entry, and half-baked rumor sites haven’t whetted your appetite for advance knowledge (true or false), EW’s article also reveals which character is not quite human, which ones are corporate toadies, and which one is our primary protagonist. Along with those Dell-logic-problem clues, factor in the Hollywood pecking order of Academy Award Winner Charlize Theron, Academy Award Nominee Young Magneto, Lisbeth Salander Prime, Stringer Bell, Leonard Shelby, two male unknowns, and one female unknown. Savvy viewers should be able to calculate their order of elimination in the finished product with a margin of error of ±1 corpse.

If you mean to save yourself for the American release date of June 8th, hiding from the Internet will not be enough. TV ads have now been unleashed to the networks so that the Midwest will finally get a look-see. Expect more magazines to follow in EW’s footsteps in the weeks ahead, including the inevitable TV Guide cover straining to cash in on the hype with the most tenuous of TV connections. I predict a showcase along the lines of “Twenty Best Movies Starring Actors from The Office: Prometheus, Bridesmaids, Get Smart, and More!” I won’t be surprised to see ancillary merchandise at the comic shop. The true danger zone begins June 1st when the movie opens early in England because of favoritism. Expect Internet hall monitors to place their sites futilely on emergency spoiler lockdown when waves of soccer-hooligan trolls begin tweeting drunken screen shots and plot-loophole complaints live from their theater seats.

I count myself among the wave of fans who saw James Cameron’s Aliens before seeing the original Alien and consequently have a hard time discussing contrary opinions with old-school fans who were marked for life when they saw the classic chest-bursting surprise on the big screen. I may rank the four films differently, but to this day I don’t hate any of them (the two crossovers are another story). I hope not to hate this one as well, but with so much time remaining for so much more to be ruined, I may need to play the hermit card and go underground like Newt till it’s safe. I can’t just nuke the Internet from orbit, so there’s no way to be sure.