“THE NEW PAUL THOMAS ANDERSON IS THE GREATEST FILM OF OUR TIMES AND CAPTURES THE ZEITGEIST LIKE EGON SPENGLER WITH A GHOST TRAP!” screams the internet consensus for One Battle After Another, as pro critics tend to every time they’ve seen a new Anderson film at least three times at festivals. I’ve only seen six of his films (counting this one) and responded to There Will Be Blood with that sort of awe. The rest varied for me — Phantom Thread was an intriguing battle of repressed wills, but I couldn’t connect with his California ode Licorice Pizza. His tenth feature, Battle is an effectively pulse-pounding thriller that’s exactly the sort of antihero conflict I do enjoy — call it “bad guys vs. worse guys” — but somehow I thought it’d be much more complicated than it actually is. Maybe that’s on me for declining to remain Extremely Online these days.
