Heartland Film Festival 2024 Screening #3: “Jazzy”

Two Lakota girls looking at the camera.

THEY FIGHT CRIME! THEY SOLVE MYSTERIES! THEY…wait, no, this isn’t that kind of film.

Previously on Midlife Crisis Crossover:

It’s that time again! Since 1992 my hometown of Indianapolis has presented the Heartland International Film Festival, a multi-day, multi-theater celebration of cinema held every October. Local moviegoers have the opportunity see over a hundred new works in the realms of documentaries, narrative features, shorts, and animation made across multiple continents from myriad points of the human experience. Some participants stop in Indy on their grand tour of Hollywood’s festival circuit; some are local productions on shoestring budgets; and a wide spectrum of claims are staked in the innumerable niches between, projects with well-known actors screening alongside indies with enormous hearts.

Heartland’s 33rd edition runs October 10-20, for which I’ve made plans to catch at least eight films in all (Lord willing). Longtime MCC readers know the rule: every film I see in theaters gets its own entry…

Last year one of my favorite Heartland entries was Fancy Dance, a Native-focused drama co-written and directed by Erica Tremblay, who’d worked on the most excellent TV series Reservation Dogs (11/10, among the best ever) and Dark Winds (whither season 3?). Its star Lily Gladstone had appeared in a few Rez Dogs episodes, but commanded wider attention as the Oscar-nominated costar of Martin Scorsese’s Killers of the Flower Moon, where she had to put up with being surrounded by powerfully attention-grabbing white men, and so did her character.

Once an artist emerges from such overshadowing as an independent force on their own terms, it’s absolutely cool seeing them use their newfound fame to encourage and enable other storytellers to come forward and take a shot at reaching a wider audience. Just as Taika Waititi “co-created” Rez Dogs and directed its pilot, thereby launching it with an extra little push (though the show was obviously, lovingly Sterlin Harjo’s baby), I braked while reading Heartland’s Narrative Feature roster when I spotted the listing for Executive Producer Lily Gladstone affixed to Jazzy, an adorable coming-of-age drama that premiered at Tribeca Festival last June and might’ve gotten overlooked among Heartland’s voluminous offerings if not for her name standing out to me.

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Heartland International Film Festival 2023 Screening #3: “Fancy Dance”

Lily Gladstone's lesbian aunt character Jax, curtly talking to an offscreen relative/policeman. The room is poorly lit, lots of beige.

If you can only see one Lily Gladstone film this year, you now have two choices if someone hurries up and distributes this one.

Previously on Midlife Crisis Crossover:

Since 1992 Indianapolis has held its own celebration of cinema with the Heartland International Film Festival, a multi-day, multi-theater marathon every October of documentaries, shorts, narrative features, and animated works made across multiple continents from myriad points of the human experience, usually with an emphasis on uplift and positivity. Ever since the “International” modifier was added in recent years, their acquisition team steadily escalated their game as they’ve recruited higher-profile projects into their lineups. For years my wife Anne and I have talked about getting into the spirit of the festivities. This year we will do better. The festival’s 32nd edition will run October 5-15. I’ve committed to at least five different Heartland showings — one of them virtual in-home, while the others will screen at four different theaters throughout central Indiana…

Erica Tremblay’s name rang a bell when I saw it on Heartland’s website: she’s served as Executive Story Editor for AMC’s Dark Winds (based on Tony Hillerman’s Leaphorn & Chee novels) and Sterlin Harjo’s Reservation Dogs, and wrote one of the latter’s funniest episodes, “Decolonativization”. One of those shows is great so far; the other is among Best TV Ever and deserves its own MCC entry sometime. Hopefully they lead the way for more Native/indigenous stories to be told across screens great and small. She’s now directed her first feature film, Fancy Dance, which she also produced and co-wrote (with Miciana Alise) and which opened at Sundance earlier this year. Heartland’s artistic director who introduced our showing mentioned Tremblay has had several shorts previously at this festival. I’m kicking myself for having missed out, more so after watching her heartfelt, heartbreaking results here.

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