Yes, There’s a Scene During the “Scream 7” End Credits

Ghostface walks past the side of a brick coffee shop, knife in hand, mask yawning.

Ghostface comes to small-town Indiana! But this was filmed in Atlanta, once again pretending to be Indiana, just like it did in Stranger Things. HMPH.

Previously on Midlife Crisis Crossover: The Scream movies stopped sucking for a while! After Scream 3‘s major letdown I avoided the series for years until critics’ morale improved. Once I caught up, I loved the fourth one’s All About Eve ending (costarring future Best Actress Mikey Madison!) and thought the fifth one was the best one since the original. The last one made a few mistakes but ranks fairly near the not-bad second one on my list.

The creative slump returns with a vengeance in the inevitable product that is Scream 7. Studio execs love durable IPs and most studios seem to be making nothing but horror flicks nowadays. After the original plans for this one collapsed and most participants ran away or were fired, the “Billy Loomis’ Haunted Daughter” trilogy was ditched unfinished and the buck was passed back to series creator Kevin Williamson to save the day and the profits. In conjunction with the writers of the last two, Guy Busick and James Vanderbilt (or maybe just cannibalizing whatever scrap papers they left behind), Williamson ran it to the finish line and decided it was time to direct a feature film for his second time ever. His first try 26 years ago, Teaching Mrs. Tingle, is faintly remembered as the answer to the trivia question “What horror film had to change its name because of Columbine?” and not for much else.

(Before we dive in: mild spoilers ahead. I’m pretty sure anyone worried about spoilers already saw it opening weekend and the second weekend’s box office receipts will plummet a good 80% or so. But here’s a courtesy pause anyway, just in case.)

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Yes, There’s a Scene After the “Scream VI” End Credits

Most of the cast of "Scream 6" looking straight at us viewers.

I will not drop spoiler hints in the caption, I will not drop spoiler hints in the caption, I will not drop spoiler hints in the caption…

Previously on Scream: I’d given up on Kevin Williamson and Wes Craven’s meta-horror series after the trilogy-capping Scream 3 sunk into chaotic, anti-postmodern soap-operatics back in 2000 sans creator Williamson. In recent times the horror genre in general hasn’t been a frequent go-to for me, but in 2022 curiosity about the fourth and fifth ones got to me when they showed up in my streaming subscriptions and outshone #3 by a wide margin. Thoughts regarding the fifth one:

The meta-META-prologue neatly and hilariously resets the stage and tone, the stabby-stabby is not always kind toward those we assumed were untouchable, and once again the killers’ motives are perceptively Too Real. My chief nitpick is one character’s sad attempt to make the term “requel” happen. STOP TRYING TO MAKE IT HAPPEN. A “requel” is a just a sequel that had to wait a decade or more for another generation to pick up the baton and sprint with it. Now that Craven is no longer with us, successor directors Matt Bellinelli-Olpin and Tyler Gillett are more than poised to hold that baton high and poke some eyes out with it.

The same directing duo returns with Scream VI, another round of dancing with one or more devils in the pale moonlight, who may or may not have favorite scary movies. The scenery is all-new and the knives are sharper than ever, but the meta-commentary that makes or breaks every episode’s whodunit solution could’ve used a few more strokes against the whetstone.

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