“Die Hard” in a Dolby Cinema

That scene in "Die Hard' where John McClane jumps off an exploding skyscraper roof with a fire hose tied around his chest.

David Addison takes time off from breaking the fourth wall to have fun breaking the other three.

I dug through my archives and checked: somehow this blog has existed for eleven years and I’ve never mentioned the original Die Hard is my all-time favorite movie. Previously on Midlife Crisis Crossover, against my better judgment I subjected myself to the fifth, final, worst entry in the series. Later that same year I tried a new angle on an exhausted joke by presenting my argument that Die Hard 2 is a Christmas movie — in some respects more Christmassy than the first one. But I’ve never simply devoted an entry to the one that started it all and begat an entire subgenre: “Action Films That Are Die Hard on/in a Something”.

At long last I have an excuse to bring it up: two weeks ago the powers-that-be at Fox put it back in theaters just in time for the Christmas season, presumably to celebrate its 35½th birthday in January. I almost never attend repertory showings of films that I could rent or buy. Not counting Disney re-releases during my childhood, my complete Every Repertory Showing Ever adulthood list is short: Aliens, My Fair Lady, Hitchcock’s Mr. and Mrs. Smith, North by Northwest, and Mystery Science Theater 3000: The Movie. Also, I attended all of those in the 20th century. Now I can add an old film this century: DIE HARD.

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How Hard Can it Be to Quit a Movie Series?

Bruce Willis, Jai Courtney, A Good Day to Die HardTo Die Hard or not to Die Hard: that is the question now before me.

Anyone who knows me well is aware that — even at my advanced, increasingly prudish age — the original Die Hard remains my unqualified favorite movie of all time. None of them understand why because I’ve never outlined the many reasons. Suffice it to say it’s my incontrovertible opinion. I’ve seen all four movies even though they varied in worth. For the record, the correct ranking is 1, 2, 4, 3. I can understand arguments for and against Renny Harlin’s Die Harder, but I question the wisdom of anyone who ranks Die Hard with a Vengeance anywhere but dead last. For some reason I assumed that Len Wiseman’s ludicrous but giddy Live Free or Die Hard would be the series endcap, and John McClane could ride off into the sunset with Gary Cooper. When the fifth one was announced, I had no idea what to think.

As I’m contemplating the post-Oscar movie release schedule, A Good Day to Die Hard is the only non-Oscar film in theaters that’s not an automatic “no”. That doesn’t mean it’s an enthusiastic “yes”, though. As of this moment its Tomatometer rating rests at a paltry 13%. Its director’s oeuvre has never once tempted me into a theater. The main villain, which can make or break a Die Hard flick, is buried in the trailers as if the filmmakers are ashamed of him. Bruce Willis is now 57, younger than Schwarzenegger and Stallone but not exactly in his prime. I’m not optimistic, but I’m torn. Is now the right time to walk away from John McClane?

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